Varda caivano (19 risultati)
Gideon Rubin â" Look Again Format: Hardback
Rubin, Gideon; Higgie, Jennifer; Holman, Dr Matthew; Caivano, Varda
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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EUR 31,63
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Condizione: New. Brand New.
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Da: WorldofBooks, Goring-By-Sea, WS, Regno UnitoWorldofBooks
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EUR 26,59
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Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Da: Book Bunker USA, Havertown, PA, U.S.A.Book Bunker USA
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EUR 31,54
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hardcover. Condizione: New. *Brand new* Ships from USA.
Altre immagini- Rilegato
- Prima edizione
Da: Basket Case Books, Boulder, CO, U.S.A.Basket Case Books
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EUR 30,85
EUR 5,13 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 2023 Hardcover 225pp. Interior clean; binding tight. Boards VG.
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Da: Devils in the Detail Ltd, Oxford, Regno UnitoDevils in the Detail Ltd
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EUR 18,02
EUR 18,67 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 14 disponibili
Condizione: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW.
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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EUR 49,68
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Hardback. Condizione: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythol…ogies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
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Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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EUR 39,55
EUR 13,98 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 9 disponibili
Condizione: New. In.
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Da: Majestic Books, Hounslow, Regno UnitoMajestic Books
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EUR 46,04
EUR 7,59 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: New.
- Rilegato
Da: Chiron Media, Wallingford, Regno UnitoChiron Media
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 35,94
EUR 18,08 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 9 disponibili
Hardcover. Condizione: New.
- Rilegato
Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 54,57
Spedizione gratuitaSpedito da Regno Unito a U.S.A.Quantità: 5 disponibili
Hardback. Condizione: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythol…ogies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
Editore: Hauser & Wirth, 2005
Da: Cotswold Internet Books, Cheltenham, Regno UnitoCotswold Internet Books
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EUR 12,02
EUR 16,34 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
No. 848 of 1,000. A clean, tidy 32pp stapled paperback. Used - Very Good. VG stapled paperback Used - Very Good. VG stapled paperback.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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EUR 47,81
EUR 17,51 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 2 disponibili
Hardcover. Condizione: Brand New. 228 pages. 10.30x8.30x1.02 inches. In Stock.
Editore: The Renaissance Society, 2015
Da: ANARTIST, New York, NY, U.S.A.ANARTIST
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EUR 30,85
EUR 4,28 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPoster, measuring 18 x 24 inches; with text on rear; very good condition; folded 4 times into 8 sections; a mailed copy with address and postal marks on rear. Will be mailed folded.
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Da: Books Puddle, New York, NY, U.S.A.Books Puddle
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EUR 73,42
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Condizione: New.
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Da: Biblios, frankfurt am main, HESSE, GermaniaBiblios
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EUR 65,86
EUR 9,95 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Condizione: New.
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 51,97
EUR 42,79 spedizioneSpedito in U.S.A.Quantità: 13 disponibili
Hardback. Condizione: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythol…ogies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
- Brossura
Da: Devils in the Detail Ltd, Oxford, Regno UnitoDevils in the Detail Ltd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 96,17
EUR 18,67 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 6 disponibili
Condizione: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW.
- Rilegato
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 50,00
EUR 66,56 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Buch. Condizione: Neu. Neuware - The second monograph to showcase Gideon Rubin's paintings and explorations of intimacy and solitude, identity and the inheritance of trauma, with essays by Jennifer Higgie and Dr. Matthew Holman and an exclusive conversation between Rubin and fellow painter Varda Caivano.Gideon Rubin (b. 1973, Is…rael) is an artist who lives and works in London. Exploring identity, history, and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history, and literature, creating and investigating mythologies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas.Look Again is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences - Balthus, De Kooning, Guston, and Diebenkorn to name a few. Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book - a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf. Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea,' as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes, and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanized his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.
- Rilegato
Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 50,91
EUR 75,87 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 5 disponibili
Hardback. Condizione: New. Gideon Rubin (b. 1973, Israel) is an artist who lives and works in London. Exploring identity, history and the inheritance of trauma in his enigmatic paintings, Rubin's subject matter draws on myriad references such as film, popular culture, art history and literature, creating and investigating mythol…ogies from the recent past. Haunting and subtly theatrical, the paintings often feature faceless yet familiar figures. Underlying each work is Rubin's expressive mark-making, muted palette and understated use of negative space and raw canvas. _Look Again_ is Gideon Rubin's second major trade monograph and showcases his substantial body of work since 2015, including studies of people in nature and scenes of solitude and intimacy. Author and art critic Jennifer Higgie discusses the evolution of his artistic style and his many influences-Balthus, De Kooning, Guston and Diebenkorn to name a few. Dr Matthew Holman's expansive essay touches on Rubin's cinematic characters, source material, his use of artistic conventions and engagement with sexuality. Holman investigates the meaning of redaction in Rubin's work, both in his faceless portraits and in Black Book-a work in which Rubin used black paint to erase the contents of a 1938 English translation of Mein Kampf.Exhibited at the Freud Museum in London in 2018, Black Book is an exploration of what is left out of history, as much as what is remembered.Painting is essential to Rubin, as both a creative and therapeutic act; 'a log keeping him afloat in the middle of the sea', as he puts it. In conversation with fellow artist Varda Caivano, Rubin analyses his motivations, processes and doubts, and explains his surprising route to painting. Despite coming from a lineage of painters on his father's side, it was largely his mother's academic love of art that galvanised his artistic career, as well as a transformational experience in South America that opened him up to painting. An emotive poem by South Korean author Park Joon sheds further light on Rubin's imagination.Rubin studied at the School of Visual Arts in New York and then at the Slade School of Fine Arts in London. He has had numerous international one-man shows and his works are included in a number of international private and public collections. Recent exhibitions include 13, Galleria Monica De Cardenas, Milan (2023), Dark Noise, The Kupferman House Collection, Israel (2023), Portrait without a Face, Fox Jensen Gallery, Tokyo (2023), a solo show at CASSIUSandCo., London (2023) and Living Memory, a two-person show with Louise Bourgeois in a Grade II listed chapel in London (2023). Rubin's work has been featured in publications such as _Artribune_, _San Francisco Examiner, Vestoj, Koln Kultur, Galerie Magazine, Südostschweiz Newspaper_ and _Elephant_ among others. The publication has been supported by Galerie Karsten Greve, who represent Rubin's work in Paris, Cologne and St. Moritz.
