weill george (16 risultati)

audioCD. Condizione: Very Good.

SingleIssueMagazine. Condizione: Good to Very Good-. Vol. CCVII, No. 3 (Whole No. 1933). Cover art by Benron Clark. Includes "The Shooter's Corner" by Pete Khulhoff; "Death Is a White Goddess" (novel) by Joseph W. Musgrave; "The Frustrations of Wang Soo" by Wilbur S. Peacock; "She's Your Ship, Cap'n" by H. Fredric Young; "Centennial in Jezebel" (novelette) by Steuart Emery; "Curioddities" by Irwin J. Weill; "The Unfinished Fan" by B. E. Cook; "Beyond the Brooks" (pt. 3 of 4) by Bertrand Shurtleff; "The Sky Stone" by Rui Chestor; "Stickup at Stafford's" by Hapsburg Liebe; "Men Who Wouldn't Die" by George C. Appell; "The Ninth Earl" by H. S. M. Kemp; "The Storyteller's Circle". Illustrated by Humiston, Chas Wood, Raymond Kinstler, and more. Front cover glued on at hinge; minor glue-mends to rear hinge; standard edge and corner wear and tear with minor losses; tanning; large number on rear in wax pencil. Book.

Condizione: Used: Good. former library hardcover reprint of the 1891 ed withdrawn stamp in book/ on edge of pages clean text in french has book plate 315 pages/// M-8.

Soft cover. Condizione: As New. Condizione sovraccoperta: Near Fine. First Trade Paperback Edition. INVALUABLE: INDISPENSABLE, ENTRALLING, AMBITIOUS: AS-NEW First Trade Paperback Edition (Orig. 1995) Fifth Printing (c. 2010): Volume 3 in the series "Weimar and Now: German Cultural Criticism" edited by Anton Kaes w/ Martin Jay & Edward Dimendberg * 6.48" x 9.74" x 1.86", 1.54 kg, xx+810 (830) pp * ABOUT THE BOOK: A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the 20th century. Its political & cultural lessons retain uncanny relevance for all who seek to understand the tensions & possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, & politics assembled in any language. It invites a wide community of readers to discover the richness & complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, & official documents (many unknown even to specialists & most never before available in English), this book challenges the traditional boundaries between politics, culture, & social life. Its 30 chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret & urban entertainment, & the situation of Jews, intellectuals, & workers before & during the emergence of fascism. While devoting much attention to the Republic's varied artistic & intellectual achievements (the Frankfurt School, political theater, 12-tone music, cultural criticism, photo-montage, & urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, & sexuality; it also contains a timetable of major political events, an extensive bibliography, & capsule biographies. This will be a major resource & reference work for students & scholars in history; art; architecture; literature; social & political thought; & cultural, film, German, & women's studies. * HIGHEST PRAISE: "'The Weimar Republic Sourcebook' is an INVALUABLE resource for understanding one of the most important & resonant eras of the 20th century. SInce the Weimar debate has continued to repeat itself, albeit w/ less intellectual brilliance, this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced & eloquent complexity: most of these texts, even those by the most famous names of the period, appear for the first time in English. This is an INDISPENSABLE, ENTRALLING, properly AMBITIOUS book." -Susan Sontag * ABOUT THE AUTHORS-EDITORS: ANTON KAES is Professor of German & Director of Film Studies at the University of California, Berkeley. He is author most recently of "From Hitler to Heimat: The Return of History as Film" (1989). MARTIN JAY is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include "Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought" (California, 1993). EDWARD DIMENBERG is Assistant Professor of German Studies, Film & Video Studies, & Architecture at the University of Michigan.

Hardcover. Condizione: Good. Condizione sovraccoperta: Poor. 1st Edition. FIRST EDITION, FIRST PRINTING.HARDCOVER EDITION WITH DUSTJACKET.NICE COPY.BINDING IS SOLID.TEXT UNMARKED.gift inscription on fep.dustjacket is worn, torn, bumped and chipped.does not look good.

