valeriani simona (29 risultati)

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Mosaics remain a much-loved means of expression for artists worldwide. They also hold a specific relevance within the V&A since its first Director, Henry Cole, promoted this technique as a signature British artistic medium, with the potential of being also applied on an industrial scale. The ambitious and monumental results of such efforts can still be seen in the museum today. Drawing on a V&A conference, supported by the Gilbert Trust for the Arts, this edited volume offers cutting edge research on mosaics, spanning thousands of years from antiquity to our contemporary society. Organized chronologically, the essays reveal the technical and stylistic evolution of the craft, as well as its prominence in political, public and civic spaces. From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. 128 pages. 9.00x7.00x0.50 inches. In Stock.

Condizione: New.

Hardback. Condizione: New. From the earliest mosaics in 4th century BCEGreece and the Byzantine splendour of Hagia Sophia to the celebratory friezeencircling the Royal Albert Hall, and Eduardo Paolozzi's commission for theLondon Underground, this book reveals the technical and stylistic evolution ofmosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the VandA, supported by theGilbert Trust for the Arts, this volume provides both a sweeping history of thecraft and fascinating insight into key events. These include the competitionjudged by Titian, Tintoretto, Schiavone and Veronese in 16th centuryVenice to choose a mosaicist for St Mark's Basilica and the prominence ofmosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection andpreservation of micromosaics and also their creation through an interview withMaurizio Fiorvanti, a jeweller who has mastered the technique of micromosaicsand continues to create exquisite pieces from his studio in Rome.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 208 pages. 11.01x8.26x0.04 inches. In Stock.

Condizione: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condizione: Neu. Neuware -From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome. 192 pp. Englisch.

Buch. Condizione: Neu. Neuware -From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome. 192 pp. Englisch.

Buch. Condizione: Neu. Neuware -From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome.

Condizione: New. 2026. 1st Edition. hardcover. . . . . .

hardcover. Condizione: New. 1st.

Hardcover. Condizione: new. Hardcover. Mosaics remain a much-loved means of expression for artists worldwide. They also hold a specific relevance within the V&A since its first Director, Henry Cole, promoted this technique as a signature British artistic medium, with the potential of being also applied on an industrial scale. The ambitious and monumental results of such efforts can still be seen in the museum today. Drawing on a V&A conference, supported by the Gilbert Trust for the Arts, this edited volume offers cutting edge research on mosaics, spanning thousands of years from antiquity to our contemporary society. Organized chronologically, the essays reveal the technical and stylistic evolution of the craft, as well as its prominence in political, public and civic spaces. From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condizione: Neu. Neuware -From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 192 pp. Englisch.

Buch. Condizione: Neu. Mosaics and Micromosaics | Art, Craft and Identities | Simona Valeriani (u. a.) | Buch | Englisch | 2026 | Abrams & Chronicle Books | EAN 9781838510459 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Condizione: new. Hardcover. This groundbreaking study takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a 'Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Placing materiality at its core, this volume provides an intellectual history of Victorian ideas about technology, progress, and prosperity. The narrative is underpinned by a wealth of new sources - from architectural models and archival materials to 19th century newspapers. Each chapter focuses on a particular element of the Royal Albert Hall's construction, chronicling the previously overlooked work of a host of contributors from all walks of life, including female mosaic-makers and the Royal Engineers. Lighting, ventilation, fireproofing, 'ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a 'manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This is the Royal Albert Hall: a central piece of the puzzle in Britain's march towards modernity. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condizione: Neu. Neuware - From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome.

Hardcover. Condizione: new. Hardcover. Mosaics remain a much-loved means of expression for artists worldwide. They also hold a specific relevance within the V&A since its first Director, Henry Cole, promoted this technique as a signature British artistic medium, with the potential of being also applied on an industrial scale. The ambitious and monumental results of such efforts can still be seen in the museum today. Drawing on a V&A conference, supported by the Gilbert Trust for the Arts, this edited volume offers cutting edge research on mosaics, spanning thousands of years from antiquity to our contemporary society. Organized chronologically, the essays reveal the technical and stylistic evolution of the craft, as well as its prominence in political, public and civic spaces. From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Rilegato. Condizione: nuovo. edizione illustrata. pp. 191; ill. a colori; rilegato con sovraccoperta.

