Wagstaff sam (28 risultati)

Paperback. Condizione: Very Good. Very Good. Lightly used, may have publisher's or previous owner's markings, but NO markings in text. Pasadena's finest new and used bookstore since 1992.

Condizione: Good. Fo. Hard Cover. Very Good. 352 pp. B & W and Color Plates. Heavy book. May cost extra for shipping.

Soft cover. Condizione: Very Good. First Paperback. 1st paperback.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Very Good. 1st Edition. 1st edition. Paperback. Minor wear to wrappers that show bumped corners, otherwise very good.Interior clean.

Hardcover. Condizione: Good. First edition. ISBN 0-86565-034-9. Hardback. First U.S Printing. Good to Very Good condition book, with slight 1/4 inch tear/binding flaw on bottom inside hinge of front cover, in a Good to Very Good condition dustjacket with minor rubs and creases around its edges, slight closed tears on top edge of jacket cover along spine, some browning to jacket spine and edges. Tight, sound, unmarked copy. $50 original price is present and unclipped on front flap of dustjacket. Slight musty odor. Oversized. …

Softcover. Condizione: Very Good. First Edition. 4to. [3]pp. Essay by Wagstaff followed by 59 full-page b/w photographs. White photo-illustrated wrappers, toning to edges, light soiling and crease to spine. The exhibition catalog from Mapplethorpe's first public European show.

Presumed first edition (no direct statement provided). 144 pages. Hardcover: H 29.25cm x L 29cm. Dust jacket rubbed with some soiling; color fading along flap folds; nicks at edges; light creasing at top of front panel; dj now presented in a mylar Brodart protector. Dust jacket's front and rear panels feature b/w images by Robert Mapplethorpe who was the partner of art curator and collector Sam Wagstaff (a third Mapplethorpe image is on page 84). Beige cloth mildly soiled; top corner of front board bumped. A few foxing spots and light soiling to edges; light moisture staining to top edge with faint stains at shallowly affecting interior leaves at their top margins; a few foxing spots on initial pages with a few minor occurrences to margins of other interior pages. Binding is firm. A very good- copy in a very good- dust jacket. Laid-in between pages 60-61 is a b/w portrait photographic print of an attractive brunette woman; image is uncredited and, despite an indeterminate relationship to the book, left in as a lagniappe. Published as the accompanying catalog for an exhibition organized by the Corcoran Gallery of Art and held at the Washington, DC museum from February 4 to March 26, 1978 and thereafter touring to the St. Louis Art Museum, New York University's Grey Art Gallery, the Seattle Art Museum, UC Berkeley's University Art Museum, and to Atlanta's High Museum of Art. Please note that this large book has an approximate shipping weight of 4 pounds (1.81 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0930928016.…

Soft Cover. Condizione: Very Good. This is a very good softcover copy with just light cover wear. Covers not sunned. SIGNED by the collector, Sam Wagstaff in ink on the title-page. Not inscribed to anyone just signed. No text. Illustrated with reproductions of some of the photographs in Sam Wagstaff's famous collection. Scarce signed. 11" square, 144 pages. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Signed by Author.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. 1st edition. Hardbound in dust jacket. Foxing to dust jacket. Some wear to dust jacket that shows sun fading to spine edge, otherwise very good. Rare.

dj. First Edition. First edition. Hardcover. First printing. Catalog for a very important traveling exhibition that ran February 4 through March 26, 1978 at the Corcoran Gallery of Art in Washington D.C. and then went on to St. Louis, New York, Seattle, Berkeley, and Atlanta. Includes numerous black and white images of Wagstaff's wide ranging and important collection. A clean and tight very near fine copy in a close to near fine dust jacket with the seemingly inevitable sunning to and along the spine and edges and with some other very minor wear. A very nice copy of the much less common cloth version.…

Soft cover. Condizione: Good. 1st Edition. 3 pp text 60 bw plates. Covers a little edge rubbed and tanned, plates clean. All text in German language 23.5 x 21.5 cm.

First Edition. Large softcover, very good with sligh trace fading to spine, slight shelf wear. Illustrated with full page reproductions of photographs.

