Wardle marian (48 risultati)

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardback. Condizione: Very Good. The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir.

Condizione: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condizione: Very Good. The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir.

hardcover. Condizione: Very Good. Hardcover and dust jacket show only light cover wear. Text is unmarked and binding tight. Ships FAST.

Hardcover. Condizione: As New in shrinkwrap. Black cloth boards, black DJ with color illustration. XII, 193 pp. Over 150 illustrations in color and BW. Includes 7 essays, a familiy chronology and a genealogy, a bibliography, list of exhibited works. From the jacket: Robert Walter Weir (1803-1889) and his sons John Ferguson Weir (1841-1926) and Julian Alden Weir (1852-1919) saw themselves as heirs to European art traditions and repeatedly crossed the Atlantic to connect with their artistic heritage. Yet they lived, painted, and taught in New York and New England, where they were leaders in American art. Through letters, diaries, histories, and paintings, this book examines the lives of the American men and women of the Weir art dynasty and their explorations of the wider world--from the Hudson River Valley to London, Paris, and Rome. Contents as follows: Introduction. The Weir family at home and abroad / Marian Wardle -- Robert Walter Weir and the sense of place / Leo G. Mazow -- Enthralled and dismayed by Paris : Julian Alden Weir (1852-1919) in the transatlantic world / Hollis Clayson -- Becoming an artist in the modern world / Lois Marie Fink -- Cosmopolitans all? : The Weirs amid a world of others / Robert W. Rydell -- Engaging science and industry : tradition, modernity, and the Weirs / Betsy Fahlman -- Women of substance : the women of the Weir dynasty / Heather Belnap Jensen -- Weir family chronology / Julianne Gough -- Weir family genealogy / Danielle Hurd. …

Condizione: New. New dust jacket. Shrink wrapped! A brand new, unused and unread copy in perfect condition.

hardcover. Condizione: Good. Ships quickly. Almost very good. Dust jacket on bottom of spine has slight crease. Captivating images. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Soft cover. Condizione: Near Fine. 1st Edition. Soft cover in new condition with some light shelfwear to cover.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the ""Wild West"" and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet ""exotic"" Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness.Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas. Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and Maynard Dixon fostered new images, or brands, for western art. This volume examines paintings and films to demonstrate how these artists enhanced and contradicted earlier representations of the West. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the ""Wild West"" and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet ""exotic"" Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness.Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.…

Soft Cover. Condizione: Fine. First Softcover Edition. softcover., no flaws - clean, no writing or markings, no creases, bumps, tears. strong sewn binding.; xii-274pp., 166 illustrations in color, b/w. seven essays by various contributors. catalogue, detailed reference material. published in assoc. with brigham young university museum of art. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. …

Condizione: New.

Condizione: New. The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir Editor(s): Wardle, Marian. Num Pages: 212 pages, 169 illus. (76 colour). BIC Classification: 1KBB; AC. Category: (G) General (US: Trade). Dimension: 286 x 222 x 23. Weight in Grams: 1300. . 2011. Hardback. . . . . …

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. The first major study to examine the artistic output of Robert Walter Weir and his two sons, John Ferguson Weir and Julian Alden Weir Editor(s): Wardle, Marian. Num Pages: 212 pages, 169 illus. (76 colour). BIC Classification: 1KBB; AC. Category: (G) General (US: Trade). Dimension: 286 x 222 x 23. Weight in Grams: 1300. . 2011. Hardback. . . . . Books ship from the US and Ireland. …

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Brand New. 224 pages. 11.50x9.50x1.00 inches. In Stock.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Softcover. Dissertation. Spiral-bound. Photocopied from microfilm by UMI. 1-357, 502-533 pp., no illus. Dissertation. "Looks closely at portrayals of genteel sewing figures by the American artists Edmund Tarbell (1862-1938) and J. Alden Weir (1852-1919) as representative of the motif in the last two decades of the nineteenth cetnury and the first two of the twentieth. An analysis of the tension created between the quiet containment of the figures and their portrayal as actively producing, prompts a reading of the depictions as both resisting and promoting societal change." (abtract) Author Wardle served for more than a decade as the American art curator for the Museum of Art at Brigham Young University. VG (No illus. included in this photocopy, hence the missing pages.).…

Condizione: Very Good. Unused, still in original shrink wrap. Light bump at top of spine. Contents as new, unopened.