Vollard a (35 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0878172181.…

Condizione: New. Degas, 1834-1917 (Paperback or Softback).

Condizione: New. In English.

Condizione: New. In English.

Paperback. Condizione: New.

English translation. Super octavo hardcover (VG) in d/w (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.…

Condizione: New.

Paperback. Condizione: Brand New. 196 pages. French language. 9.21x6.14x0.42 inches. In Stock.

Bolsillo. Condizione: Nuevo.

Condizione: As New. Unread book in perfect condition.

PF. Condizione: New.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN.…

Condizione: New. Print on Demand.

470 S. 24 Taf. 21 cm. Umschlag beschädigt/ lose, Heftung tls lose/ gelockert, tls unaufgeschnitten - Br.

Hardcover. Octavo, 286 pages. In Good condition. Half bound brown leather spine bearing gilt lettering with marbled boards. Boards have moderate plus wear including slight rubbing to the edges and detached but present exterior spine. Text block has moderate wear including age toning to the edges. Marbled end papers. Moderate age toning several first/last pages and slight pencil to verso to the front end paper. Illustrated. Ribbon marker. Possibly rebound. Text in French. NOTE: Shelved in Netdesk office, Case #3. 1406921. FP New Rockville Stock. …

The Museum of Modern Art, New York 1977. Large 8vo. 176 pages. Orig. cloth binding with dust wrapper. Near Fine-/Very Good+. Owner's name (Danish artist Peter Brandes) written on front endpaper.

Condizione: New.

ex-lib.first edition limited [300] 214pp ills.[b/w] VG (beige cloth,v.sl.soiled w.libr.mark to spine,usual libr.stamps and labels,minor soiling to content edges) in VG- d/w (rubbed and stained/foxed,wear and chipping to extrems.w.some losses).

in 8°; pp. 472 + 24 tavv. (ill. bn.); br. (intonso) *testo in francese.

Soft cover. Condizione: Near Fine. First Edition. 140 Pages. Text Pages In English. Long Closed Tear To Top Edge, A Few Surface Cracks Around Lower Spine, Otherwise Near Fine And Square With A Single Slight Vertical Reading Crease On Spine. International Shipment At Additional Cost, By Insured Usps Mail.…

Museum of Modern Art. 1977. gr. 8°. 176 Seiten + Illustrations. Original Leinen + Schutzumschlag. Nahezu verlagsfrisch. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

109 S., 32 Lichtdrucktafeln, 1 Bl. Illustrierter OLwdbd (Kapitale leicht berieben, Rücken etwas verblichen). Sprache: Deutsch.

Édition bilingue, franco-anglaise. Édition originale. Bel envoi pleine page de Waldemar George, et, in-fine, de Joséphine Beaudoin. Déchirure sans manque à la jaquette. [7732].

Paperback. Condizione: Fair. Condizione sovraccoperta: poor. Limited ed. Number 136 of 800 copies, with numbers 1 through 275 on Japanese paper from the Shizuoka factory, per the limitation page. Oversize softcover, between a quarto and folio size. A fair copy in a poor glassine wrapper. 98 plates in black and white, with four additional plates on brown paper tipped in color. Externally, fragile in appearance with heavy damage to the spine column - with a split to the binding paper from the top, and paper loss across the top and bottom. Corners bent and some creasing at the top rear. Inside is much better - a sweet gift inscription to the top of the front endpaper appears to be the only marking. Where present, text is in French. The plates are solidly bound in, with the 4 color additions from Bernheim being significantly looser. The glassine wrapper is hanging on by a thread, but included as it appears original to the publication. Thick pages, a beautiful, scarce collection.…

Limited Edition. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish.Includes 98 plates. Physical description; 98 plates. Notes; Limited edition, this is no. 619. Subjects; Degas.Peintures. Pastels. Dessins. Estampes. 3 Kg.

Soft cover. Condizione: Good. 1st Edition. Maeght Editeur, March 1952. Two original lithographs in color on double page, of which one on the cover, text by G. Bachelard, C. Estienne and A. Vollard. Very good but 1 inch tear on the bottom of the cover.

Condizione: Good. 4to. 24.5 x 30cm. [10]. 294, [4]pp.Original wraps in a contemporary half calf chemise with marbled boards in a matching slipcase, repaired. One of 250 numbered copies.Francis Bouvet, The Complete Graphic Work, no. 75; Luc Monod, Manuel., no. 7262; François Chapon, Le Peintre et le livre, pp. 67-68 -- The Artist & the Book 28 -- Rauch 22; OCLC Number / Unique Identifier:54167315.One of the most famous modern illustrated books - copy on hollande paper. Seduced by his first collaboration with Pierre Bonnard on Parallel by Verlaine (1900), Ambroise Vollard commissioned a second one from him, these Pastorales. Where Parallel, with its daring layout and the choice of printing the lithographs in pink, had been disconcerting, the layout of this second book is more classical, the illustration being clearly separated from the text. However, at the time of its publication, it remained "shunned by bibliophiles, who for a long time refused to see it as an appropriate illustration technique for luxury books because it was considered too commercial, even vulgar" (Limited edition. Vollard, Petiet et l'estampe de maîtres, pp. 44-45). .This judgment has largely been revised by their successors, and the work is today considered one of the greatest successes of the illustrated book. Carteret, Illustrés IV, p. 242: a beautiful work, highly sought after and highly rated. One of the greatest stars of modern books. ; « Like Bonnard's earlier lithographs for Parallèlement and Manet's for Le Corbeau, these subtle plates had little appeal in 1902 for a public that preferred the sharply defined realism of the professional engraver.The book is today considered one of the finest of its period". (The Artist and the Book, n°28) ; Mahé, II, col. 695 ; Mornand, Vingt-deux artistes du livre, pp. 45-46 ("Daphnis et Chloé fut pour Bonnard l'occasion de montrer toute la souplesse de son talent, non seulement par la pureté du style bien antique des personnages, mais par le caractère des paysages essentiellement grecs").…