SingleIssueMagazine. Condizione: Very Good+. Vol. CCI, No. 3 (whole no. 998). Pulp magazine. Edited by D. McIlwraith. Cover art by Oren R. Waggener for "Gumboot Logger" (novel) by Frank Richardson Pierce. Includes "Dead Reckoning" by Herbert L. McNary; "Red Haid Snaps Up" by William MacLeod Raine; "Plane Facts" by Jim Ray; "The Housing Shortage Murders" (long novelette) by Steuart M. Emery; "The Partnership Business" by James B. Hendryx; "Curioddities" by Irwin J. Weill; "Freedom Has a Price" (pt. 2 of 4) by H. Bedford-Jones; "Four Apprenticing Lemons" by George Bruce Marquis; "Second Chance" by Steve Hail; "Jumping Beaver's Bomb" by John E. Kelly; "The Shooter's Corner" by Pete Kuhlhoff. A little rear cover soiling; minor edge tears and creasing. Book.

SingleIssueMagazine. Condizione: Very Good. Vol. CXCIX, No. 6 (whole no. 990). Pulp magazine. Edited by D. McIlwraith. Cover art by Lee Brown Coye for "The Wind in the Cypress" (long novelette) by Wyatt Blassingame; "Law of the Cats" by Kenneth Gilbert; "The Ciode of the Weasel" by George Bruce Marquis; "The Blank Wall" (long novelette) by Philip Ketchum; "Curioddities" by Irwin J. Weill; "Where Is Panhandle Pete?" by Frank Richardson Pierce; "A Gunman's Friend" by Caddo Cameron; "First Chevalier" (verse) by S. Omar Barker; "Decision at Great Sandy' by Steve Hall; "Flying Tintypes"by Jim Bay; "High Country" (pt. 2 of 4) by Peter Dawson; "Trip to Monterey" by Bert David Ross; "The Shooter's Corner" by Pete Kuhlhoff. Tanning; standard edgewear with a few short tears and small losses. Book.

1st edition. Pulp fiction magazine. Contains one complete novel (Alamut by Wheeler-Nicholson), two novelettes, one serial (Crooked Shadows-finis by Young), six short stories, other features. Solid collector*s copy. 7 x 10, 144 pp, b/w illus & ads. VeryGood, bright cover, backstrrip intact (small chip at bottom), some edgewear. Magazine in color-illus wraps (art by Boris Dolgov), side-stapled.

Soft cover. Condizione: Very Good. cover by Edward Stevenson (illustratore). First Edition. New York: Short Stories Inc. 1948. First Edition. Pulp magazine. Pictorial wrappers [about 7" x 10"], 144 pages, illustrated. Includes "Satan's Garden" by E. Hoffmann Price, "Wolf Dog" by Allan Vaughan Elston, "The Long Trail" by Ray Palmer Tracy, "Men Who Wouldn't Die" by George C. Appell, the conclusion of "Dead Men Dancing" by H. Bedford-Jones, etc. VG copy 1/2" area of creased tearing to the lower spine, vertical creasing to the front cover, light edgewear, small tear to the rear cover, text paper tanning . . mag12E.

SingleIssueMagazine. Condizione: Good+ to Very Good-. Vol. CXCIII, No. 2. Edited by D. McIlwraith. Cover art by Pete Kulhoff. Includes "The Story Tellers' Circle"; "The Professor" (novelette) by Frank Gruber; "Long Range Revenge" by Ray Millholland; "Plane Facts" by Jim Ray; "The Canvas Is Stained" by Jack Karney; "Red Clark in Paradise" (conclusion) by Gordon Ray Young; "The Keeper of the Reguge" by Jim Kjelgaard; "Curioddities" by Irwin J. Weill; "Murder Below Zero" (novelette) by Geoffrey Hewelcke; "Snapping Them Down" by Kerry O'Neil; "Thunder Out of Jezebel" (novelette) by Stueart M. Emery; "Can a Dead Man Walk?" by Michael Oblinger; "Tented City" (verse) by Frank Bone; "Backfire" by George Armin Shaftel; "The Shooter's Corner" by Pete Kuhlhoff. Illustrated by Humiston, Kuhlhoff, PT, and others. Edge tears and small losses; tanning; minor soiling. Book.

Single Issue Magazine. Condizione: Good. Original wraps show minor wear and tear, pages tanned.

Single Issue Magazine. Condizione: Good. Original wraps show minor wear and tear, pages tanned.

