wasiuta mark (53 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing. Crisp, clean pages except for a thin yellowish line in the margin of the copyright page; no other owners' marks; square, tight binding, hard cover showing only a tiny wrinkle at the spine head; dust jacket has a pair of pressure marks at the upper front, and one of these has caused shallow surface rippling at the upper right front, otherwise sound and now protected in a clear, removable sleeve. 269pp + full-page plates at front and rear; color throughout. Published in conjunction with an exhibition at the Jewish Museum, New York, in 2021.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Brand New. Paperback.Width: 20 cm. Height: 18cm. 292 pages. English text.

Condizione: new.

Paperback. Condizione: new. Paperback. Just as information and media are products of design, they themselves leave indelible marks on the environments in which they circulate and help structure. Architecture has irrevocably been altered by the proliferation and advancement of new media technologies and forms of communication, but architecture, too, is capable of mediating these forms of mediation-their materiality, their transmission, and the motivations they carry. From 20062016, the Arthur Ross Architecture Gallery under the directorship of Mark Wasiuta at Columbia University's Graduate School of Architecture, Planning, and Preservation was the center of a sustained research practice experimenting with these intersections. As the title suggests, The Archival Exhibition: A Decade of Research at the Arthur Ross Architecture Gallery, 20062016 both records the possibilities of the archival exhibition as a mode, method, and problem of architecture, and is itself a record of a decade-long curatorial project that sought to reframe the documents, authors, environments produced by and producing architecture. This book thus collects thirteen exhibitions that read architecture as a field coordinated by documents with distinct historical, mediatic, and disciplinary registers. The book, and the exhibitions it presents, recognize that architectural documents take shape according to different discursive and institutional exigencies. Yet, in these exhibitions the architectural archive is hardly stable or uniform. Rather, the archive appears as a term, process, mode of organization, underwriting architecture's media, histories, and effects. With contributions from Martin Beck, Caitlin Blanchfield, Craig Buckley, Glen Cummings, Keller Easterling, Noam M. Elcott, James Graham, Branden W. Joseph, Adrian Lahoud, Leah Meisterlin, Felicity D. Scott, Anthony Vidler, Mark Wasiuta, Ines Weizman, and Mark Wigley. This book collects thirteen exhibitions that read architecture as a field coordinated by documents with distinct historical, mediatic, and disciplinary registers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: New. Just as information and media are products of design, they themselves leave indelible marks on the environments in which they circulate and help structure. Architecture has irrevocably been altered by the proliferation and advancement of new media technologies and forms of communication, but architecture, too, is capable of mediating these forms of mediation-their materiality, their transmission, and the motivations they carry. From 2006-2016, the Arthur Ross Architecture Gallery under the directorship of Mark Wasiuta at Columbia University's Graduate School of Architecture, Planning, and Preservation was the center of a sustained research practice experimenting with these intersections. As the title suggests, The Archival Exhibition: A Decade of Research at the Arthur Ross Architecture Gallery, 2006-2016 both records the possibilities of the archival exhibition as a mode, method, and problem of architecture, and is itself a record of a decade-long curatorial project that sought to reframe the documents, authors, environments produced by and producing architecture.This book thus collects thirteen exhibitions that read architecture as a field coordinated by documents with distinct historical, mediatic, and disciplinary registers. The book, and the exhibitions it presents, recognize that architectural documents take shape according to different discursive and institutional exigencies. Yet, in these exhibitions the architectural archive is hardly stable or uniform. Rather, the archive appears as a term, process, mode of organization, underwriting architecture's media, histories, and effects.With contributions from Martin Beck, Caitlin Blanchfield, Craig Buckley, Glen Cummings, Keller Easterling, Noam M. Elcott, James Graham, Branden W. Joseph, Adrian Lahoud, Leah Meisterlin, Felicity D. Scott, Anthony Vidler, Mark Wasiuta, Ines Weizman, and Mark Wigley.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. Just as information and media are products of design, they themselves leave indelible marks on the environments in which they circulate and help structure. Architecture has irrevocably been altered by the proliferation and advancement of new media technologies and forms of communication, but architecture, too, is capable of mediating these forms of mediation-their materiality, their transmission, and the motivations they carry. From 2006-2016, the Arthur Ross Architecture Gallery under the directorship of Mark Wasiuta at Columbia University's Graduate School of Architecture, Planning, and Preservation was the center of a sustained research practice experimenting with these intersections. As the title suggests, The Archival Exhibition: A Decade of Research at the Arthur Ross Architecture Gallery, 2006-2016 both records the possibilities of the archival exhibition as a mode, method, and problem of architecture, and is itself a record of a decade-long curatorial project that sought to reframe the documents, authors, environments produced by and producing architecture.This book thus collects thirteen exhibitions that read architecture as a field coordinated by documents with distinct historical, mediatic, and disciplinary registers. The book, and the exhibitions it presents, recognize that architectural documents take shape according to different discursive and institutional exigencies. Yet, in these exhibitions the architectural archive is hardly stable or uniform. Rather, the archive appears as a term, process, mode of organization, underwriting architecture's media, histories, and effects.With contributions from Martin Beck, Caitlin Blanchfield, Craig Buckley, Glen Cummings, Keller Easterling, Noam M. Elcott, James Graham, Branden W. Joseph, Adrian Lahoud, Leah Meisterlin, Felicity D. Scott, Anthony Vidler, Mark Wasiuta, Ines Weizman, and Mark Wigley.

