Urrows david francis (51 risultati)

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Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Lingua: Inglese
Editore: Amsterdam-New York, Rodopi. 2005, 2005
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Da: Antiquariaat Schot, Hendrik-Ido-Ambacht, Paesi BassiAntiquariaat Schot
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Original publisher's sewn blue paperback, pictorial frontcover, large 8vo: xij, 200pp., [4]pp., introductory essay, 9 contributions, musical notations, footnotes & references, notes on contributors, table of contents. Very fine copy - as new. Volume 7: Word and Music Studies.

Lingua: Inglese
Editore: -, 2008
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Da: AwesomeBooks, Wallingford, Regno UnitoAwesomeBooks
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paperback. Condizione: Very Good. Essays on Word/Music Adaptation and on Surveying the Field: 9 (Word and Music Studies) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Lingua: Inglese
Editore: Brill, 2008
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Da: Phatpocket Limited, Waltham Abbey, HERTS, Regno UnitoPhatpocket Limited
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Condizione: Good. Used - Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre.' Ex-library, but has been well cared for. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Lingua: Inglese
Editore: Brill | Rodopi, 2019
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Da: Grey Matter Books, Hadley, MA, U.S.A.Grey Matter Books
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Hardcover. Condizione: As New. Like new, glossy sturdy boards, crisp clean bright pages.

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Condizione: New. pp. 248 Index.

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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condizione: new. Paperback. Works for Organ Volume Two by American expatriate composer David Francis Urrows presents more of his contributions to organ repertory, including several recently composed works. Arranged in chronological order-starting with three simple Christmas 'interludes' from 1975-this volume includes service, concert, and secular-themed pieces for organ, some composed for manuals only (*). A major attraction for many organists with be the Cadenza for K. 336, the only one of Mozart's Church Sonatas which lacks an authorial cadenza. This volume also presents for the first time A Little Handel Wedding Suite, four movements arranged for marriage (and other) services, including two marches by the great Baroque composer; and the first publication of seven of Urrows' original hymn tunes, with their full texts. A second volume of organ music, with works for all levels, composed by American expatriate composer, David Francis Urrows. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Condizione: New. pp. 248 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.
Altre immaginiLingua: Inglese
Editore: Brill, 2011
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Da: Lacey Books Ltd, Cirencester, Regno UnitoLacey Books Ltd
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Soft cover. Condizione: Very Good. 2011 Rodopi paperback edition. Light reading wear else very good condition. From the cover: The main section of this volume of essays addresses the topic of 'Performativity in Literature and Music', a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the 'performative turn', has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the 'crisis of the work concept' has sharpened our awareness of the need of finding the 'proper' object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on 'Surveying the Field' of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the 'musicalization of fiction'. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. Contents: Performativity in Literature and Music Performativity and the Musical Work of Art by Tobias Janz Text vs. Act: The Bearbeitungsfrage and the 'Romantic Baroque' by David Francis Urrows The Act of Performance as Mahlerian Topic by Robert Samuels Politics, Music and Irony in Alejo Carpentier's Novel La consagracion de la primavera (The Rite of Spring) by Katia Chornik Musical Performativity in the Fiction of Katherine Mansfield by Delia da Sousa Correa Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse by Walter Bernhart 'Music will keep out temporary ideas': W. B. Yeats's Radio Performances by Adrian Paterson 'The Invisible' / 'The Inaudible': Aspects of Performativity in Celan and Leibowitz by Axel Englund Romantic Opera and the Virtuoso by Simon Williams Sexing Song: Brigitte Fassbaender's Winterreise by Lawrence Kramer Vocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass's Adaptation of J. M. Coetzee's Novel by Michael Halliwell Operatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality by Bernhard Kuhn Jazz Novels and the Textualization of Musical Performance by Emily Petermann Charles Mingus and Performative Composing by Mario Dunkel Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy by Katrin Eggers Surveying the Field Seeing Words and Music as a Painter Might: The Interart Aesthetic by Peter Dayan Milan Kundera's Polyphonic Novels and the Poetics of Divestment by David Mosley.…
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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Altre immaginiLingua: Inglese
Editore: Brill, 2021
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Da: Lacey Books Ltd, Cirencester, Regno UnitoLacey Books Ltd
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Hardcover. Condizione: Very Good. 2021 Brill hardcover edition. Light reading wear else very good condition. From the cover: Incompletion is an essential condition of cultural history from the oldest extant works of art, which are partially erased by time, to the most recent ones, which have yet to be finished. The idea of the fragment became particularly important to Romantic art and continued to hold relevance for various strands of modernist and contemporary aesthetics. The fourteen essays in this volume, based on the 2017 Stockholm conference of the International Association for Word and Music Studies (WMA), for the first time address incompletion in a wide range of literary and musical texts, from Baudelaire and Flaubert through Tolstoy and Henry James to Bachmann, Jelinek and Janet Frame, from Nietzsche and Chopin through Russolo and Puccini to Rihm and Kurtág. Two further essays deal with topical general issues in the field of word and music studies. Contents PART 1 Arts of Incompletion: Fragments in Words and Music SECTION 1 Musical Philosophy of Incompletion 1. Philosophy at the Keyboard: Nietzsche's Music Box - Lawrence Kramer 2. Infinity in an Instant: The Paradox of Timeless Fragments in the Work of Gyorgy Kurtág - Ruth Jacobs SECTION 2 Fragments and Artistic Innovation 3. Drumming Out Art: Nielsen, Huelsenbeck, and Improvised Interruption - Peter Dayan 4. Russolo's 'Il risveglio di una città': A Fragment for an Aesthetics of Noise - Laura Vattano SECTION 3 Fragmentariness as a Creative Force 5. The Fragmentary and the Musical: Baudelaire's Bits and Pieces - Margaret Miner 6. Variations on the Theme of Dying: Ingeborg Bachmann and the Music of This World - Axel Englund 7. A Fragment of the Whole: Musical and Literary Incompletion in Kirsty Gunn's Book The Big Music - Christin Hoene 8. Skizzen's Sketches, Els's Tweets: Streams of Incompletion in Two Musicalized Novels - Ivan Delazari SECTION 4 Lyric Fragments in Narratives 9. Singing Words and Sticky Music: Fragmentary Lyrics and Acts of Violence - Beate Schirrmacher 10. Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961) - Delia da Sousa Correa 11. Otto Dresel's 'Loose the sail, rest the oar': A Study (In)completion - David Francis Urrows SECTION 5 Opera and Fragmentation 12. Operatic Fragments in Fiction and Film - Michael Halliwell 13. The Challenges of Completing a Plurimedial Fragment: Text, Music, and Scene in Berio/Pountney's Ending of the Opera Turandot - Bernhard Kuhn 14. Fragment and Flow: On Wolfgang Rihm's Dionysus Opera - Erik Wallrup PART 2 Word and Music Studies: Surveying the Field 15. Sound Studies and Musical Hermeneutics: Bridging the Interdisciplinary Gap - Rolf J. Goebel 16. 'Make It Old': Retro Forms in Western Literature and Music since the Eighteenth Century - Werner Wolf.…

