voulkos peter (42 risultati)

Soft cover. Condizione: Near Fine. 1980 Book: Near Fine/, (illustratore). Book: Near Fine/, $33.80 50`s ABSTRACT. A summary of Los Angeles painting from 1957 through 1960. * REED, Dennis; KIENHOLZ, Edward; SMITH, Vic; VOULKOS, Peter; McLAUGHLIN, John; LUNDEBERG, Helen; JARVAISE, James; FRANCIS, Sam; FOULKES, Llyn; et al Conejo Valley Art Museum Thousand Oaks, California * * * * * 1980 UnStated 1sT Edition Tall Wide S/c Two Stapled Off White Spine With No Title Soft Cover Book: Near Fine/, Shelf, Edge And Corner Wear. Spine Is Tight. Pages Printed On 0ff~White Paper, Clean And Tight To The Spine, In Fine/ Condition. Appears To Be Lightly Viewed. D/j: None This Book Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope * To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Other Marks. = Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. Houston: Contemporary Arts Museum, 1978. Three panel folding invitation card for a show held June 10 - July 30, 1978, with an essay by Jean Romeril and a reproduction in sepia of the sculpture "Hall of Justice". Two HCA ink stamps to rear panel; wraps creased, else VG or better.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Good. Ex-library copy with usual markings.

Soft cover. Condizione: Very good. No jacket. 1st edition. Cover is rubbed, worn and creased on corners, and creased along length of spine, but text and images are clear and bright. Spine is cracked, but all pages are secure. Inside is clean and unmarked.

First Edition. First edition. Softcover. 191 pages. Published in conjunction an exhibition that ran July 22 through November 12, 1995 at the Oakland Museum and then traveled to several other locations for additional dates. Features a foreword by Dennis M. Powers, an introduction by Rose Slivka and texts by Slivka and Karen Tsuijimoto. Includes numerous color and black and white illustrations, a chronology by Sam Jornlin and Garna G. Muller, a checklist, a list of previous exhibitions compiled by Garna G. Muller and Susan Starling, a bibliography, and an index. A clean very near fine copy in wrappers.

Condizione: Good. Sq. 4to.; wraps. [16] pp. Eng. Ill. 24 black & white plates. Essay. Exhib. 14 Oct, 1972 - 14 Jan, 1973. Stamped ex-lib. copy P. Iannetti int. fr. cover; title p. Some cover wear; else VG.

Soft cover. Condizione: Fine. No jacket. Gallery booklet. Inscribed by Voulkos to artist Jim Melcher.

Soft cover. Condizione: Fine. No jacket. 1st edition. Light shelfwear.

Square 4to, unpaged; black and white photographic illustrations throughout; original white pictorial staplebound wrappers, back cover toned along spine and fore-edge, else fine. Catalogue for an exhibition held at the Museum, October 14, 1972 through January 14, 1973.

Staplebound. Condizione: VG. Quarto. Staplebound exhibition catalog. Pictorial wraps. 32 pages : illustrations ; 26 cm. Catalog of the exhibition held Sept. 7-26, 1999, at Mussi Artworks Foundry Gallery, Berkeley, California.

Condizione: Fine. Illustrated (illustratore). First Edition. First Edition. Original printed wrappers, fine. Illustrated with photos of ceramic work from famous ceramicists including Peter Voulkos. Text by Alice Westphal. We could locate no other copies of this catalogue.

Soft cover. Condizione: Very Good. 1st Edition. INSCRIBED by the artist on the half title page. Published to accompany the first exhibition devoted entirely to the work of Peter Voulkos. Wear with slight loss of color to edges and joints of the soft covers. Glued binding just starting. 192pp. 12 x 9.25". As an oversize, heavy book this order will be packed carefully and may incur additional shipping charges. Signed by Author(s).

Condizione: Good. Stapled 4to., printed wraps. 32 pp. Eng. Ill. 22 color & 1 black & white plates / 23 works; 6 black & white photo reprod. Essay. Fine.

112 pp.; 24.5 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at ICA Institute of Contemporary Art, University of Pennsylvania, January 16 - June 21, 2009. Traveled to Walker Art Center, Minneapolis, July 11 - November 29, 2009. Organized and with an introduction by Ingrid Schaffner and Jenelle Porter. Texts by Ingrid Schaffner, Jenelle Porter, and Glenn Adamson. Artists include Robert Arneson, Lucio Fontana, Beverly Semmes, Paul Swenbeck, Eugene Von Bruenchenhein, Peter Voulkos, Ann Agee, Nicole Cherubini, Viola Frey, Jessica Jackson Hutchins, Ken Price, Sterling Ruby, Arlene Shechet, Betty Woodman, Jane Irish, Jeffrey Mitchell, Ron Nagle, Adrian Saxe, Glenn Adamson, Kathy Butterly, George Ohr, Rudolf Staffel, and Beatrice Wood. Includes exhibition checklist. Good / Very Good. Significant creasing across verso cover. Light rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

First Edition. 28 x 23 cm 206 pp with colour and b&w illlustrations throughout. Wrappers, minor bump at a corner o.w. a fine copy.

