veronica hollinger (106 risultati)

Paperback. Condizione: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condizione: Fair. unknown. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condizione: New. Essays about the inherently collaborative nature of science fiction Editor(s): Attebery, Brian; Hollinger, Veronica. Num Pages: 280 pages. BIC Classification: DS. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 517. . 2013. paperback. . . . . Books ship from the US and Ireland.

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships USPS Media Mail.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Wesleyan Pub Date: 8/1/2010 Binding: Paperback Pages: 792 First edition.

Condizione: New. Essays about the inherently collaborative nature of science fiction Editor(s): Attebery, Brian; Hollinger, Veronica. Num Pages: 280 pages. BIC Classification: DS. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 517. . 2013. paperback. . . . .

Trade Paperback. Condizione: As New. First Edition. First Edition, 6th printing. Trade PB in illustrated wraps. As New and unread. 767pp inc. Further Reading. 792 p. Book.

Paperback. Condizione: Like New. First Edition. First Edition, First Printing. Published by University of Pennsylvania Press, 1997. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Near Fine. First Edition. xv, 264 pp, Foreword: Vampiresd: The Ancient Fear by Brian Aldiss; Acknowledgments, 1. Introduction: The Shape of Vampires by Joan Gordon and Veronica Hollinger; Part I. Reading History: 2. My Vampire, My Friend: The Intimacy Dracula Destroyed by Nina Auerbach; 3. Metaphor into Metonymy: The Vampire Next Door by Jules Zanger; 4. The Vampire as Alien in Contemporary Fiction by Margaret L Carter; 5. Sharper Than a Serpent's Tooth: The Vampire in Search of Its Mother by Joan Gordon. Partr II. Reading the Writers: 6. Meditations in Red: On Writing The Vampire Tapestry by Suzy McKee Charnas; 7. Sang for Supper: Notes on the Metaphorical Use of Vampires in The Empire of Fear and Young Blood; 8. Recasting the Mythology: Writing Vampire Fiction by Jowelle Gomez. Part III. Reading Consumption: 9. Dieting and Damnation: Anne Rice's Interview with the Vampire by Sandra Tomc; 10. When Hollywood Sucks, or, Hungry Girls, Lost Boys, and Vampirism in the Age of Reason by Nicola Nixon; 11. Consuming Youth: The Lost Boys Cruise Mallworld by Rob Latham. Part IV. Reading the Other: 12. The Gilda Stories: Revealing the Monsters at the Margins by Miriam Jones; 13. Coming Out of the Coffin: Gay Males and Queer Goths in Contemporary Vampire Fiction by Trevor Holmes; 14. Techno-Gothic Japan: From Seishi Yokomizo's The Death's Head Stranger to Mariko Ohara's Ephemera the Vampire by Mari Kotani; 15. Fantasies of Absence: The Postmodern Vampira by Veronica Hollinger; notes, works cited, films cite, index, list of contributors. First Edition, 1997. "This book explores the many transformations the figure of the vampire has undergone and shows how they reflect and illuminate ongoing changes in postmodern culture. It focuses on the metaphorical roles played by vampires in contemporary fiction and film, revealing what they can tell us about sexuality and power, power and alienation, attitudes toward illness, and the definition of evil in a secular age." Only the faintest edge wear, else, Pristine. Clean, tight and strong binding with no underlining, highlighting or marginalia. Illustrated wrappers. Size: Large 8vo. Book.

Soft cover. Condizione: Fine. First edition USA trade paperback, 1997 University Of Pennsylvania Press. It is in fine condition with no creasing to the spine or covers. Underlining in pencil to the text. Foreword by Brian Aldiss.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Paperback. Condizione: Good. unknown. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Soft cover. Condizione: As New. 1st Edition. Clean, unmarked, unread copy with a spine in pristine condition. BP/SciFi.

Paperback or Softback. Condizione: New. Blood Read: The Vampire as Metaphor in Contemporary Culture. Book.

Condizione: New.

Paperback or Softback. Condizione: New. The Wesleyan Anthology of Science Fiction. Book.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780812216288.

Paperback. Condizione: New. The vampire is one of the nineteenth century's most powerful surviving archetypes, owing largely to Bela Lugosi's portrayal of Dracula, the Bram Stoker creation. Yet the figure of the vampire has undergone many transformations in recent years, thanks to Anne Rice's Vampire Chronicles and other works, and many young people now identify with vampires in complex ways. Blood Read explores these transformations and shows how they reflect and illuminate ongoing changes in postmodern culture. It focuses on the metaphorical roles played by vampires in contemporary fiction and film, revealing what they can tell us about sexuality and power, power and alienation, attitudes toward illness, and the definition of evil in a secular age. Scholars and writers from the United States, Canada, England, and Japan examine how today's vampire has evolved from that of the last century, consider the vampire as a metaphor for consumption within the context of social concerns, and discuss the vampire figure in terms of contemporary literary theory. In addition, three writers of vampire fiction-Suzy McKee Charnas (author of the now-classic Vampire Tapestry), Brian Stableford (writer of the lively and erudite novels Empire of Fear and Young Blood), and Jewelle Gomez (creator of the dazzling Gilda stories)-discuss their own uses of the vampire, focusing on race and gender politics, eroticism, and the nature of evil. The first book to examine a wide range of vampire narratives from the perspective of both writers and scholars, Blood Read offers a variety of styles that will keep readers thoroughly engaged, inviting them to participate in a dialogue between fiction and analysis that shows the vampire to be a cultural necessity of our age. For, contrary to legends in which Dracula has no reflection, we can see reflections of ourselves in the vampire as it stands before us cloaked not in black but in metaphor.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780812216288.

Paperback. Condizione: New. The vampire is one of the nineteenth century's most powerful surviving archetypes, owing largely to Bela Lugosi's portrayal of Dracula, the Bram Stoker creation. Yet the figure of the vampire has undergone many transformations in recent years, thanks to Anne Rice's Vampire Chronicles and other works, and many young people now identify with vampires in complex ways. Blood Read explores these transformations and shows how they reflect and illuminate ongoing changes in postmodern culture. It focuses on the metaphorical roles played by vampires in contemporary fiction and film, revealing what they can tell us about sexuality and power, power and alienation, attitudes toward illness, and the definition of evil in a secular age. Scholars and writers from the United States, Canada, England, and Japan examine how today's vampire has evolved from that of the last century, consider the vampire as a metaphor for consumption within the context of social concerns, and discuss the vampire figure in terms of contemporary literary theory. In addition, three writers of vampire fiction-Suzy McKee Charnas (author of the now-classic Vampire Tapestry), Brian Stableford (writer of the lively and erudite novels Empire of Fear and Young Blood), and Jewelle Gomez (creator of the dazzling Gilda stories)-discuss their own uses of the vampire, focusing on race and gender politics, eroticism, and the nature of evil. The first book to examine a wide range of vampire narratives from the perspective of both writers and scholars, Blood Read offers a variety of styles that will keep readers thoroughly engaged, inviting them to participate in a dialogue between fiction and analysis that shows the vampire to be a cultural necessity of our age. For, contrary to legends in which Dracula has no reflection, we can see reflections of ourselves in the vampire as it stands before us cloaked not in black but in metaphor.