4to. Illustrated card wraps. First edition (paper only issue). Fading to colour border of wrapper, a couple of light scuffs to front, and heavy scuffing to rear; former owner?s signature to title page. Beautiful collection of black and white photographs from diverse genres and periods. Mapplethorp, Nardar, Eakins, Lartigue, etc. …

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden. …

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.…

Paper. First Edition. Somewhat uncommon exhibition catalog for Mapplethorpe's First European show in a public institution. Illustrated with 59 full-page photographs in black and white,along with a short introductory essay in German by Sam Wagstaff and checklist of photos exhibited. There is light wear, minute creasing and soiling to the white covers, the insides are vg. Book.…

tapa blanda. Condizione: 2ª Mano - Bueno. 2ª Mano. GRAY PRESS. 1978. totalemente ilustrado. idioma inglés. Libro.

Softcover. Condizione: Good. 144 pgs. Bound in original photo-illustrated paper wrap. Cover shows lightly rubbed and creased along extremities. Interior text and images are clean throughout. Binding is secure.

Oversized Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Square and tight in tan buckram boards. Light to moderate flecking on front and rear boards. Edges lightly shelfworn. Corners gently bumped. Page edges lightly age toned and moderately flecked. Front and rear endpapers clean and bright. Title page heavily foxed as is Contents page in rear of book. First and last few pages moderately foxed. Scattered light foxing on white borders throughout. Orange sherbet-colored unclipped (29.95) jacket is overall lightly to moderately flecked. Spine heavily sunned. Light edgewear with no loss. Head of spine lightly chipped. Boldly inscribed on title page thusly: Sam Wagstaff, 'The craziness of at is the same craziness of photography.' Published in conjunction with an exhibition organized by Corcorian Gallery of Art in D.C., February 4 through March 26, 1978. Traveling then to St. Louis, NY, Seattle, Berkeley and Atlanta. In mylar. Signed By Author.…

Paperback. Condizione: Very Good. Trade PB. 4to. Gray Press, New York, 1978. 144 pgs. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. The last page states, "This book is published in conjunction with an exhibition organized by the Corcoran Gallery of Art." The illustrations are full-page and most are browntone. Large format selection from the photography collection of American curator, collector and arts patron Sam Wagstaff. Over 125 full page black-and-white reproductions spanning the 19th and 20th century history of the medium. No text other than captions and contents list. An important photography catalogue documenting the collection of the mentor and benefactor of Robert Mapplethorpe. E-210; 11.1 X 11.1 X 0.6 inches; 144 pages.…

First Edition. First edition. Softcover. Catalog for a very important traveling exhibition that ran February 4 through March 26, 1978 at the Corcoran Gallery of Art in Washington D.C. and then went on to St. Louis, New York, Seattle, Berkeley, and Atlanta. Includes numerous black and white images of Wagstaff's wide ranging and important collection. A clean and tight very very near fine copy in wrappers with none of the usual wear or fading to the spine. Also includes a laid in copy of a 12 page catalog from the Corcoran Gallery from 1978. The catalog is in very good condition and is signed by Wagstaff on the front cover. A very fresh copy that is much nicer than usual.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 1st Edition. Hardbound in dust jacket. Dust jacket shows wear and a few small scuffs. Some sunfading to the spine edge of dust jacket. Some staining to cloth boards, but with interior clean. Rare.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good. hardcover, edition not stated (presumed first), slight lean, light bump to top corners, otherwise a Near Fine copy in a dustjacket which is sunned on the spine and top edge, but which is otherwise VG+.

Softcover. Condizione: Very Good. First Edition. 4to. [3]pp. Essay by Wagstaff followed by 59 full-page b/w photographs. White photo-illustrated wrappers. A bright, fresh copy with sharp corners. Inscribed by Mapplethorpe on the front free endpaper: "For MC '79 '82 / [signed] Robert Mapplethorpe" An exhibition catalog from Mapplethorpe's first public European show. Now housed in a removable, clear archival jacket.…

