vince leo (29 risultati)

Trade Paperback. Condizione: Very Good. No Jacket. Johnston, Janine; Lieber, Steve; Locke, Vince; Mireault, Bernie; Parker, Jeff; Jones, Jeffrey (illustratore). First Thus. Used Graphic Novel.

168 pp.; 25.7 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 42 of Parkett, edited by Bice Curiger. Contents include: "Robert Frank: From Compromise to Collaboration," by Vince Leo; "Weiner's Werkatätte," by Brooks Adams; "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works," by Frances Richard; "Public Freehold," by Dieter Schwarz; "The Meaning that Comes Away from the Work of Art," by Daniela Salvioni; "The Public Reacts to Smashed To Pieces (In The Still Of The Night)," by unattributed artists; "But Can She Bake a Cherry Pie?," by Lane Relyea; "& Vers les Etoiles," by Edward Leffingwell; "Rachel Whiteread: Separation Anxiety and the Art of Release," by Neville Wakefield; "Whiteread's Ghost," by Trevor Fairbrother; "The Curbed Monumentality of the Invisible," by Rudolf Schmitz; "About the House," by Simon Watney; "Cursive," by Ingrid Schaffner; "Les Infos Du Paradis: Claude Ritschard on Markus Raetz," by Claude Ritschard; "Cumulus Aus Europa," by Guy Brett; "Cumulus From America," by Martha Fleming and "Balkon," by Robert Ohrt. Insert by Nan Goldin. Text in German and English. Very Good. Sun bleaching to covers. Light rubbing of cover edges and bumping of top right corner of recto. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

37 pp.; 38 x 25 cm.; spiral bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Artist's book by Vince Leo featuring a chronological archive on the exhibition of a Mao print at the First Bank, in Milwaukee, MN, in 1987. Includes text by Paula A. Poda printed on vellum recto. Printed in black-and-white and red. Very Good. Rubbing of cover edges with light bumping of corners and additional light edge wear. Contents clean and unmarked. Due to size additional shipping charges will be required for international orders.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. A beautifully somber photographic meditation on an ancient Jewish ritualThe Jewish tradition of leaving a stone or pebble at the gravesite of a loved one is an ancient custom of remembering the departed by means of a humble natural object. Minneapolis-based photographer Vince Leo (born 1949) began taking photographs of these visitation stones after several people close to him died in quick succession, and he found himself enacting the ritual of grief over and over. Placing a stone is a simple but powerful gesture that connects the living to the dead.Remembered as a Blessing contains 30 of Leos black-and-white photographs, which honor these stones as the complex objects they are: simultaneously hard, durable pieces of matter and embodiments of ineffable spiritual relationships, often among many generations. Each of Leos photographs fuses light, focus, viewpoint, reflection and magnification into a moment in which the ordinary and the symbolic coexist. Daniel Mendelsohn, acclaimed author of The Lost, contributes an essay. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Brand New. bilingual edition. 168 pages. German language. 9.00x9.00x0.75 inches. In Stock.

First Edition. First edition. Softcover. 50 pages. Exhibition catalog for a show that ran September 6 through October 16, 2005 in Dayton and then October 24 through December 4, 2005 in West Lafayette, Indiana. Features essays by Philip Ball and Vince Leo. Includes numerous black and white still life photographs. A clean very near fine copy in wrappers. Signed and inscribed by Goldes to photographers Nathan and Joan Lyons and with a signed letter from him as well presenting this catalog. Signed.

Paperback. Condizione: Brand New. bilingual edition. 168 pages. German language. 9.00x9.00x0.75 inches. In Stock.

Condizione: NEW.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

hardcover. Condizione: New. Special order direct from the distributor.

Condizione: New. 2023. Hardcover. . . . . .

Hardcover. Condizione: Brand New. 80 pages. 11.00x13.50x0.55 inches. In Stock.

Hardcover. Condizione: Brand New. 80 pages. 11.00x13.50x0.55 inches. In Stock.

