Weiner julia foreword by (2 risultati)

Paperback. Condizione: Fine. 1st. 211 pages, illustrations (chiefly colour), maps; 29 cm. Translation and revision of: Humanisme et expressionnisme: la representation de la figure humaine et l'experience juive, published in France in 2008, accompanying the exhibition Human Expressionism at the Musee Tavet-Delacour in Pontoise. Firm binding, clean inside copy. Stated First Abbeville Press edition. Richly illustrated with colour plates. *** "In the twentieth century, the avant-garde movements promoted abstraction and formal experimentation in the visual arts, often dispensing with the human form altogether. Yet many artists of Jewish descent resisted this trend and continued to depict the human figure with sympathy and understanding. Few of them portrayed overtly Jewish themes, but--as Eliane Strosberg argues in this thought-provoking volume--their persistent devotion to figuration was itself a reflection of their Jewishness. Though their individual styles were diverse, they all used the human figure as a means of communicating, in secular terms, aspects of their Jewish intellectual heritage, such as their humanistic values, passion for social justice, and opposition to the nihilism that underlay so much of modern culture. For this reason, their work may be said to constitute an ethical, if not an aesthetic, art movement, which Strosberg aptly dubs 'Human Expressionism.' Strosberg begins her highly readable text with an overview of Jewish tradition that illuminates the mindset of many Jewish artists. She also provides a concise history of Jewish art from Genesis to the Enlightenment, in which she demonstrates that figurative art has actually had a place in Judaism for thousands of years, despite the Second Amendment's prohibition of graven images. However, Strosberg devotes the greater part of her study to a comparative analysis of those artists who fall under the rubric of Human Expressionism. Though her scope is impressively broad, ranging from Camille Pissarro to George Segal, she pays particular attention to the immigrant painters of the Ecole de Paris, like Soutine and Modigliani; the American social realists, like Ben Shahn and Raphael Soyer; and the masters of the postwar School of London, like Lucian Freud and R.B. Kitaj." "Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica. Eliane Strosberg, who holds an M.D. and a Ph. D. from the Free University of Brussels, enjoyed a successful career as an international management consultant. She was also a research fellow at Harvard and has worked in the research laboratory of the Boston Museum of Fine Arts. Strosberg was cofounder of the cultural organization Rencontres Art et Science; her book Art and Science (Abbeville), produced in cooperation with UNESCO, was translated into several languages./ Eliane Strosberg, who holds an M.D. and a Ph.D. from the Universite; Libre de Bruxelles, enjoyed a successful career as an international management consultant. She has also worked in the research laboratory of the Boston Museum of Fine Arts and was cofounder of the cultural organization Rencontres Art et Science. Her book Art and Science (Abbeville), produced in cooperation with UNESCO, was translated into several languages. Julia Weiner, a curator and art critic based in London, has served as head of education at the Courtauld Institute and as a consultant to the Victoria and Albert Museum." - Publisher. *** CONTENTS: The Jewish experience; The human figure before the Enlightenment; Human expressionisms in the early twentieth century; The human figure after the Holocaust. Size: 4to. Collectible.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Translation and revision of: Humanisme et expressionnisme : la représentation de la figure humaine et l'expérience juive, published in France in 2008, accompanying the exhibition Human Expressionism at the Musée Tavet-Delacour in Pontoise. 211 p. : ill. (chiefly col.), maps ; 29 cm. First Abbeville edition, first printing. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…