Condizione: Good. 8vo. [32] pp. Soft Cover. Stapled Wraps. Color and black and white illustrations throughout. Dedication to Peter Selz from Voulkos, dated '99 in ink on inside cover. Included is the checklist list of 37 works in the exhibition. Very Good, edge wear to covers.Provenance: From the collection of UC Berkeley art historian Peter Selz (1919 - 2019).

4°, 144 S., zahlr. teilw. farb. Abb., OLwd. m. OU., OU gebrauchsspurig, min. Verletzung beim Gelenk , sonst tadell. Mit den Künstlern: Peter Voulkos, John Mason, Kenneth Price, Robert Arneson, David Gilhooly u. Richard Shaw. Anlässlich der Ausstellung im Whitney Museum, New York. Text engl. 1200 gr. Schlagworte: Kunst - Ausstellungen, Sammlungen.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good-. 0DJ has wrinkles; 11.8110236100 X 9.1338582584 X 1.1023622036 inches; 192 pages.

Condizione: Good. 11 x 17 inches. Very Good. Single sheet, printed both sides, and folded twice. Light shelf wear. Wear on folds, and starting at top fold. Postmarked to Gerald Nordland. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

81 pp.; 21.5 x 30.4 cm.; staple bound; black-and-white & color; edition size 6200; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. Photographs by Robbert Flick. Artists included in the "Museum as Site: Sixteen Projects" exhibition are Robert Irwin, Lloyd Hamrol, Terry Schoonhoven, Karen Carson, Jay McCafferty, Robert Graham, Michael Asher, Michael Brewster, John Baldessari, Roland Reiss, Richard Jackson, Michael C. McMillen, Jonathan Borofsky, Alexis Smith, Chris Burden, and Eric Orr. Includes exhibition histories and exhibition floorplans. Includes the floorplan for the first "Art in Los Angeles" exhibition "Seventeen Artists in the Sixties," curated by Maurice Tuchman, which included artists Larry Bell, Billy Al Bengston, Wallace Berman, Ronald Davis, Richard Diebenkorn, Sam Francis, Joe Goode, David Hockney, Craig Kauffman, Edward Kienholz, John McLaughlin, Edward Moses, Bruce Nauman, Kenneth Price, Edward Ruscha, and Peter Voulkos. Good / Very Good. Rubbing of cover edges. Vertical creasing across recto and verso. Light scratching of covers. 2 cm. original pricing sticker on recto. 3.5 cm. dog-ear to top left corner of verso. Light bumping of top right corner of page. Contents clean and unmarked.

First Edition. Softcover. First Edition. Catalog for an exhibition held from April 14 through June 20, 1965, at the Los Angeles County Museum of Art. Very Good plus in saddle-stapled wrappers.

Condizione: Good. 4to. [ca 40 pp.]. Very Good. Soft Cover. Illustrated paper wraps. Spiral binding. Crease on verso, and signs of handling. B&W plates; reproductions of letters, certificates, sketches. Three newspaper clippings laid in. Extremely Scarce.Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.From the Collection of the Art Historian Peter Selz (1919-2019).

Poster for a show that ran October 28 through November 28, 1975. Measures 16.75" high by 10.5" wide when open. Features a work by each artist. A near fine machine folded copy. Uncommon.

Soft cover. Condizione: Very Good. Octavo, 159 numbered pages, text in English and Japanese, photographic illustrations, publisher's pictorial wrappers (pencil underlining from use by Donald Kuspit, art critic and historian, minor wear, very good). Publisher's cardstock slipcase with paper label wrapping around spine (minor wear, very good). Book is overall clean and fresh in appearance. Provenance: Donald Kuspit, art critic and historian (acquired his library).

Condizione: Good. 8.5 x 5.5 inches. Very Good. Single sheet, printed both sides. Light wrinkle and creasing. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 7.5 x 11.5 inches. Very Good. Single sheet, printed both sides, folded once. Light wear from handling. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. 8.5 x 11 inches. Very Good. Single sheet, printed one side, folded once. Blank on inside. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condizione: Good. Single Sheet 11 x 8.5 inches, with one fold. Very Good. Crease on verso, and signs of handling. B&W plate. Extremely Scarce.Peter Voulkos was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. He established the ceramics department at the Los Angeles County Art Institute and at UC Berkeley.From the Collection of the Art Historian Peter Selz (1919-2019).