Vera cantoni (45 risultati)

Paperback. Condizione: Very Good. First Edition. Tremont, IL: Major Poets Chapter, American Poets Fellowship Society 1971. First edition. Magazine. Pictorial wrappers [about 5.5" x 8.5"], saddle-stapled, unpaginated. Near fine with very light wear wb21E.

Hardcover. Condizione: As New. Never read, pages are clean, no marks or highlights. Our copy is a new hardback, with printed covers, showing light shelfwear.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Paperback. Condizione: New. Shakespeare's Globe Theatre is recognised worldwide as both a monument to and significant producer of the dramatic art of Shakespeare and his contemporaries. But it has established a reputation too for commissioning innovative and distinctive new plays that respond to the unique characteristics and identity of the theatre. This is the first book to focus on the new drama commissioned and produced at the Globe, to analyse how the specific qualities of the venue have shaped those works and to assess the influences of both past and present in the work staged.The author argues that far from being simply a monument to the past, the reconstructed theatre fosters creativity in the present, creativity that must respond to the theatre's characteristic architecture, the complex set of cultural references it carries and the heterogeneous audience it attracts. Just like the reconstructed 'wooden O', the Globe's new plays highlight the relevance of the past for the present and give the spectators a prominent position. In examining the score of new plays it has produced since 1995 the author considers how they illuminate issues of staging, space, spectators, identity and history - issues that are key to an understanding of much contemporary theatre. Howard Brenton's In Extremis and Anne Boleyn receive detailed consideration, as examples of richly productive connection between the playwright's creativity and the theatre's potential. For readers interested in new writing for the stage and in the work of one of London's totemic theatre spaces, New Playwriting at Shakespeare's Globe offers a fascinating study of the fruitful influences of both past and present in today's theatre.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

PF. Condizione: New.

Condizione: New.

hardback with illus cover, very good condition, 238pp.

Condizione: New. pp. 256.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Condizione: New. 2019. Paperback. . . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Condizione: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Brossura. Condizione: new. Roma, 2026; br., pp. 426, cm 14,1x21,1. (Motus. Studi sulla Società). Che cosa significa essere umani in un'epoca in cui le macchine "pensano", "parlano", "creano"? Questa raccolta di saggi, a cura di Emanuela Piga Bruni, Vera Cantoni e Daniela D'Auria, indaga le forme dell'intelligenza artificiale e delle macchine antropomorfe nell'immaginario contemporaneo, mostrando come l'ibrido umano-macchina ridisegni le tradizionali categorie di umano, reale, artificiale e naturale. Intrecciando saperi scientifici e umanistici, le autrici e gli autori tracciano una genealogia della macchina intelligente e delle sue narrazioni, mettendo a fuoco il dialogo come forma testuale e come strategia cognitiva per ripensare la coscienza, le relazioni con l'ambiente e il futuro delle tecnologie emergenti. Libro.…

Paperback. Condizione: Brand New. 256 pages. 8.25x5.25x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - Shakespeare's Globe Theatre is recognised worldwide as both a monument to and significant producer of the dramatic art of Shakespeare and his contemporaries. But it has established a reputation too for commissioning innovative and distinctive new plays that respond to the unique characteristics and identity of the theatre. This is the first book to focus on the new drama commissioned and produced at the Globe, to analyse how the specific qualities of the venue have shaped those works and to assess the influences of both past and present in the work staged.The author argues that far from being simply a monument to the past, the reconstructed theatre fosters creativity in the present, creativity that must respond to the theatre's characteristic architecture, the complex set of cultural references it carries and the heterogeneous audience it attracts. Just like the reconstructed 'wooden O', the Globe's new plays highlight the relevance of the past for the present and give the spectators a prominent position. In examining the score of new plays it has produced since 1995 the author considers how they illuminate issues of staging, space, spectators, identity and history - issues that are key to an understanding of much contemporary theatre. Howard Brenton's In Extremis and Anne Boleyn receive detailed consideration, as examples of richly productive connection between the playwright's creativity and the theatre's potential. For readers interested in new writing for the stage and in the work of one of London's totemic theatre spaces, New Playwriting at Shakespeare's Globe offers a fascinating study of the fruitful influences of both past and present in today's theatre.…

Kartoniert / Broschiert. Condizione: New.

Paperback. Condizione: New. Shakespeare's Globe Theatre is recognised worldwide as both a monument to and significant producer of the dramatic art of Shakespeare and his contemporaries. But it has established a reputation too for commissioning innovative and distinctive new plays that respond to the unique characteristics and identity of the theatre. This is the first book to focus on the new drama commissioned and produced at the Globe, to analyse how the specific qualities of the venue have shaped those works and to assess the influences of both past and present in the work staged.The author argues that far from being simply a monument to the past, the reconstructed theatre fosters creativity in the present, creativity that must respond to the theatre's characteristic architecture, the complex set of cultural references it carries and the heterogeneous audience it attracts. Just like the reconstructed 'wooden O', the Globe's new plays highlight the relevance of the past for the present and give the spectators a prominent position. In examining the score of new plays it has produced since 1995 the author considers how they illuminate issues of staging, space, spectators, identity and history - issues that are key to an understanding of much contemporary theatre. Howard Brenton's In Extremis and Anne Boleyn receive detailed consideration, as examples of richly productive connection between the playwright's creativity and the theatre's potential. For readers interested in new writing for the stage and in the work of one of London's totemic theatre spaces, New Playwriting at Shakespeare's Globe offers a fascinating study of the fruitful influences of both past and present in today's theatre.…

Taschenbuch. Condizione: Neu. New Playwriting at Shakespeare's Globe | Vera Cantoni | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | Bloomsbury Publishing PLC | EAN 9781350118836 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Paperback. Condizione: New.

Paperback. Condizione: New.

Condizione: New. In English.

Gebunden. Condizione: New.

Buch. Condizione: Neu. Neuware - Shakespeare's Globe Theatre is recognised worldwide as both a monument to and significant producer of the dramatic art of Shakespeare and his contemporaries. But it has established a reputation too for commissioning innovative and distinctive new plays that respond to the unique characteristics and identity of the theatre. This is the first book to focus on the new drama commissioned and produced at the Globe, to analyse how the specific qualities of the venue have shaped those works and to assess the influences of both past and present in the work staged.The author argues that far from being simply a monument to the past, the reconstructed theatre fosters creativity in the present, creativity that must respond to the theatre's characteristic architecture, the complex set of cultural references it carries and the heterogeneous audience it attracts. Just like the reconstructed 'wooden O', the Globe's new plays highlight the relevance of the past for the present and give the spectators a prominent position. In examining the score of new plays it has produced since 1995 the author considers how they illuminate issues of staging, space, spectators, identity and history - issues that are key to an understanding of much contemporary theatre. Howard Brenton's In Extremis and Anne Boleyn receive detailed consideration, as examples of richly productive connection between the playwright's creativity and the theatre's potential. For readers interested in new writing for the stage and in the work of one of London's totemic theatre spaces, New Playwriting at Shakespeare's Globe offers a fascinating study of the fruitful influences of both past and present in today's theatre.…

Hardcover. Condizione: Brand New. 304 pages. 8.50x5.25x1.00 inches. In Stock.

Condizione: New. Num Pages: 304 pages. BIC Classification: ANF; DSG. Category: (U) Tertiary Education (US: College). Dimension: 216 x 138. . . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: New. Num Pages: 304 pages. BIC Classification: ANF; DSG. Category: (U) Tertiary Education (US: College). Dimension: 216 x 138. . . 2017. Hardcover. . . . .