weil claudia (32 risultati)

Hardcover. Condizione: Very Good. Clean Copy, May have light wear on cover/edges, otherwise very good! Established Seller, We Ship Daily!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardbound in dust jacket.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Good.

Hardcover. Condizione: Fine. Leichte Rillen / Abschürfungen / Risse / Knicke. Vor 100 Jahren abgeschafft und totgeglaubt, gibt es längst wieder ein modernes Ornament. War dieses früher schmückendes Beiwerk oder Dekor an sich, stellt es heute ein grundlegendes Konzept und Ordnungsmodell für viele Gestaltungsfelder des täglichen Lebens dar. Anstelle der bislang üblichen Pflanzen und Zeichen durchdringen im 21. Jahrhundert Punktraster, Streifen und Quadrate als ornamentale Strategie Architektur, Kunst und jede Art von Design. Das Buch gibt einen Überblick über alle Ordnungsprinzipien moderner Ornamentik und öffnet den Blick auf eine völlig neue, faszinierende Welt. Für alle, die optische Zusammenhänge ohne Dogma sehen und verstehen wollen.

Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Jacket has slight wear on corners. Bottom corners of cover are creased. Binding is tight. Inside is clean and unmarked.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. AUTHOR: Thomas Weil is an artist and architect who has been developing a new school of the ornament for 30 years. Since 1996, he has run studio collaboration with Claudia Weil. Projects the have realized included Karstadt (Gutersloh), No Limit (Berlin), European Patent Office (Munich), Pan-Clinic, Port Authority, Postbank, and McKinsey (all in Cologne). SELLING POINTS: .Ornament as design principle .1,000 ornaments in 14 groups for various projects: from facade design to theatre backdrop, textile design, and wallpaper .Instructions for derivation and variation of motifs with applications for architecture, art, and design ILLUSTRATIONS 670 designs & 55 colour photographs * Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New.

Hardback. Condizione: New. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament.

Hardcover. Condizione: Brand New. bilingual edition. 53 pages. 11.00x8.50x0.45 inches. In Stock.

53 + pp.; 28.6 x 22 cm.; sewn bound; black-and-white & color; edition size 3500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Roberts & Tilton, Culver City, CA, April 9 - May 28, 2011. Traveled to the Jewish Museum, New York, NY, March 9 - July 29, 2012. Essays by Claudia J. Nahson, Ruth Eglash, and Shalva Weil, Ph.D. Includes Curriculum Vitae. Text in English and Hebrew. Very Good / Fine. Light rubbing and bumping of dust-jacket edges. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condizione: New.

Hardback. Condizione: New. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament.

Condizione: As New. Unread book in perfect condition.

Condizione: New. Num Pages: 144 pages, 670 designs & 55 color photos. BIC Classification: AK; AMC. Category: (G) General (US: Trade). Dimension: 287 x 225 x 21. Weight in Grams: 1182. . 2009. Hardcover. . . . .

Condizione: New. Num Pages: 144 pages, 670 designs & 55 color photos. BIC Classification: AK; AMC. Category: (G) General (US: Trade). Dimension: 287 x 225 x 21. Weight in Grams: 1182. . 2009. Hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament.

Hardcover. Condizione: new. Hardcover. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. AUTHOR: Thomas Weil is an artist and architect who has been developing a new school of the ornament for 30 years. Since 1996, he has run studio collaboration with Claudia Weil. Projects the have realized included Karstadt (Gutersloh), No Limit (Berlin), European Patent Office (Munich), Pan-Clinic, Port Authority, Postbank, and McKinsey (all in Cologne). SELLING POINTS: .Ornament as design principle .1,000 ornaments in 14 groups for various projects: from facade design to theatre backdrop, textile design, and wallpaper .Instructions for derivation and variation of motifs with applications for architecture, art, and design ILLUSTRATIONS 670 designs & 55 colour photographs * Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. &Uumlber den AutorThomas Weil is an artist and architect who has been developing a new school of the ornament for 30 years. Since 1996, the has run a studio collaboration with Claudia Weil. Projects they have realized included Karstadt .

24 x 30 cm, 144 S., mit zahlreichen farb. Abb., zweisprachige Ausgabe (deutsch / englisch), Pappband mit Orig.-Schutzumschlag (dieser leicht angestaubt), gut erhalten. 1000 gr.

Hardcover. Condizione: new. Hardcover. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. AUTHOR: Thomas Weil is an artist and architect who has been developing a new school of the ornament for 30 years. Since 1996, he has run studio collaboration with Claudia Weil. Projects the have realized included Karstadt (Gutersloh), No Limit (Berlin), European Patent Office (Munich), Pan-Clinic, Port Authority, Postbank, and McKinsey (all in Cologne). SELLING POINTS: .Ornament as design principle .1,000 ornaments in 14 groups for various projects: from facade design to theatre backdrop, textile design, and wallpaper .Instructions for derivation and variation of motifs with applications for architecture, art, and design ILLUSTRATIONS 670 designs & 55 colour photographs * Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condizione: New. Ornament, as practiced by architects, artists, and designers for a hundred years, presents itself as a system of order and grid, and not merely as adornment. Long before the recently occurring renaissance of the ornament, the Studio of Claudia and Thomas Weil developed 1,000 contemporary ornaments in 14 groups including numerous variations with intriguing names like "the extended octopus," "angle-square-triangle," "Chessband," Shark's landing," and "Africa, half past two." Each offers fresh, exciting new varieties of geometric ornament that can be developed from a common grid. With the addition of color these patterns take on almost limitless possibilities. These are introduced here, together with applications in architecture, art and design, as well as an overview of the history of the modern ornament.

Hardcover. Condizione: Befriedigend. Aufgrund der Grösse des Buches bei uns wegen Porto nachfragen. Leichte bis mittlere Gebrauchsspuren bei Einband und Schutzumschlag. Leichte Gebrauchsspuren an den Seiten.

Original-Pappband. Condizione: Gut. Condizione sovraccoperta: Gut. Gut erhalten.

Condizione: Wie neu. ERSTAUSGABE. 144 Seiten. Mit zahlreichen farbigen Abbildungen. 31 cm FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. - (Wir bieten zahlreiche Titel aus diesem Sachgebiet auf unserer HP an - We offer a lot of books in this field on our website ) Sprache: Deutsch Gewicht in Gramm: 1200 Originalpappband mit Original-Schutzumschlag.

Softcover, staple-bound with black tape around spine, 20 pages; in Danish with list of 27 works but no illustrations; very good condition; light rubbing and edgewear to covers; no internal marks. Included: Jennifer Bartlett, Lynda Benglis, Lee Bontecou, Elena Borstein, Manon CLeary, Mary Corse, Rebecca Davenport, Claudia DeMonte, Janet Fish, Nancy Graves, Harriet Korman, Ann McCoy, Susan Weil, Jackie Winsor. Foreign shipping may be extra.