paperback. Condizione: New.

Condizione: New. In.

Condizione: New.

Hardback. Condizione: New. 1st. Dan Graham, one of America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series, Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces represents an extremely important facet of his work, as does the question of what role it plays in postmodern society and in the context of everyday culture. This publication presents new photographs by Dan Graham, taken in the context of a study trip with the architecture faculty of Columbia University, together with a selection of original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, because they were taken in the same locations, in the same deserts of suburban streets and housing that Graham had photographed in the 1960s. This creates a fascinating reference system of repetitions and differences, in terms of both the temporal and the spatial, that asks questions of the viewer about architecture, public space, and their function in society.

Hardback. Condizione: New. 1st. Dan Graham, one of America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series, Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces represents an extremely important facet of his work, as does the question of what role it plays in postmodern society and in the context of everyday culture. This publication presents new photographs by Dan Graham, taken in the context of a study trip with the architecture faculty of Columbia University, together with a selection of original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, because they were taken in the same locations, in the same deserts of suburban streets and housing that Graham had photographed in the 1960s. This creates a fascinating reference system of repetitions and differences, in terms of both the temporal and the spatial, that asks questions of the viewer about architecture, public space, and their function in society.

Hardcover. Condizione: new. Hardcover. Dan Graham, one of America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series, Homes for America, pictures of typical American suburbia in New Jersey. To this day the theme of architecture and its surfaces represents an extremely important facet of his work, as does the question of what role it plays in postmodern society and in the context of everyday culture. This publication presents new photographs by Dan Graham, taken in the context of a study trip with the architecture faculty of Columbia University, together with a selection of original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, because they were taken in the same locations, in the same deserts of suburban streets and housing that Graham had photographed in the 1960s. This creates a fascinating reference system of repetitions and differences, in terms of both the temporal and the spatial, that asks questions of the viewer about architecture, public space, and their function in society. SELLING POINTS: .Includes photographs from the famous 1960s series Homes For America and a re-visit of the New Jersey sites .An homage to the photographic work of the world-renowned American artist ILLUSTRATIONS: 140 - Includes photographs from the famous 1960s series Homes for America and a re-visit of the New Jersey sites - An homage to the photographic work of the world-renowned American artist Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 3 working days.

Hardcover. Condizione: As New. 1st Edition. 191 pages, text in English by Mark Wigley and Mark Wasiuta.illustrated in color photographs. - Dan Graham's New Jersey - very fine as new copy. half hard cover. Size: 267 x 195 Mm Hard cover cloth. Book.

Condizione: As New. Unread book in perfect condition.

1. Aufl. Dan Graham, einer der bedeutendsten US-amerikanischen Künstler der Gegenwart, ist heute vor allem für seine bildhauerischen Werke und Installationen bekannt. Seine fotografischen Arbeiten stehen meist weniger im Fokus, dabei erlangte er erstmals Mitte der 1960er-Jahre Berühmtheit mit der Fotoserie Homes for America mit Aufnahmen amerikanischer Vorstadtsiedlungen. Bis heute nimmt das Thema der Architektur und ihrer Oberflächen im Kontext der Alltagskultur der Postmoderne eine herausragende Stellung in seinem Werk ein. Das Buch zeigt neue Fotografien Dan Grahams zusammen mit Originalaufnahmen aus Homes for America. Die neuen Aufnahmen weisen starke Bezüge zu den alten auf, sie wurden an denselben Orten, in denselben suburbanen Strassen- und Häuserwüsten aufgenommen. So entsteht ein faszinierend vielschichtiges Bezugssystem aus Wiederholungen und Differenzen, in zeitlicher wie auch räumlicher Hinsicht, begleitet von Kommentaren des Künstlers. (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1100 ill. OLeinen / Hardcover (cloth).

Paperback. Condizione: Brand New. 516 pages. 9.40x6.70x9.40 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.