wentink andrew mark (25 risultati)

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

hardcover. Condizione: Fine copy in fine dust jacket. Illus. with photos (illustratore). 1st. 8vo, 278 pp.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition. Donald I. Fine, 1987, FIrst Edition, 8vo, 278 pages, illustration. Book and jacket in very good+ to near fine condition. Size: 8vo - over 7¾" - 9¾" Tall.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First Printing. Dust jacket is lightly rubbed and yellowed, with some creasing and a bit of sticker residue on front.

hardcover, Condizione: Good, Audience Arts, Marcel Dekker, Inc., c.1978 1st., 8vo., cloth, 692pp., ex-lib.- spine label, pocket, stamps, ow VG- $.

Hardcover. First edition. pp. 278. 8vo. Black & white photographs. Light shelfwear; very good+ in very good dustjacket.

Hardcover. Condizione sovraccoperta: dj. 1st. Fine condition / Fine condition dust jacket.

hardcover. Condizione: very good(+). Condizione sovraccoperta: very good(+). Black & white photo illustrations, 278pp, 8vo, boards, dust wrapper. N.Y.; Donald I. Fine, Inc., (1987). Very good+.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 239 p. : ill. ; 26 cm. Notes; "A Gross Associates book." Subjects; Ballet -- Miscellanea. Ballet -- Miscellanées. Ballet. Genre; Miscellanea. 1 Kg.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. first printing. Octavo, teal cloth covers, xvi + 224 pages.Top cover slightly sprung. Includes illustrated endpapers, many black and white photo reproductions, and index. Book is very good; Dust jacket has a little wear at head of spine, still Very Good "Ruth Page has been at the forefront of American and international dance as a dancer, choreographer, and company director for the past six decades. Taking her several times the world over, her career has touched and been touched by many of the most important movements and srtists of our time." -- from the dust jacket. 061507C.

First Edition. Fine cloth copy in a near fine, very slightly dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 278 pages; Description: ix, 278 p. : ill. ; 24 cm. Subjects: La Fosse, Robert. Dancers--United States--Biography. Notes: Includes index. 3 Kg.

Hardcover. Condizione sovraccoperta: dj. 1st. Fine condition / Fine condition dust jacket.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 239 p. : ill. ; 26 cm. Notes; "A Gross Associates book." Subjects; Ballet -- Miscellanea. Ballet -- Miscellanées. Ballet. Genre; Miscellanea. 1 Kg.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Superior copy bound in Imperial octavo hardcover format, burgundy linen weave cloth over boards, silver lettering to spine, gift-quality condition, inside and out, no discernible wear but for previous owner's unobtrusive ink-stamp front and rear, bright and shiny dust jacket, protected. A fine collection of performing arts reviews and essays by an acknowledged expert in professional dance for 40 years prior to this publication. Foreword by Anna Kisselgoff, compiled and edited by Andrew Mark Wentink. xv [2], 1-692 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

First Edition. Fine cloth copy in a near fine, very slightly dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 278 pages; Description: ix, 278 p. : ill. ; 24 cm. Subjects: La Fosse, Robert. Dancers--United States--Biography. Notes: Includes index. 1 Kg.

Condizione: Very Good. Condizione sovraccoperta: Very Good. First/First. Donald I. Fine Inc., NY, 1987, 278 pgs. First/First in Very Good/Very Good condition. The book is tight, square, clean, and unclipped but suffers from uniform toning, including the ffep which appears to,have had a news clipping removed (please review photos). Author, Ballet,dancer, Choreographer, and Tony nominee Robert La Fosse has Signed on the Ffep. La Fosse was a principal dancer with the New York City Ballet, Baryshnikov protege, and worked with Jerome Robbins. B&W photos.All books bubble wrapped and shipped promptly in a box. Blue boards with gold lettering.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Very good with very good dust jacket. Unused bookplate on front endpaper. Dust jacket is bumped along top edges and at bottom back edge. 278 pages with index and 74 photographs.

Condizione: Very good.

Soft cover. Condizione: Good. Condizione sovraccoperta: Good. Tricia Tusa (illustratore). Special Edition. Scare special edition in unread condition. Some foxing around edges of pages. This is a limited edition book honoring the bicentennial of Middlebury College. It looks at the history of dance at Middlebury from 1800 through 2000: covering social and performance dance .

