Weizman ines (84 risultati)

Condizione: New.

Paperback. Condizione: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.…

Condizione: New.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: Brand New. 96 pages. 7.47x4.72x7.36 inches. In Stock.

Paperback. Condizione: Very Good. First edition. 8vo; 115 pp.; illustrated. VG copy in original wrappers.

Condizione: New.

Paperback. Condizione: Brand New. 96 pages. 7.47x4.72x7.36 inches. In Stock.

Condizione: New. In English.

Condizione: New.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Taschenbuch. Condizione: Neu. Neuware - Catastrophes, bombed-out cities, large-scale political transformations: 'Image complexes' of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds and controls the circulation or censorship of images Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Do humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase How can the gap between images become a site of critical counter-reading rather than a symbol of erasure In the context of their current research, Eyal and Ines Weizman discuss the history, present and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.…

Condizione: Brand New. German language. 4.45x0.59x7.28 inches. In Stock.

Condizione: New.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condizione: Brand New. 104 pages. 7.47x4.66x8.86 inches. In Stock.

Hardback. Condizione: New.

Condizione: New. French edition NO-PA16APR2015-KAP.

Softcover. First Edition. Large Octavo, vi, ix, xiv, xvi, 223 pages. In Very Good condition. Paperback binding. Spine green with white lettering. Covers have extremely light wear with mild edge wear. Text block has very slight wear including faint age toning to the edges. Illustrated. First edition. NOTE: Shelved in Locked Annex, Column CC. 1413495. FP New Rockville Stock. …

Paperback. Condizione: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.…

Taschenbuch. Condizione: Neu. Neuware -After the First World War and under the British Mandate, Haifa grew from a small Ottoman port town into a regional metropolis and industrial centre around a deep seaport. The city was part of an open space that extended from Cairo to Damascus through Beirut, in a region where Syria, Palestine and Lebanon were part of the same fluid, interconnected space. During the Second World War, Haifa became a border town. Under French Vichy, the border between Lebanon and Syria ran sixty kilometres to the north and hardened only after the creation of Israel in 1948 and the wars with Lebanon. Haifa's architectural modernism developed in relation to the city's geopolitical environment. No building better manifests Haifa's predicament than the modernist casino building, built in the city's Bat Galim seafront district. 236 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -After the First World War and under the British Mandate, Haifa grew from a small Ottoman port town into a regional metropolis and industrial centre around a deep seaport. The city was part of an open space that extended from Cairo to Damascus through Beirut, in a region where Syria, Palestine and Lebanon were part of the same fluid, interconnected space. During the Second World War, Haifa became a border town. Under French Vichy, the border between Lebanon and Syria ran sixty kilometres to the north and hardened only after the creation of Israel in 1948 and the wars with Lebanon. Haifa's architectural modernism developed in relation to the city's geopolitical environment. No building better manifests Haifa's predicament than the modernist casino building, built in the city's Bat Galim seafront district. 236 pp. Englisch.…

Taschenbuch. Condizione: Neu. Neuware -After the First World War and under the British Mandate, Haifa grew from a small Ottoman port town into a regional metropolis and industrial centre around a deep seaport. The city was part of an open space that extended from Cairo to Damascus through Beirut, in a region where Syria, Palestine and Lebanon were part of the same fluid, interconnected space. During the Second World War, Haifa became a border town. Under French Vichy, the border between Lebanon and Syria ran sixty kilometres to the north and hardened only after the creation of Israel in 1948 and the wars with Lebanon. Haifa's architectural modernism developed in relation to the city's geopolitical environment. No building better manifests Haifa's predicament than the modernist casino building, built in the city's Bat Galim seafront district.…

Taschenbuch. Condizione: Neu. Neuware -Katastrophen, zerbombte Städte, politische Umstrukturierungen ganzer Länder: »Bildkomplexe« humanitärer und ökologischer Umwälzungen dokumentieren die Welt als Abfolge von Katastrophen. Wer aber entscheidet über die Darstellung von Ereignissen, bestimmt die Pixelanzahl unserer Bildwelten, herrscht über Zirkulation oder Zensur von Bildern Eyal und Ines Weizman lesen die Geschichte des Vorher-Nachher-Bildes von der Fotografie des 19. Jahrhunderts bis zu zeitgenössischen Satellitenbildern und entdecken in ihnen jene Lücke, in der sich nicht nur das verheerende Ereignis verbirgt: Es sind die Menschen selbst, die aus den Bildern zu verschwinden drohen. Treten die humanitäre Arbeit und die Rekonstruktionen von Kriegsverbrechen, bei denen doch Menschen, deren Schicksale und Rechte im Zentrum stehen müssten, heute paradoxerweise in eine post-humane Phase ein Wie kann die Lücke zwischen den Bildern Ort einer kritischen Gegen-Lektüre statt Zeichen der Auslöschung werden Im exklusiven Gespräch mit Marie Glassl vertiefen Eyal und Ines Weizman entlang aktueller Arbeiten die Frage nach der Geschichte, Gegenwart und Zukunft des Paradigmas des Vorher-Nachher-Bildes. 108 pp. Deutsch.…