Condizione: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

First Edition. First edition. Softcover. 24 pages. Exhibition catalog for a group show. Features essays by Trudy Wilner Stack and William Tolan. Includes color and black and white images by Sally Mann, Vince Leo, Melissa Shook and Philip-Lorca diCorcia. From the library of the Visual Studies Workshop and with their sticker to the front cover and to the verso of the rear cover. Otherwise a very good plus copy in stapled wrappers with some minor wear. Uncommon.

Condizione: NEW.

Soft cover. Condizione: Very Good. Artist's project by Vince Leo documenting the controversy over Andy Warhol's Mao Tse-tung silkscreen prints defiantly displayed at First Bank Edina 1987-88. Excellent copy in spiral binding. Front cover/printed glassine is a little edge-worn with a couple of creases and closed tears. Thick card sheets that make up the rest of the book are clean and bring with minor handling wear.

Hardcover. Condizione: new. Hardcover. A beautifully somber photographic meditation on an ancient Jewish ritualThe Jewish tradition of leaving a stone or pebble at the gravesite of a loved one is an ancient custom of remembering the departed by means of a humble natural object. Minneapolis-based photographer Vince Leo (born 1949) began taking photographs of these visitation stones after several people close to him died in quick succession, and he found himself enacting the ritual of grief over and over. Placing a stone is a simple but powerful gesture that connects the living to the dead.Remembered as a Blessing contains 30 of Leos black-and-white photographs, which honor these stones as the complex objects they are: simultaneously hard, durable pieces of matter and embodiments of ineffable spiritual relationships, often among many generations. Each of Leos photographs fuses light, focus, viewpoint, reflection and magnification into a moment in which the ordinary and the symbolic coexist. Daniel Mendelsohn, acclaimed author of The Lost, contributes an essay. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - A beautifully somber photographic meditation on an ancient Jewish ritual.

Soft cover. Condizione: Very Good. 1st Edition. Np, First Bank System, 1989. Small folio, 38 p., original spiral binding. First edition of this work documenting the controversy surrounding the display of Warhol's Mao silkscreens at First Bank in Edina in 1987-8. Panels lightly scuffed, upper margin of tissue guard lightly stained, else a VG+ copy.