Soft cover. Condizione: Fine. Condizione sovraccoperta: No dust jacket as issued. 1st Edition. 1976-1983. First edition, first printing. 29 volumes sharing the following format: Soft cover. Saddle-stiched (staple bound); no dust jacket as issued. Volumes are contained in two silver printed paper-covered slipcases. Photographs and text by various artists (see below). Additional text by Jane Livingston. Includes a catalogue of each exhibition and brief biographies of the artists. 16-40 pp. each. 8 x 8 inches. Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland 2) Joe Cameron: The Extended Mall 3) Robert Cumming 4) Roy DeCarava 5) Lee Friedlander 6) John Gossage: Better Neighborhoods of Greater Washington 7) Jan Groover 8) Anthony Hernandez This set also contains the following exhibition catalogues: 9) Jerry Burchard 10) William Christenberry: Color Photographs 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views 12) Mark Cohen 13) Gregory Conniff 14) Linda Connor 15) Frank DiPerna: Color Photographs 16) Emmet Gowin: Photographs 1966-1983 17) Arnold Kramer: Interior Views 18) Helen Levitt 19) Jerome Liebling 20) Sally Mann: The Lewis Law Portfolio 21) John McIntosh 22) Mike Mitchell: Other Lights 23) Mark Power: Beauty and the Beast 24) Addison N. Scurlock 25) Rosalind Solomon 26) A Selection of Photographs from the Collection of Sam Wagstaff 27) Janica Yoder 28) Frank Gillette 29) Wright Morris: Time Pieces. Fine (slipcase with moderate scuffing; all catalogues Fine, except for the Gowin and Gillette catalogues which has creasing to the rear cover), and the Morris catalogue which has foxing to the front and rear cover). Exhibition catalogues produced for the historic 1976 Bicentennial project "The Nation's Capital in Photographs": 1) Lewis Baltz: Maryland (The Nation's Capital in Photographs,1976). 24 pp., with 14 black-and-white plates. Exhibition dates: June 19--September 12, 1976. 2) Joe Cameron: The Extended Mall (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976--February 20, 1977. 3) Robert Cumming: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14--May 9, 1976. 4) Roy DeCarava: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: February 14--May 9, 1976. 5) Lee Friedlander: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: December 11, 1976--February 20, 1977. 6) John R. Gossage: Better Neighborhoods of Greater Washington (The Nation's Capital in Photographs, 1976). 24 pp., with 15 black-and-white plates. Exhibition dates: September 24--November 21, 1976. 7) Jan Groover: The Nation's Capital in Photographs, 1976. 24 pp., including two 2-page gatefolds, with 7 black-and-white plates and 7 four-color plates. Exhibition dates: September 24--November 21, 1976. 8) Anthony Hernandez: The Nation's Capital in Photographs, 1976. 24 pp., with 15 black-and-white plates. Exhibition dates: June 19--September 12, 1976. Other exhibition catalogues: 9) Jerry Burchard, 1978. 16 pp., with 10 black-and-white plates. Exhibition dates: April 21--June 4, 1978. 10) William Christenberry: Color Photographs, 1978. 16 pp., with 5 tipped-in four-color plates. Exhibition dates: December 21, 1978--February 11, 1979. 11) Langdon Clay: Color Atlas: Including Flat Lands and Related Views. 1979. 16 pp., with 4 tipped-in four-color plates. Essay by Lloyd Fonvielle. Includes a checklist of the exhibition, biography, exhibition history and bibliography. Exhibition dates: Exhibition dates July 21--September 23, 1979. 12) Mark Cohen, 1981. 24 pp., with 12 black-and-white plates. Exhibition dates: October 10--December 13, 1981. 13) Gregory Conniff, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: December 19, 1979--February 3, 1980. 14) Linda Connor. Unpaginated, with 13 duotone plates, printed by Schneidereith and Sons, Baltimore, Maryland, from separations by Prolith International, Beltsville, Maryland. Exhibition dates: November 20, 1982--January 2, 1983. 15) Frank Di Perna: Color Photographs, 1977. 16 pp., with 8 four-color plates. Exhibition dates: June 4--July 17, 1977. 16) Emmet Gowin: Photographs 1966-1983. 40 pp., with 20 duotone plates. Exhibition dates: September 7--November 13, 1983. Includes a biography, exhibition history and bibliography. Text by Peter Bunnell. Limited to 2000 copies. CONDITION: Near Fine (creasing to the rear cover, else Fine). 17) Arnold Kramer: Interior Views, 1978. 16 pp., with 9 black-and-white plates. Exhibition dates: April 21--June 4, 1978. 18) Helen Levitt, 1980. 12 pp., with 6 four-color plates and 1 black-and-white plate. Exhibition dates: February 9--March 23, 1980. 19) Jerome Liebling, 1980. 16 pp., with 9 four-color plates and 1 black-and-white plate. Exhibition dates: December 5, 1980--January 24, 1981. 20) Sally Mann: The Lewis Law Portfolio, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24--November 13, 1977. 21) John McIntosh, 1979. 20 pp., with 6 tipped-in four-color plates. Exhibition dates April 21--June 18, 1979. 22) Mike Mitchell: Other Lights, 1977. 16 pp., with 9 black-and-white plates. Exhibition dates: September 24--November 13, 1977. 23) Mark Power: Beauty and the Beast, 1979. 12 pp., with 5 four-color plates. Exhibition dates: October 4--December 9, 1979. 24) The Historic Photographs of Addison N. Scurlock. 24 pp., with 14 black-and-white plates. Exhibition dates: June 19--August 29, 1976. 25) Rosalind Solomon: Washington, 1980. 20 pp., with 11 black-and-white plates. Exhibition dates: May 15--June 29, 1980. 26) An Exhibition of Photographs from the Collection of Sam Wagstaff. Exhibition catalogue, featuring a list of works by 19th- and 20th-Century artists. 12 pp., with 21 black-and-white thumbnail illustrations and two black-and-white plates. Exhibition dates: February 3--March 26.…

