Warrington colescott (32 risultati)

Hardcover. Condizione: Very Good. 1. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

0 40 p. Very good. light shelf wear, ex museum stamp, signed by Warrington Colescott on the last page under a sardonic quotation from Stephen Weitz (AS THEY ALL WERE, THIS IS A PRINT NOT ACTUALLY SIGNED".

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. 202+ pp. Book/dust jacket condition: Fine/NF (lightly abraded corners). 1st Ed., 1st Printing/First Edition, First Printing. Beautifully illustrated in color throughout. All orders are processed and shipped from MI or WI, USA. …

Condizione: New.

Hardcover. Condizione: fine/fine. First edition. Quarto. 11 1/4" x 8 1/2'. 221pp A fine copy in dust jacket.

Condizione: as new. Condizione sovraccoperta: as new. Hbk 4to 184pp appears unused excellent text and dj now in a protective sleeve gift quality.

Condizione: New. This chronicle of a unique period in the development of printmaking in the U.S. at the University of Wisconsin, 1945-95, tells the story beautifully, in interviews with and about those who taught and those who were taught, and with examples of their prints. Num Pages: 184 pages, 98 illustrations. BIC Classification: 1KBB; AFH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 20. Weight in Grams: 1134. . 1999. Hardback. . . . .…

Hardcover. Black and color-illustrated Brodart DJ with pink and white lettering; black boards with metallic purple lettering; 340 pp.; richly illustrated in color. "The Prints of Warrington Colescott: A Catalogue Raisonne, 1948-2008 is the first fully illustrated catalogue to document Colescott's extensive and varied graphic career. Author and curator Mary Weaver Chapin has worked closely with Colescott, interviewed him at length, and had unique access to his private papers and archives. She documents his personal and artistic life in a detailed biographic sketch, and her extensive essay "Research Printmaker and Mad-Dog Attack Artist" examines the evolution of his printmaking career, focusing on his technique, iconography, and his place in American printmaking. The catalogue documents all 359 of Colescott's editioned prints, providing title, date, media, dimensions,and selected exhibition history and collections for each print, along with comments and anecdotes by Chapin and Colescott."-- DJ. VG (Art-library acquisition, indicated solely by a small label on DJ spine -- no other markings or stamps to the book; DJ has light shelfwear; boards have extremely light edgewear and bumping; textblock edges have a few very small smudges; interior is in excellent condition.).…

Condizione: New. This chronicle of a unique period in the development of printmaking in the U.S. at the University of Wisconsin, 1945-95, tells the story beautifully, in interviews with and about those who taught and those who were taught, and with examples of their prints. Num Pages: 184 pages, 98 illustrations. BIC Classification: 1KBB; AFH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 20. Weight in Grams: 1134. . 1999. Hardback. . . . . Books ship from the US and Ireland.…

Stiff Wraps. Condizione: Very Good. 80pgs, ill, nice copy.

Hardcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. In like new condition but spine slightly faded. Hardcover. English. Pub Year 1999, See images for condition. About the book >.>.> Progressive Printmakers: Wisconsin Artists and the Print Renaissance by Warrington Colescott provides a comprehensive chronicle of a distinctive era in the evolution of printmaking in the United States during the Post-World War II years. This work presents an insightful history of a talented group of artist-professors whose innovative and creative approaches to teaching printmaking played a crucial role in fostering a renaissance in the art form. Their contributions have established printmaking as a significant component of twentieth-century American artistic expression.The book highlights how printmaking flourished in the American art scene following the end of World War II, expanding swiftly from New York to the Midwest and further afield. Colescott examines the interactions and influences of various artists, as well as their dedication to advancing printmaking techniques and education. His exploration touches on the evolving methods and the collaborative spirit that defined the printmaking community during this transformative period.By showcasing the experiences and philosophies of these artist-professors, Progressive Printmakers offers readers an enriching look into the dynamic developments in printmaking. The work not only records an important chapter in American art history but also illustrates the overarching impact of these educators on generations of artists who followed. It stands as a testament to the enduring significance and innovation within the realm of printmaking, making it an essential read for those interested in American art and its historical trajectories. (MP).…

Hard Cover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Best known for his colorful, energetic, & satiric etchings related to the history of art, Colescott was also an influential instructor at the UW for many years. Large hardcover, new in shrinkwrap. 10" by 12¾". Warrington Colescott (illustratore). …

Softcover staple-bound, 32 pages, very good condition, light scuffs to covers; no internal marks.

Hardcover. Condizione: Near fine condition. Condizione sovraccoperta: Near fine condition (DJ). First Edition. xiv, 221 pages of text including index. Hardcover binding in almost new condition. Unclipped dustjacket with minimal shelfwear; protected in archival mylar. Signed by Warrington Colescott on the front endpaper. Contains numerous color illustrations. Includes Alfred Sessler, Dean Meeker, Warrington Colescott, Raymond Gloeckler, Jack Damer, Walter Hamady, William Weege, Francis Myers and David Becker. Clean, tight and attractive. Signed by Author(s).…

Hardcover. Condizione: Brand New. 1st edition. 184 pages. 11.25x9.00x0.75 inches. In Stock.

