vliet harry (6 risultati)

Paperback. Paar lichte gebruikssporen, nog een (zeer) goed exemplaar. Please see description or ask for photos.

Paperback. Condizione: Very Good. This is NOT the copy of the book depicted in the stock photo. Original covers, 6x9 inches, x + 53 pp, illustrated with black and white drawings, photographs and maps. Softcover, very good. L-shaped approximately 2x2 inch brown stain on entire upper left corner and a ½ x ½ inch one on upper right corner, last leaf creased, otherwise tight, clean, paper crisp, unmarked. History; Pennsylvania; genealogy ; 53 pages.

Pp. Condizione: Sehr gut. 251 S. : graph. Darst. ; 22 cm Tadelloses Exemplar. For over a hundred years a wildly held assumption has ruled the debate on the social composition of theatre audiences. This assumption states that in the period from the late eighteenth century to the Great War (1773?-1914) theatre audience was largely elite, till the French Revolution chased them to opera. The drama performances were sought by petty bourgeois and unskilled labour force, till, in 1870, the re-conquest of the stage by the upper bourgeoisie set in. In this study for the first time a large empirical research is presented to test this 'master narrative'. Based on thorough archival research from the past twenty years, combined with robust statistical analysis, the conclusion with respect to this still dominant narrative can be short: it is to be fully rejected. Table of Contents - Chapter 1: A Prosopography of Nineteenth Century Rotterdam Thea-tre Patrons - Chapter 2: Art-loving Merchants and Transit-trade Proles? Share-holders of the Rotterdam Theatre - Chapter 3: Kill your Darlings - A Short View of the Rotterdam Tivoli-Theatre - Attempts to Falsify the Rotterdam Case: The Hague and Dordrecht(Prosopography) - Chapter 4: Checks and Balances (Prosopography) - Chapter 5: Attempts to Falsify the Results of the Anonymous Theatre-patrons - Chapter 6: Theatre as a Prison of Longue Durée ISBN 9783631616352 Sprache: Englisch Gewicht in Gramm: 437.

Condizione: New. In.

Condizione: , , goed exemplaar. 1991, paperback, goed exemplaar.

Gebunden. Condizione: New. For over years a wildly held assumption has ruled debate on social composition of theatre audiences. This assumption states that in the period from late eighteenth century to Great War theatre audience was largely elite, till French Revolution chased them t.