vincent rossell (10 risultati)

Livre de poche. Condizione: Très bon. Condizione sovraccoperta: Très bon. ROSSELL, Vincent (illustratore). 160 pages, dans la collection "Folio". Quatrième de couverture : "Ni autobiographie d'acteur ni roman, "C'est beau une ville la nuit" est une balade, l'oeil et l'esprit grands ouverts au vif de la ville et au droit à la vie, une route de douleurs, de joies et finalement d'espérances. Un blues en prose, ponctué de chansons, écrit par l'homme Bohringer à ses amis vivants ou morts, aux femmes qu'il a aimées, à la vie, à la page blanche. L'enfance maudite, l'alcool, les coups de chagrin, l'héroïne, il aura tout connu, pour s'octroyer quand même, au terme de son errance, le droit à l'amour, au bonheur, à l'ecriture. Vie je te veux Je t'ai toujours boulue. J'avais pas le mode d'emploi.". Livre.

Five vintage black-and-white still photographs from the UK release of the 1974 French-English film. Photographer's rubber-stamp on the versos of 4 stills, with layout annotations on the versos of 3 stills and on the recto of 1 still. When a US intelligence agent (Anthony Quinn) is unable to bring a ruthless drug baron (James Mason) to justice, he hires an assassin. But the hired killer (Michael Caine) turns out to be an old friend. 1 still 8 x 10 inches; 3 stills 7.25 x 9.25 inches; 1 still 6.5 x 9.25 inches. Brief ink annotations on the versos, else Near Fine.

Condizione: Good. 18 x 24 cm. B&W Photo. Very Good with two tiny perforations.

Condizione: Good. 18 x 24 cm. B&W Photo. Very Good.

Vintage borderless black-and-white studio still photograph from the 1966 French-Italian film. Seen is actor Alan Bates serenading the cast and crew on a busted piano. At the end of WWI, the German army booby-traps a small French town, prompting mayhem and panic, and the local lunatics escape from an asylum. A lone Scottish soldier (Bates) is sent to disarm a bomb placed in the town square. Shot on location in Oise, France. 8 x 10 inches. Two corner creases, else Near Fine.

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.

Vintage borderless photograph of Ursula Andress and Peter O'Toole on the set of the 1965 film. With manuscript annotations and photo-agency stamp on the verso. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole) is a womanizer soon to be married to Carole (Schneider), but Liz (Paula Prentiss) and Rita (Andress) get in the way. His psychoanalyst, Dr. Fritz (Sellers) is no help, and Carole flirts with Victor (Allen), a nervous wreck. Somehow they all end up in the same hotel in the French countryside, and they mayhem ensues. Shot on location in France. 10.5 x 7.5 inches. Near Fine.

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.

Vintage black-and-white press photograph from the 1965 French-American film. Editorial annotations and Wide World Photo rubber stamp on the verso, with a Spanish rubber stamp, "paso por fotograbado." Shown are Ursula Andress and Katrin Schaake on-the-set, conferring between scenes while standing on a bed. Woody Allen's film debut, as actor and screenwriter. Michael (O'Toole) is a womanizer soon to be married to Carole (Schneider), but Liz (Paula Prentiss) and Rita (Andress) get in the way. His psychoanalyst, Dr. Fritz (Sellers) is no help, and Carole flirts with Victor (Allen), a nervous wreck. Somehow they all end up in the same hotel in the French countryside, and they mayhem ensues. Shot on location in France. 6.5 x 9 inches. Very Good plus, light creases, heavy soil and sticker pull to the verso.

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.