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. First Printing. 24 cm, 278, illus. This autobiography of one of ballet's most talented stars tells Robert La Fosse's story from his beginning as a corps dancer in 1977, through his eight-year rise as Mikhail Baryshnikov's protege, to his present position with the New York City Ballet. He studied at the Marsha Woody Academy and at Harkness House, joining American Ballet Theatre in 1977, and becoming principal in 1983. In 1985 he danced Romeo in MacMillan's staging of Romeo and Juliet for ABT, and in 1986 moved to New York City Ballet, creating roles in Robbins's Quiet Lady and West Side Story Suite, Tharp's Octet and Septet, and Martins's A Fool for You and Tea Rose, among others. He also appeared for three months in the musical Jerome Robbins' Broadway. He guested with Twyla Tharp during 1992 and directed the touring company, Stars of American Ballet, through many seasons. He choreographed his first ballet, a pas de deux Rappacini's Daughter, for Baryshnikov's temporary company in 1985 and developed a parallel career as a choreographer. He has additionally choreographed for opera. In 2002 he retired from NYCB but continued to make work for the company, including Land of Nod, as well as to teach and choreograph. He published his autobiography Nothing to Hide in 1987 and has made numerous appearances on television. As a principal dancer with the New York city Ballet, Robert La Fosse has mesmerized audiences and critics as one of ballet's most talented stars. Nothing to Hide is a searing and candid autobiography about an extraordinary life, that until now, has never been publicly revealed. Derived from a Library Journal review: La Fosse presents us with a ballet-world expose. Catapulted to an early success with American Ballet Theatre (ABT) as a protege of Baryshnikov, La Fosse is frank about both his early drug use and his lifestyle. In 1985, personal doubts caused him to resign from ABT to "find himself" and do choreography, but he shortly joined the New York City Ballet. La Fosse shows the most insight when he discusses his fellow dancers, the differences between the two companies, and the difficulties of partnering various ballerinas.

photo's (illustratore). very good in very good dust jacket.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Good. Steven Caras (front jacket photograph) (illustratore). First Printing [Stated]. ix, [1], 278, [2] pages. Illustrations. Index. Inscribed by the author inside the front cover. Inscription reads To Hortensia all my love Robert. DJ has some wear and soiling. This autobiography of one of ballet's most talented stars tells Robert La Fosse's story from his beginning as a corps dancer in 1977, through his eight-year rise as Mikhail Baryshnikov's protege, to his present position with the New York City Ballet. He studied at the Marsha Woody Academy and at Harkness House, joining American Ballet Theatre in 1977, and becoming principal in 1983. In 1985 he danced Romeo in MacMillan's staging of Romeo and Juliet for ABT, and in 1986 moved to New York City Ballet, creating roles in Robbins's Quiet Lady and West Side Story Suite, Tharp's Octet and Septet, and Martins's A Fool for You and Tea Rose, among others. He also appeared for three months in the musical Jerome Robbins' Broadway. He guested with Twyla Tharp during 1992 and directed the touring company, Stars of American Ballet, through many seasons. He choreographed his first ballet, a pas de deux Rappacini's Daughter, for Baryshnikov's temporary company in 1985 and developed a parallel career as a choreographer. He has additionally choreographed for opera. In 2002 he retired from NYCB but continued to make work for the company, including Land of Nod, as well as to teach and choreograph. He published his autobiography Nothing to Hide in 1987 and has made numerous appearances on television. As a principal dancer with the New York city Ballet, Robert La Fosse has mesmerized audiences and critics as one of ballet's most talented stars. Nothing to Hide is a searing and candid autobiography about an extraordinary life, that until now, has never been publicly revealed. Derived from a Library Journal review: La Fosse presents us with a ballet-world expose. Catapulted to an early success with American Ballet Theatre (ABT) as a protege of Baryshnikov, La Fosse is frank about both his early drug use and his lifestyle. In 1985, personal doubts caused him to resign from ABT to "find himself" and do choreography, but he shortly joined the New York City Ballet. La Fosse shows the most insight when he discusses his fellow dancers, the differences between the two companies, and the difficulties of partnering various ballerinas.