Walsh willie (32 risultati)

Paperback. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fine.

paperback. Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Very mild shelfwear. I note every flaw I find, so buy with confidence.

Condizione: Very Good. 2016. hardcover. Good clean copy with minor shelfwear, DJ showing minor nicks and tears, remains a fine copy. . . . . Books ship from the US and Ireland.

Condizione: new.

Paperback. Condizione: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.…

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Very Good. 2016. hardcover. Good clean copy with minor shelfwear, DJ showing minor nicks and tears, remains a fine copy. . . . .

Condizione: New.

Condizione: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . . …

Soft cover. Condizione: As New. Slight shelf wear only.

First Edition. Fine cloth copy in a fine, somewhat edge-bumped and dust-dulled dust-wrapper, now mylar-sleeved. Remains well-preserved overall. Physical description; 236 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm. Subjects; Walsh, Willie. 1935- Bishops. Ireland. Biography. Catholic Church. Ireland. Bishops. Biography. Ireland. Church history. 20th century. 1 Kg. …

First Edition. Fine cloth copy in a fine, somewhat edge-bumped and dust-dulled dust-wrapper, now mylar-sleeved. Remains well-preserved overall. Physical description; 236 pages, 16 unnumbered pages of plates : illustrations (some color) ; 24 cm. Subjects; Walsh, Willie. 1935- Bishops. Ireland. Biography. Catholic Church. Ireland. Bishops. Biography. Ireland. Church history. 20th century. 1 Kg. …

Paperback. Condizione: New.

Condizione: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. Editor(s): Walsh, Fintan. Num Pages: 247 pages, black & white illustrations. BIC Classification: 1DBR; AN. Category: (G) General (US: Trade). Dimension: 212 x 143 x 18. Weight in Grams: 372. . 2014. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condizione: Brand New. 180 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Paperback. Condizione: Brand New. 247 pages. 8.75x5.50x0.75 inches. In Stock.

Taschenbuch. Condizione: Neu. Neuware - In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance.Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others.Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics.Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.…

Condizione: New. This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance.&Uumlber den AutorrnrnFintan Walsh is Lecturer in Th.

Paperback. Condizione: New. In the wake of Ireland's recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers' Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Socìetas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Children's Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. 'Getting Known': Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the World's Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan.…

Condizione: New. Print on Demand.

First and limited Edition of 92 copies. No. 21. 22 x 22 cm. One Breath Pack - including explanatory pamphlet, 23 Haiku from Roberta Beary, Kona from Maitiu Quinn, 24 seperate cards and narratives by Willie Walsh with art work from Clan Beo, all beautifully presented in a bespoke designed box. As new.…

Paperback. Condizione: new. Paperback. In the wake of Irelands recent economic rise, fall, and associated social crises, theatre and performance have played vital roles in reflecting on the past, engaging the present, and imagining possible futures.That Was Us features a wide, rich range of critical essays and artist reflections that strive to make sense of some of the most significant shifts and trends in contemporary Irish theatre and performance. Focusing on artists connected to the Dublin Theatre Festival, the book addresses work by the Abbey Theatre, ANU Productions, Brokentalkers, The Corn Exchange, Druid, Fabulous Beast Dance Theatre, the Gate Theatre, Landmark Productions, Rough Magic Theatre Company, THEATREclub, Theatre Lovett, Pan Pan, The Stomach Box and THISISPOPBABY, among others. Some of the burgeoning forms and practices discussed include: site-specific and site-responsive theatre; testimonial, documentary, and biographical performance; dance theatre; theatre for children and families; new writing; and fresh takes on canonical writing staged at home or toured internationally.In bringing together critics and artists to think side by side, That Was Us is indispensable for anyone interested in contemporary practices and cultural politics. Contents1. The Power of the Powerless: Theatre in Turbulent Times by Fintan WalshONE: Theatres of Testimony 2. ANU Productions and Site-Specific Performance: The Politics of Space and Place by Brian Singleton3. Witnessing the (Broken) Nation: Theatre of the Real and Social Fragmentation in Brokentalkers Silver Stars, The Blue Boy, and Have I No Mouth by Charlotte McIvor4. You Had to be There by Louise LoweTWO: Auto/Biographical Performance 5. Making Space: Female-Authored Queer Performance in Irish Theatre by Oonagh Murphy6. The Writing Life by Helen Meany7. Metaphysicians of Unnatural Chaos: Memories of Genesi by Societas Raffaello Sanzio by Dylan TigheTHREE: Bodies Out of Bounds8. Insider and Outsider: Michael Keegan-Dolan in the Irish Dance Landscape by Michael Seaver9. And the Adults Came Too! Dublin Theatre Festival and the Development of Irish Childrens Theatre by Eimear Beardmore10. Living Inspiration by John ScottFOUR: Placing Performance11. Representations of Working-Class Dublin at the Dublin Theatre Festival by James Hickson12. Getting Known: Beckett, Ireland, and the Creative Industries by Trish McTighe13. The Art of Perspective by Michael WestFIVE: Touring Performances14. Druid Cycles: The Rewards of Marathon Productions by Tanya Dean15. Staging the National in an International Context: Druid at the Dublin Theatre Festival by Sara Keating16. Viewed from Afar: Contemporary Irish Theatre on the Worlds Stages by Peter Crawley17. A Dance You Associate With Your Family by Gary Keegan This collection of critical essays and artist reflections accounts for some of the richest and most important developments to take place in contemporary Irish theatre and performance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…