Lingua: Inglese
Editore: Soberscove Press (edition ), 2025
ISBN 10: 1940190355 ISBN 13: 9781940190358
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
EUR 20,89
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. A timely volume on the work to uncover an important but neglected feminist experimental filmmaker and artistPublished with Soft Network.This book is the first to focus on the life and work of Susan Brockman (1937-2001), a prolific American filmmaker and artist who was involved in the feminist art movement, the documentary filmmaking community and the downtown New York art scenes of the 1960s-'90s. Through her distinctive approach to framing, editing and collage, Brockman created interior worlds and tableaux that have a palpable but enigmatic emotional resonance. In 2021, Soft Network began a three-year journey in her archive, a project that uncovered her largely forgotten contributions to experimental image-making. This eponymous monograph charts the organization's process and methodology, revealing the immense effort that goes into caring for and creating access to an artist's legacy and proposing new ways of considering what this work can mean.
Condizione: New.
Paperback. Condizione: new. Paperback. A timely volume on the work to uncover an important but neglected feminist experimental filmmaker and artistPublished with Soft Network.This book is the first to focus on the life and work of Susan Brockman (19372001), a prolific American filmmaker and artist who was involved in the feminist art movement, the documentary filmmaking community and the downtown New York art scenes of the 1960s'90s. Through her distinctive approach to framing, editing and collage, Brockman created interior worlds and tableaux that have a palpable but enigmatic emotional resonance. In 2021, Soft Network began a three-year journey in her archive, a project that uncovered her largely forgotten contributions to experimental image-making. This eponymous monograph charts the organization's process and methodology, revealing the immense effort that goes into caring for and creating access to an artist's legacy and proposing new ways of considering what this work can mean. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: As New. Unread book in perfect condition.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 21,03
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: New.
EUR 27,23
Quantità: Più di 20 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
Lingua: Inglese
Editore: University of Nebraska Press, 2019
ISBN 10: 0807172014 ISBN 13: 9780807172018
Da: INDOO, Avenel, NJ, U.S.A.
EUR 28,00
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. Brand New.
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 29,66
Quantità: 5 disponibili
Aggiungi al carrelloPaperback. Condizione: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.
Condizione: As New. Unread book in perfect condition.
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 26,80
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 22,08
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 112 pages. 9.00x6.75x8.90 inches. In Stock.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 29,29
Quantità: 1 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 26,04
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 112 pages. 9.00x6.75x8.90 inches. In Stock.
EUR 26,04
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 112 pages. 9.00x6.75x8.90 inches. In Stock.
EUR 20,87
Quantità: 18 disponibili
Aggiungi al carrelloCondizione: New.
Da: California Books, Miami, FL, U.S.A.
EUR 39,05
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New.
EUR 22,18
Quantità: 8 disponibili
Aggiungi al carrellopaperback. Condizione: New. Special order direct from the distributor.
EUR 20,92
Quantità: 10 disponibili
Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
EUR 23,42
Quantità: 18 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
EUR 30,35
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 167 pages. 8.25x5.75x0.75 inches. In Stock.
Paperback. Condizione: New. An intimate account of everyday life and art in 1970s New York from a pioneering feminist artistRosemary Mayer (1943-2014) produced a vast body of work that includes sculptures, outdoor installations, drawings, illustrations, artist's books, lyrical essays and art criticism. In 1971 she began to focus on the use of fabric as a primary medium for sculpture and to participate in a feminist consciousness-raising group which contributed to her involvement in A.I.R., the first cooperative gallery for women in the US. This was a pivotal period in Mayer's life and career, and she documented it in remarkable detail in her 1971 journal, where her plans, enthusiasms, ambitions and insecurities, as well as her opinions about the art around her, are recorded with self-awareness and honesty, along with her concerns about friendship, money and love. This illustrated edition of Excerpts from the 1971 Journal of Rosemary Mayer-previously published in a limited run of 300 copies-includes a new introduction and is expanded to twice the size of the first edition.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 28,44
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: New. In.