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Da: CONTINUO Noten-Buch-Versand, Spabrücken, GermaniaCONTINUO Noten-Buch-Versand
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Condizione: New. from "A new England Almanack". Noten. Bariton und Klavier. 24 S. On the Merrimack - Meditation - October - Aftermath - The Lumberman's Alphabet.

Da: moluna, Greven, Germaniamoluna
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Lingua: Inglese
Editore: Editions Rodopi B.V. -, 2008
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Da: Bahamut Media, Reading, Regno UnitoBahamut Media
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paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Lingua: Inglese
Editore: Brill, 2008
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Condizione: New.
Altre immaginiLingua: Inglese
Editore: Brill, 2022
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Da: Lacey Books Ltd, Cirencester, Regno UnitoLacey Books Ltd
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Hardcover. Condizione: Very Good. 2022 Brill hardcover edition. Light reading wear else very good condition. From the cover: 'Making it old' has been a longstanding and currently particularly important counterpart to the predominant preoccupation, in Western art history, with 'making it new'. This interdisciplinary volume explores retro forms and styles, and their functions, in literature and music since the nineteenth century in a wide range of texts and musical genres from Goethe's Faust and Louis Spohr's Historical Symphony to Kurt Schwitters's Ursonate, Ezra Pound's Cantos, present-day opera and pop music. In addition, it contains an essay on a recent, innovative novelistic experimentation with the musicalization of fiction.The volume is of interest to scholars and students of literature, music and memory studies as well as to readers generally interested in nostalgia and cultural retro phenomena. Contents: SECTION 1 Historical Retro Forms and Styles 1. Then and Now: Forms and Functions of 'Retroization' in German Literature and Music of the 1830s - Frieder von Ammon 2. Kurt Schwitters's Ursonate: Does Sonata Form Make It Old? - Peter Dayan 3. Rubbra, Brahms, Handel: How Retro Can It Get? - David Francis Urrows 4. 'Per metamorfosi': Ezra Pound and Early Music - Adrian Paterson SECTION 2 Retro in Contemporary Opera 5. 'Es klang so alt, und war doch so neu': Retro Forms in The Aspern Papers, Great Scott and The Ghosts of Versailles - Michael Halliwell 6. Back to the Baroque Age: Salvatore Sciarrino's Ti vedo, ti sento, mi perdo (In attesa di Stradella) (2017) - Bernhard Kuhn SECTION 3 Retro in Contemporary Popular Music 7. Original Fado Revisited: Resurgence and Reinterpretation of Nineteenth-Century Poetics in Ana Moura's Song 'A Fadista' - Pénélope Patrix 8. 'Back in the days / When I'd wait to see the old bands play': Retro Styles and the Quest for Authenticity in Punk - Gerfried Ambrosch 9. Old Style in Post-Communist Hip Hop: the Russian Band Vasya Oblomov and the Bosnian-Herzegovinian Band Dubioza Kolektiv - Ingeborg Jandl PART 2 Word and Music Studies: Surveying the Field 10. Remix Aesthetics and the Musicalization of Sound in Matthew Herbert's The Music (2018) - Thomas Gurke.…

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Hardcover. Condizione: Brand New. 248 pages. 9.75x6.50x1.00 inches. In Stock.

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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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Lingua: Inglese
Editore: BRILL, 2008
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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Über den AutorDavid Francis Urrows is Associate Professor in the Department of Music at Hong Kong Baptist University, where he teaches music history, analysis, and aesthetics. He has also served on the teaching staff of the Universi.