Weigert laura (38 risultati)

Condizione: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardback. Condizione: Good. Spanning the backs of choir stalls above the heads of the canons and their officials, large-scale tapestries of saints' lives functioned as both architectural elements and pictorial narratives in the late Middle Ages. In an extensively illustrated.

Condizione: New. Series: Conjunctions of Religion and Power in the Medieval Past. Num Pages: 272 pages, 80. BIC Classification: 3H; AFW; HRC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 208 x 237 x 22. Weight in Grams: 1042. 2004. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland. …

Condizione: Very Good. illustrated edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New. Series: Conjunctions of Religion and Power in the Medieval Past. Num Pages: 272 pages, 80. BIC Classification: 3H; AFW; HRC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 208 x 237 x 22. Weight in Grams: 1042. 2004. hardcover. Not a first edition copy. . . . …

Hardback. Condizione: Good. Spanning the backs of choir stalls above the heads of the canons and their officials, large-scale tapestries of saints' lives functioned as both architectural elements and pictorial narratives in the late Middle Ages. In an extensively illustrated.

Hardcover. Condizione: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condizione: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Hardcover. Condizione: Used-Very Good. illustrated edition. Cloth, d.j. Some shelf-wear. Else clean copy.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condizione: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condizione: New.

hardcover. Condizione: New. Next day dispatch (mon-fri). Please note orders sent to Netherlands or Sweden take slightly longer than the Amazon estimated delivery date. Same day/next day dispatch (mon-fri) all items checked before dispatch, Handled and sent out with care.

Broché. Condizione: D'occasion - Très bon état. DDB, 2003. Envoi rapide et soigné.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2016 Cambridge hardcover edition. Light reading wear else very good condition. Contents: 1. 'vocamus personagias': the enlivened figures of ephemeral stagings; 2. 'ouvrez vos yeux et regardez': illuminated passion plays and the commemoration of performance; 3. 'faire semblant': make-believe and the experience of heroic battles; 4. 'cy s'ensuit le mystere': creating a spectator and a reader of french plays; 5. 'c'etait qu'un jeu industrieux': artifice and authenticity in the devil's play.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very Good/Very Good. Unread condition.

Softcover. Softcover.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: new. Hardcover. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual artifacts to explore this tradition of late medieval performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. In English.

Condizione: New. This book revives the variety of performances that took place in the realms of the French kings and Burgundian dukes. Num Pages: 305 pages, 143 b/w illus. 8 colour illus. BIC Classification: 1DDF; 3H; ACK; AN; HBJD; HBLC1. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 253 x 177. . . 2015. Illustrated. hardcover. . . . .…

Hardcover. Condizione: Brand New. illustrated edition edition. 264 pages. 9.50x8.50x1.00 inches. In Stock.

Hardcover. Condizione: Brand New. 1st edition. 305 pages. 9.00x7.00x1.00 inches. In Stock.

Hardback. Condizione: New. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.…

Hardback. Condizione: New. New copy - Usually dispatched within 3 working days.

Hardcover. Condizione: new. Hardcover. This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual artifacts to explore this tradition of late medieval performance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. French Visual Culture and the Making of Medieval Theater revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Weigert brings together a wealth of visual arti.

Buch. Condizione: Neu. Neuware - This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.…