paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Lingua: Inglese
Editore: DH Publishing Incorporated, 2006
ISBN 10: 193289716X ISBN 13: 9781932897166
Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Da: R Bookmark, Youngtown, AZ, U.S.A.
Trade Paperback. Condizione: Used - Very Good.
Lingua: Inglese
Editore: Texas Tech University Press, Lubbock, Texas, 2003
ISBN 10: 0896725065 ISBN 13: 9780896725065
Da: Shamrock Books, Lubbock, TX, U.S.A.
Prima edizione
First Edition. Hardcover, 4to. 165pp. Tight. No names or other markings. Poems by Poet Laureate Walt McDonald.& striking images of the beautiful but desolate plains of West Texas by acclaimed photographer Wyman Meinzer. Fine in Fine D/j.
Lingua: Inglese
Editore: Texas Tech University Press, Lubbock, TX, 2004
ISBN 10: 0896725065 ISBN 13: 9780896725065
Da: Clausen Books, RMABA, Colorado Springs, CO, U.S.A.
Copia autografata
Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine (in mylar). Wyman Meinzer Photographs (illustratore). 2nd Printing. Inscribed and signed by Texas Poet laureate Walt McDonald on the title page; Photographs by the official photographer of the State of Texas, Wyman Meinzer; Textblock immaculate and tight; Top of the spine bumped and gently creased; Dust jacket also creased at the top of the spine, otherwise lightly edge-rubbed; 168p. Size: 4to - Over 9 " -12" Tall. Inscribed and Signed By Author. Hardcover.
Editore: The Anderson Galleries [Mitchell Kennerley, President], New York, 1928
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo Prima edizione
Paperback. 52p., 7x10.75 inches, illustrated with photos and facsimiles, conditions of sale, unmarked bid-sheet at rear, paperback in lightly-worn, toned and soiled wraps. Sale Number 2297. Auction house catalogue.
Editore: Houghton, Mifflin and Company
Da: ROBIN RARE BOOKS at the Midtown Scholar, Harrisburg, PA, U.S.A.
Prima edizione
Hardcover. Condizione: Very Good. Sarah Wyman Whitman (illustratore). 1st Edition. Three Tales. The Ghost; The Brazen Android; The Carpenter. By William Douglas O'Connor. Boston and New York: Houghton, Mifflin and Company, 1892. First Edition, Preface by Walt Whitman. 320 p. Green cloth binding decorated by Sarah Wyman Whitman measures 7 x 4.5", 12mo. In very good condition. Boards lightly scuffed around edges and corners. Head and tail of spine bumped; gilt lettering and deco overall bright and clean. Small spot of dampness staining on top edge of text-block. Text-block lightly toned in margins. Binding tight and intact. Please see photos and ask questions, if any, before purchasing. William Douglas O'Connor (1832 - 1889) was an American author, known in part for his association with Walt Whitman. In 1866 he authored The Good Gray Poet, a pamphlet defending Whitman. Walt Whitman met William Douglas O'Connor in 1860 at the short-lived firm of Thayer and Eldridge, which that year published Whitman's third edition of Leaves of Grass and O'Connor's only novel, Harrington: A Story of True Love. Two years later their paths crossed again when Whitman traveled to Washington, D.C., to search its military hospitals for his brother George, who had been wounded in the Battle of Fredericksburg. O'Connor welcomed Whitman into his home and quickly became Whitman's friend and an ardent defender of Whitman's poetry. Since their first meeting, O'Connor had turned from his artistic pursuits as a daguerreotypist, poet, short-story writer, novelist, essayist, journalist, and editor (at the Saturday Evening Post in Philadelphia) to the more steady position of a clerk in the Treasury Department. For five months Whitman lived with O'Connor and his family, sharing meals at their table. And for nearly another ten years he was a regular guest in the O'Connor home for nightly discussions on literature, politics, and social issues. During this time O'Connor helped procure Whitman a position as a clerk in the Indian Affairs Bureau of the Department of Interior (1865). A few months later, when Secretary of the Interior James Harlan fired Whitman due to the moral character of Leaves of Grass, O'Connor found his first significant opportunity to defend Whitman with the publication of The Good Gray Poet. Sarah de St. Prix Wyman Whitman (1842-1904) was an American stained glass artist, painter, and book cover designer. Successful at a time when few women had professional art careers, she founded her own firm, Lily Glass Works. Her stained glass windows are found in churches and colleges throughout the northeastern United States. As a member of the board of the Harvard University "Annex," she helped to found Radcliffe College. Although her aesthetic drew heavily on the Arts and Crafts Movement, her designs were almost radical in their minimalism, leaving substantially more negative space than was typical. Her spare designs featured elegant linear drawings or silhouettes (usually of plants) and sometimes an asymmetrical composition. Colors tended towards a muted palette of greens, golds, and deep reds. Her designs helped to spark a trend towards a more minimal aesthetic for book covers. Spruce green cloth binding: gold stamped lettering and flower garland (front cover), gold stamped lettering and small flowers (spine) by Sarah Wyman Whitman. COLI1892DMOX - 06/26 - HK3596.