Single Issue Magazine. Condizione: Good. Original wraps show moderate to heavy chipping and staining. Pages are tanned with some tidemarks.

1st edition. Pulp fiction magazine. Contains two novelettes (featured is Satan*s Garden by Price), one serial (Dead Men Dancing-finis by Bedford-Jones), six short stories, other features. Solid collector*s copy. 7 x 10, 144 pp, b/w illus & ads. VeryGood, bright cover, backstrrip intact, some edgewear. Magazine in color-illus wraps (art by Edward Stevenson), side-stapled.

Un volume (22 cm) di (8)-431 pagine. Un timbretto al titolo. Brossura editoriale. Nouvelle édition complètement réfondue.

Condizione: Very Good. First edition. One-of-a-Kind Beatles Images Portend the End of an Era. This original contact sheet of rare 1966 images of The Beatles was discovered by artist, photographer, musician, and Beatles enthusiast Dave Seabury at a garage sale near San Francisco in the late 1980s. These photos, which we have on offer, were taken at the Fab Four's final concert at Candlestick Park on August 29, 1966. The story of how these images were discovered is almost as fascinating as the images themselves. Seabury frequented garage sales for years inquiring about Grateful Dead or Beatles photos and never had any luck. On one fateful day the seller said, "Yeah, there are some Beatles pictures in that box over there." (Marks) In the box Seabury found a contact sheet with 73 black-and-white images of The Beatles taken by someone who clearly had privileged access to the band. The photos were close-up and deeply moving, however there was no date on the photos and no photographer stamp. Seabury recalls that every once in a while he'd take out these photos and think, "These are really great, they deserve some attention." Then, many years later, he read Joel Selvin's article in the San Francisco Chronicle about The Beatles' last concert at Candlestick Park which included Jim Marshall's famous photos. After looking at the pictures Seabury thought, "Those shirts look familiar." He quickly pulled out his Beatles contact sheet and voilà, they were wearing the same shirts. Seabury said, "That's when I realized the photos on my contact sheet were taken at Candlestick in 1966." (Marks) In 2015, Seabury began his quest to find the photographer. With the 50-year anniversary of The Beatles' final concert on the horizon, he said, "I contacted all The Beatles collectors I could find. I just kept coming up zero." (Marks) At the same time, Seabury, a photographer in his own right, was working on a photo exhibition and concert to be called "Lost and Found Beatles." Scheduled to open on the 50th anniversary of the Candlestick show, at The Reclaimed Room Gallery in San Francisco, he started a Kickstarter campaign to raise the money to turn the contact sheet images into prints. It was a labor of love. When the pictures were finally printed, Seabury realized that rather than the usual stock photos taken at concerts, these images were unusually pensive and intimate. Unbeknownst to their fans at the time, John, Paul, George, and Ringo had a secret - they had recently decided that this would be their last live concert together. Amidst 25,000 screaming fans, the photographer was able to capture what The Beatles knew, that this was the end of an era. When the "Lost and Found Beatles" show opened on September 29, 2016, the identity of the photographer was still a mystery. At the exhibition closing party, professional collector Derek Taylor realized that a photo in the exhibit looked familiar. He explained ". the way Lennon's hair was tousled. I just knew I'd seen that photo before, like something I'd bought. A few weeks later, I happened to be looking for a record and boom, that Lennon photo, an 8-by-10, falls out." Taylor flipped the photo over and saw a stamp that read, "Photo: Eric Weill." (Marks) Mystery solved. Eric Weill, who struggled with bipolar disorder for most of his life, died in 2006. He was well known for his photos of Bob Dylan and for claiming to be the Zodiac killer on a call-in radio show in 1969. Ethan Byxbe, nephew of Weill, described his uncle as "a professional photographer. [whose] news photo called 'The First Hippie Riot' from 1968 is in the collection of the Smithsonian." One of Weill's acquaintances explained that "Eric was just one of those guys who showed up everywhere with a camera." (Marks) Seabury was eager to meet Weill's nephew, his only living relative, and explains, "When I finally connected with Ethan and explained everything to him, he was totally blindsided. He was like, 'Whoa, wait a minute. You published his photos?' And I said, 'Look, man. I want to m.