2 vol. : vol. 1 : [4] pp. ; vol. 2: [4] pp.; 2 vol. : vol. 1: 35.5 x 21.6 cm. ; vol. 2 : 21.5 x 27.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Press release for a series of exhibitions held April 27 - June 15, 1980, curated by Alanna Heiss. Exhibitions include: "Image Into Pattern," with paintings by Roger Brown, Robert Gordy and John Tweddle: "Special Projects Room," with work by Gigi Franklin, Paul Franklin, Peter Downsbrough, John Massey, Dennis Oppenheim, Howard Gross, Roberta Allen, Joy Walker, Tony Moore, Mikiya Matsuda, Cheryl Vicario Laemmle, Toshio Sasaki, Gloria Kish and Frances Hynes; "Poetry Reading," by Jaime Manrique Ardila, curated by Steve Hamilton, held April 27, 1980; "Photography," by Joel-Peter Witkin, curated by Sam Wagstaff; "Architecture;" with work by Bernard Tschumi, Robert Mangurian and Craig Hodgetts, curated by Lindsay Shapiro; "International Studio Program," with artists Wolf Kahlen, Catharina Cosin, John Hall, Jasper Halfmann, Franz Goebel and Elke Schmees; "Canadian Video," curated by Peggy Gale featuring work by Robert Hamon, General Idea, Tom Sherman, Susan Britton, Colin Campbell, Elizabeth Chitty, Noel Harding, Pierre Falardeau, Nancy Nicol, Clive Robertson and Lisa Steele; "Video Installation," curated by Bob Harris featuring Tony Martin; "Studio Workspace Program Exhibition 1979 - 1980," with artists Candida Alvarez, Rae Berolzheimer, Douglas Braswell, Marina Cappelletto, Efrain de Jesus, Natalie Dymnicki, Ron Edson, Darrel Ellis, Peter Fend and others "Outdoor Sculpture Show," featuring Allen Bertoldi, David Black, Barry Feurstein, Jene Highstein, Ray Kelly, Yoav Shapiro, Merle Temkin and Maura Sheehan. With performances by the Queens Symphony Orchestra. Includes exhibition floor map. Good. Folded into four as issued. Handwritten note in pen written by Frances Hynes. 4.5 cm. dog-ear to upper left corner and light edge-wear with wear at fold edges. 3 cm., 1.7 cm., and 1.5 cm. of yellow soiling to recto. Light overall rubbing and yellowing of verso. …

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.