Condizione: Very good.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "Books: Mim Udovitch on 'The Devil at Large: Erica Jong on Henry Miller,'" by Mim Udovitch; "Glamour Wounds: Rhonda Lieberman on Sandra Bernhard," by Rhonda Lieberman; "Democracy, Inc.: Andrew Ross' Weather Report," by Andrew Ross; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Media Kids: Scott Bukatman on 'Jurassic Park,'" by Scott Bukatman; "Earth to Vija Celmins," by Lane Relyea; "Soul Thing: A Project for Artforum," by Robert Greene; "Ruby on the Road," Manohla Dargis talks with Victor Nunez; "Face to Face: Portraits from the Collection of the Metropolitan Museum of Art, A Project for Artforum," by Chuck Close with a text by Michael Auping; "Social Realism from Stalin to Sots," by J. Hoberman; "The New Russian Money," by Andrew Solomon; "Rule and Branch," Jean-Pierre Criqui visits Bernard Frize; "Digging Freud: From California to Germany," Catherine Liu talks with Laurence A. Rickels; "Openings: Nicole Eisenman," by Liz Kotz; "Focus: 1993 Venice Biennale, Venice the Menace," by Thomas McEvilley; "'Aperto 93': The Better Biennale," by Giorgio Verzotti. Reviews by Maria Porges, Giorgio Verzotti, Donald Kuspit, Joshua Decter, K. Marriott Jones, David Pagel, Keith Seward, Justin Spring, Barry Schwabsky, Jan Avgikos, Kirby Gookin, John Ash, Linda Yablonsky, Jenifer P. Borum, Lois Nesbitt, Michael Corris, Andrew Perchuk, Patricia Perchuk, Patricia C. Phillips, RoseLee Goldberg, Howard Risatti, James Yood, Vince Leo, Maria Porges, Benjamin Weissman, Ralph Rugoff, Amelia Jones, John K. Grande, Catherine Cafapoulos, José Luis Brea, Menene Gras Balaguer, Massimo Carboni, Michael Tarantino, Miriam Rosen, Hans Rudolf Reust, Norbert Messler, Sabine B. Vogel, Bojana Pejic, and Jos Van den Bergh. Cover: Vija Celmins.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. GLAMOUR WOUNDS Rhonda Lieberman on The Way We Were DEMOCRACY, INC. Diedrich Diedrichsen and Jutta Koether on Springtime for Hitler PRESS Tina Lyons on Martha Stewart SPECIAL EFFECTS Carol Squiers on the New Penile Code BOOKS Beth Coleman on bell hooks' Black Looks BOOKS Maurice Berger on Richard Bolton's Culture Wars TOP TEN Greil Marcus COLUMNS FEATURES REVIEWS HI-YO SILVER: CADY NOLAND S AMERICA Lane Relyea SOUL CITY: AN INTERVIEW WITH ALAN RUDOLPH Rosetta Brooks PHILIP-LORCA diCORCIA: FIVE NIGHTS OF A DREAMER Gary Indiana A RIDDLE WRAPPED IN A MYSTERY INSIDE AN ENIGMA: THE ART OF S. Y. KOCHELEV Andrew Solomon Josif Bakshteyn THE FUTURE OF THE NATIONAL ENDOWMENT FOR THE ARTS Maurice Berger in cooperation with Ronald Feldman CINDY SHERMAN: BURNING DOWN THE HOUSE Jan Avgikos OPENINGS: RACHEL LACHOWICZ Maria Porges COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Frank Stella Donald Kuspit on Richard Diebenkorn Lisa Liebmann on Richard Tuttle Kirby Gookin on Jan Groover Jan Avgikos on Christopher Wool Linda Yablonsky on David Bowes Keith Seward on Lawrence Gipe Keith Seward on Camera As Weapon Joshua Decter on Candida Höfer Barry Schwabsky on Ellsworth Kelly Justin Spring on Andrew Young Ronny Cohen on Abraham Walkowitz Andrew Perchuk on Jessica Diamond Lois Nesbitt on Hirsch Perlman Lois Nesbitt on Leonardo Drew Jenifer P. Borum on Jaune Quick-to-See Smith BOSTON Francine Koslow Miller on Elizabeth Rosenblum CHICAGO James Yood on Robert Lostutter MINNEAPOLIS Vince Leo on Stuart Mead HOUSTON Tom Moody on Ange Leccia LOS ANGELES David Pagel on Daniel Wiener Amelia Jones on Adam Fuss Amelia Jones on Daniel Wheeler TORONTO Laura U. Marks on Deborah Samuel BARCELONA Menene Gras Balaguer on Pep Duran TURIN Francesca Pasini on Alfredo Pirri MILAN Anthony Iannaci on Jane Hammond PARIS Jean-Pierre Criqui on Emmanuel Saulnier Miriam Rosen on Agustín Victor Casasola SAINT SAVIN Michael Tarantino on Hamish Fulton ZURICH Hans Rudolf Reust on Anselm Stalder BERN Jean-Pierre Criqui on Robert Grosvenor VIENNA Christian Kravagna on Jessica Stockholder MUNICH Justin Hoffmann on Joachim Brohm COLOGNE Norbert Messler on Rosemarie Trockel, Andreas Schulze BONN Noemi Smolik on Alighiero e Boetti HAMBURG Wolf Jahn on Günther Förg BERLIN Bojana Pejic on Heimo Zobernig BRUSSELS Sabine B. Vogel on Michael Asher LONDON Michael Archer on Catherine Yass SYDNEY Charles Green on Lyndal Jones.

First Edition. Softcover. First Edition. A timetable of historical dates relating to pro-rights activism, movement organizing, political and art events, and US government actions, published in conjunction with the National Association of Artists' Organizations, a Washington DC-based arts service organization founded in 1982. Fine in saddle-stapled wrappers.

Condizione: Good. Folio. 36.5" x 22.5". 38p. Spiral-bound. Good, slight tearing of cover around spine, slight markings on cover, slight creasing around corners and edges. B&W prints throughout. Inserts: First Bank introductory letter sent by Lynne Sowder, Director ; Printout of library record with handwritten note.From the Collection of the Art Historian Peter Selz (1919-2019).