Condizione: New. pp. 184 Annotated edition.

Condizione: New. pp. 184 115 Illus.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Staple Bound Pamphlet. Condizione: Good. First Edition. Poetry, one of 250 copies privately printed after the author's death at the age of 22. Cover design by Warrington Colescott, better-known for his later satiric etchings; Colescott was at the time teaching art at Long Beach City College, where we suppose Marquis was a student. Stapled pamphlet, blue covers. Shows light wear, minor creasing, light chipping & tanning to edges. Text clean; 31 pages. Size: 6" by 9¼". Warrington Colescott (illustratore).…

Hard Cover. Condizione: Fine. Near Fine. First Printing. Covered in red cloth with embossed title on front and gilt lettering on spine. Signed by both authors. . Unclipped dust jacket has very minor creasing near top of spine; otherwise, this copy is clean, square & tight. Excellent condition. . B&W and Color Prints. 4to 11" - 13" tall. xiii, 221 pp. Signed by All Authors.…

Hardcover. Condizione: Very Good. 1st Edition. text by Mona Rubin and Kimberly Henrikson; Print Club of New York, the . 25 Year Anniversary. Presentation Collection; Club started in 1992; some of the Presentational artists: Fred Mershimer, Karl Schrag, Alex Katz, April Gornik, Richard Bosman, Stanley Boxer, Warrington Colescott, Will Barnet, Faith Ringgold, Judy Pfaff and more; approx 75 pages; pulling to the clear plastic on the white hardboards; otherwise the interior pages in VERY GOOD COND. …

Taschenbuch. Condizione: Neu. Neuware - Denton Welch (1915-48) died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen. Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. There, in 1943, he met and fell in love with Eric Oliver, a handsome, intelligent, but rather insecure 'landboy'--an agricultural worker with the wartime Land Army. Oliver would become a companion, comrade, lover, and caretaker during the last six years of Welch's life. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. They offer a historical record of life amidst the hardship, deprivation, and fear of World War II, and also are a timeless testament of one young man's tender and intimate emotions, his immense courage in adversity, and his continual struggle for love and creative existence.…

Paperback. Condizione: New.

Couverture souple. Condizione: Très bon. Elvehjem Museum of Art . 1988 . Un album 25 x 30 cm , de 80 pages , ornées de 24 reproductions couleurs sur 77 planches .

Paperback. Condizione: Very Good. First Edition. B & W and color art; 4to 11" - 13" tall; 56 pages; Vol. 29, No. 1, October 1968. Single issue magazine, soundly bound in pictorial card stock covers. Scarce and especially sought-after issue notable for its substantial nine-page interview with Huey Newton, conducted from jail by the Liberation News Service, discussing revolutionary nationalism and Black Panther strategy at a pivotal moment in the movement. Also includes a portfolio by Warrington Colescott and articles on North Vietnam, South Africa, and the university protest climate. Light shelf and handling wear, mild toning to covers and edges. A bright, sound, and appealing example. VG.…

Softcover (with flaps). Condizione: Very Good. 1st Edition. One of 125 copies printed in handsewn wrappers only for friends of the author, artist, and printer. 12 pages. Previous owner's inscription, lavish, in ink. Illustrator: Warrington Colescott. Quantity Available: 1. Category: True Crime; Poetry. Pictures of this item not already displayed here available upon request. Inventory No: 2428. Warrington Colescott (illustratore). …

Condizione: Good. Original handmade marbled papers over boards. 25 x 18 cm. 44 page surfaces, 22 printed. Edition of 137 numbered copies. Fine.Two Decades of Hamady and the Perishable Press Limited, no. 75.Walter Hamady (born 1940) is an American artist, book designer, papermaker, poet and teacher. He is especially known for his innovative efforts in letterpress printing, bookbinding, and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill, founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin, Madison where he would teach papermaking, letterpress printing, and bookbinding for more than three decades. …

Condizione: Good. Original handmade paper covers. 14 x 19.5 cm. 24 page surfaces, 18 printed. Edition of 1119 copies. Fine.Two Decades of Hamady and the Perishable Press Limited, no. 87.Walter Hamady (born 1940) is an American artist, book designer, papermaker, poet and teacher. He is especially known for his innovative efforts in letterpress printing, bookbinding, and papermaking exemplified in the productions of The Perishable Press Limited and the Shadwell Papermill, founded by Hamady in the mid-1960s. In 1966 Hamady joined the faculty of the University of Wisconsin, Madison where he would teach papermaking, letterpress printing, and bookbinding for more than three decades.…