Van asperen peter (16 risultati)

Condizione: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: fine. [8], 112 p., 1 leaf of a color plate, folded: illustrations; 31 cm. Dark brown cloth with gilt spine title. Brown endpapers. Illustrated dust jacket. Includes essays by nine scholars on the question of "Why Jan van Eyck (d. 1441), the preeminent artist of the Early Netherlandish School, would have painted two nearly identical versions of Saint Francis of Assisi Receiving the Stigmata, one now in the Philadelphia Museum of Art and one four times larger in the Galleria Sabauda in Turin." -- dust jacket. Book is in Fine Condition: clean and tight. Dust jacket is in Fine Condition: clean and bright.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 112 page hardcover with illustrations. Several essay contributors about the attribition of two identical paintings. Dust jacket is bright, complete and clean. Full brown cloth exterior with title on spine in gold. Interior is unmarked, tight and clean.…

Condizione: New. New dust jacket. Shrink wrapped! A brand new, unused and unread copy in perfect condition.

Hardcover. Condizione: Like New. Like New. First Edition. First Edition, First Printing. Published by Philadelphia Museum of Art, 1997. Folio. Brown cloth boards stamped in gold with brown endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 112 pages. ISBN: 0876331150. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell.…

Hardcover. Condizione: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Cloth. Condizione: Fine Condition. Fine Condition. 112 pages. Hardcover. Texts in English. Crisp, tight, sharp and clean condition. 123 illustrations in both black and white and color. Book.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Color reproductions; 4to 11" - 13" tall; 112 pages; Oversize HC/DJ. Still sealed in publisher's shrinkwrap. New copy. . Oversize book may require additional charges for expedited or international shipping.

Condizione: As New. Excellent, unread, like-new condition. Pristine inside and out. Photo is of the actual book you will receive. Ships wrapped in bubble wrap and packed securely in a box.

Condizione: New.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: New.

Condizione: New.

Philadelphia, Philadelphia Museum of Art 1997 Bound, cloth with orig dustjacket, 112pp., 25.5x31cm., ills. in col. and b/w., very good copy. ISBN 0876331150. Why Jan Van Eyck, the preeminent artist of the Early Netherlandish School, would have painted two nearly identical versions of St. Francis of Assisi Receiving the Stigmata, one now in the Philadelphia Museum of Art and one four times larger in the Galleria Sabauda in Turin, is examined in this volume.Both paintings have been recently conserved, and new scientific evidence published here, such as that revealed by examination with infrared reflectography and dendrochronological analyses, provides a broader platform from which to study these two precious objects. The authors include scholars internationally known for their research in Early Netherlandish painting.…