Vanessa l rogers (20 risultati)

Paperback. Condizione: Very Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: Good. 2012 Trust for Wessex Archaeology paperback edition. Some reading wear, lacking microfiche else very good condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2026. hardcover. . . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field. The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini. Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era. …

Hardcover. Condizione: Brand New. 314 pages. 6.00x2.00x9.00 inches. In Stock.

Hardback. Condizione: New. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field. The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini. Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era. …

Hardcover. Condizione: new. Hardcover. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field.The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini.Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: Brand New. 314 pages. 6.00x2.00x9.00 inches. In Stock. This item is printed on demand.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

Hardcover. Condizione: new. Hardcover. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field.The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini.Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Buch. Condizione: Neu. Eighteenth-Century Opera and Ballet | New Perspectives on Sources and Practice | Vanessa L. Rogers (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2026 | University of Rochester Press | EAN 9781648251399 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Hardcover. Condizione: new. Hardcover. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field.The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini.Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era. Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Twelve original essays that explore the rich interplay of opera, ballet, and culture in eighteenth-century Europe and beyond and offer new insights into such important figures as Mozart and the castrato Farinelli.Opera and theatrical dance were among the most important, elaborate, and influential products of European culture in the eighteenth century. Eighteenth-Century Opera and Ballet: New Perspectives on Sources and Practice, compiled and edited by Janet K. Page and Vanessa L. Rogers, gathers together essays by twelve leading scholars of the field. The volume engages with the creation and production of opera and ballet across diverse national traditions within Europe (and, in one chapter, colonial Brazil), the social and artistic lives of singers, historical performance practices, and issues of scholarship and interpretation. The various chapters provide fresh perspectives on major figures of the era, including Goethe, Gluck, and Mozart, renowned singers such as the castrato Farinelli and the soprano Aloisia Lange, and the enormously influential choreographer Gasparo Angiolini. Collectively, the essays illuminate the intricate interconnections that characterized eighteenth-century musical and theatrical culture and reveal new aspects of music and performance during this pivotal era.…