Hardback. Condizione: New. From the earliest mosaics in 4th century BCEGreece and the Byzantine splendour of Hagia Sophia to the celebratory friezeencircling the Royal Albert Hall, and Eduardo Paolozzi's commission for theLondon Underground, this book reveals the technical and stylistic evolution ofmosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the VandA, supported by theGilbert Trust for the Arts, this volume provides both a sweeping history of thecraft and fascinating insight into key events. These include the competitionjudged by Titian, Tintoretto, Schiavone and Veronese in 16th centuryVenice to choose a mosaicist for St Mark's Basilica and the prominence ofmosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection andpreservation of micromosaics and also their creation through an interview withMaurizio Fiorvanti, a jeweller who has mastered the technique of micromosaicsand continues to create exquisite pieces from his studio in Rome.

Condizione: New. 2025. 1st Edition. hardcover. . . . . .

Buch. Condizione: Neu. Neuware -From the earliest mosaics in 4th century BCE Greece and the Byzantine splendour of Hagia Sophia to the celebratory frieze encircling the Royal Albert Hall, and Eduardo Paolozzi's commission for the London Underground, this book reveals the technical and stylistic evolution of mosaic, and its prominence in political, public and civic spaces.Drawing on a conference at the V&A, supported by the Gilbert Trust for the Arts, this volume provides both a sweeping history of the craft and fascinating insight into key events. These include the competition judged by Titian, Tintoretto, Schiavone and Veronese in 16th century Venice to choose a mosaicist for St Mark's Basilica and the prominence of mosaic in Fascist Italy, Nazi Germany and Soviet Russia.The volume also considers the practical - the collection and preservation of micromosaics and also their creation through an interview with Maurizio Fiorvanti, a jeweller who has mastered the technique of micromosaics and continues to create exquisite pieces from his studio in Rome. 192 pp. Englisch.

Condizione: New. 2025. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. This groundbreaking study takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a 'Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Placing materiality at its core, this volume provides an intellectual history of Victorian ideas about technology, progress, and prosperity. The narrative is underpinned by a wealth of new sources - from architectural models and archival materials to 19th century newspapers. Each chapter focuses on a particular element of the Royal Albert Hall's construction, chronicling the previously overlooked work of a host of contributors from all walks of life, including female mosaic-makers and the Royal Engineers. Lighting, ventilation, fireproofing, 'ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a 'manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This is the Royal Albert Hall: a central piece of the puzzle in Britain's march towards modernity. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

4°, gebundene Ausgabe, 275 Seiten, Einband stark berieben, teils mit Kratzern versehen, etwas schiefgelegen, sonst in einem guten Zustand. 9783865680051 Sprache: Deutsch Gewicht in Gramm: 1530.

Rilegato. Condizione: nuovo. Pages: 322 p.Illustrations:4 b/w, 231 col., 2 tables b/w. Language(s):English. Publication Year:2025. Brepols. ISBN: 978-2-503-60026-0. Hardback --- Summary This groundbreaking study takes one of London's most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a 'Central Hall of Arts and Sciences'. Prince Albert's overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach. Placing materiality at its core, this volume provides an intellectual history of Victorian ideas about technology, progress, and prosperity. The narrative is underpinned by a wealth of new sources from architectural models and archival materials to 19th century newspapers. Each chapter focuses on a particular element of the Royal Albert Hall's construction, chronicling the previously overlooked work of a host of contributors from all walks of life, including female mosaic-makers and the Royal Engineers. Lighting, ventilation, fireproofing, 'ascending rooms', cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined. This book shows, for the first time, how the Royal Albert Hall's building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a 'manifesto' of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire's metropole. This is the Royal Albert Hall: a central piece of the puzzle in Britain's march towards modernity.