Werner wolf walter bernhart (84 risultati)

paperback. Condizione: Very Good. Self-Reference in Literature and Music: 11 (Word and Music Studies, 11) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Condizione: Fine. Fine, soft cover, blue/greenish cover, glossy and clean, inside is crisp and bright, unmarked.

Hardcover. Condizione: As New. Hardcover; unread, as new.

Original publisher's sewn paperback, pictorial frontcover, large 8vo: xij, 254pp., [6]pp., 12 contributions with musical notations - footnotes & references, notes on contributors. Contributors: John Neubauer - Michael Halliwell - Mary Breatnach - Peter Dayan - Frédérique Arroyas - Suzanne M. Lodato - Werner Wolf - Leon Plantinga - Jürgen Thym - Harry E. Seelig - Walter Bernhart - Martina Elicker. Very fine copy - as new., Volume 3: Word and Music Studies.…

Condizione: Used - Very Good. VG paperback. Word and Music Studies: 3. Spine wrinkled (printing error?); top corner slightly bent on cover and early pages; otherwise a clean, tidy copy.

Hardcover. Condizione: New. New in shrinkwrap.

Hardcover. Condizione: Good. No Jacket. 2013 hardcover published without jacket/wear on the cover & along the page block edges/clean & unmarked. 390 p.

Hardcover. Condizione: As New. Like new, blue boards with very bright white pages, clean and crisp all around.

Hardcover. Condizione: Very Good. None Issued. Text is unmarked; pages are bright. Binding is tight and square. Covers show very little wear. No dust jacket, as issued.

Condizione: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. Z 80-17 071219.…

Condizione: Very Good Condition. First Edition. Leiden: Brill Rodopi, 2015. First Edition. Octavo (24cm); publisher's pictorial paper-covered boards, no dust jacket as issued; xi,[1],503pp.; music throughout. Boards rather bumped with faint crease at bottom fore-edge of upper cover. Still Very Good, internally clean and sound. …

Condizione: New.

Hardcover. Condizione: Fine. Summary:This volume focusses on the rarely discussed reverse side of traditional, 'given' objects of studies, namely absence rather than presence (of text) and silence rather than sound. It does so from the bifocal and interdisciplinary perspective which is a hallmark of the book series Word and Music Studies. The twelve contributors to the main subject of this volume approach it from various systematic and historical angles and cover, among others, questions such as to what extent absence can become significant in the first place or iconic (silent) functions of musical scores, as well as discussions of fields ranging from baroque opera to John Cage's 4'33'' . The volume is complemented by two contributions dedicated to further surveying the vast field of word and music studies. The essays collected here were originally presented at the Ninth International Conference on Word and Music Studies held at London University in August 2013 and organised by the International Association for Word and Music Studies. They are of relevance to scholars and students of literature, music and intermediality studies as well as to readers generally interested in phenomena of absence and silence.…

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condizione: Very Good. 2021 Brill hardcover edition. Light reading wear else very good condition. From the cover: Incompletion is an essential condition of cultural history from the oldest extant works of art, which are partially erased by time, to the most recent ones, which have yet to be finished. The idea of the fragment became particularly important to Romantic art and continued to hold relevance for various strands of modernist and contemporary aesthetics. The fourteen essays in this volume, based on the 2017 Stockholm conference of the International Association for Word and Music Studies (WMA), for the first time address incompletion in a wide range of literary and musical texts, from Baudelaire and Flaubert through Tolstoy and Henry James to Bachmann, Jelinek and Janet Frame, from Nietzsche and Chopin through Russolo and Puccini to Rihm and Kurtág. Two further essays deal with topical general issues in the field of word and music studies. Contents PART 1 Arts of Incompletion: Fragments in Words and Music SECTION 1 Musical Philosophy of Incompletion 1. Philosophy at the Keyboard: Nietzsche's Music Box - Lawrence Kramer 2. Infinity in an Instant: The Paradox of Timeless Fragments in the Work of Gyorgy Kurtág - Ruth Jacobs SECTION 2 Fragments and Artistic Innovation 3. Drumming Out Art: Nielsen, Huelsenbeck, and Improvised Interruption - Peter Dayan 4. Russolo's 'Il risveglio di una città': A Fragment for an Aesthetics of Noise - Laura Vattano SECTION 3 Fragmentariness as a Creative Force 5. The Fragmentary and the Musical: Baudelaire's Bits and Pieces - Margaret Miner 6. Variations on the Theme of Dying: Ingeborg Bachmann and the Music of This World - Axel Englund 7. A Fragment of the Whole: Musical and Literary Incompletion in Kirsty Gunn's Book The Big Music - Christin Hoene 8. Skizzen's Sketches, Els's Tweets: Streams of Incompletion in Two Musicalized Novels - Ivan Delazari SECTION 4 Lyric Fragments in Narratives 9. Singing Words and Sticky Music: Fragmentary Lyrics and Acts of Violence - Beate Schirrmacher 10. Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961) - Delia da Sousa Correa 11. Otto Dresel's 'Loose the sail, rest the oar': A Study (In)completion - David Francis Urrows SECTION 5 Opera and Fragmentation 12. Operatic Fragments in Fiction and Film - Michael Halliwell 13. The Challenges of Completing a Plurimedial Fragment: Text, Music, and Scene in Berio/Pountney's Ending of the Opera Turandot - Bernhard Kuhn 14. Fragment and Flow: On Wolfgang Rihm's Dionysus Opera - Erik Wallrup PART 2 Word and Music Studies: Surveying the Field 15. Sound Studies and Musical Hermeneutics: Bridging the Interdisciplinary Gap - Rolf J. Goebel 16. 'Make It Old': Retro Forms in Western Literature and Music since the Eighteenth Century - Werner Wolf.…

Condizione: Very Good.

Hardcover. Condizione: Very Good. 2022 Brill hardcover edition. Light reading wear else very good condition. From the cover: 'Making it old' has been a longstanding and currently particularly important counterpart to the predominant preoccupation, in Western art history, with 'making it new'. This interdisciplinary volume explores retro forms and styles, and their functions, in literature and music since the nineteenth century in a wide range of texts and musical genres from Goethe's Faust and Louis Spohr's Historical Symphony to Kurt Schwitters's Ursonate, Ezra Pound's Cantos, present-day opera and pop music. In addition, it contains an essay on a recent, innovative novelistic experimentation with the musicalization of fiction.The volume is of interest to scholars and students of literature, music and memory studies as well as to readers generally interested in nostalgia and cultural retro phenomena. Contents: SECTION 1 Historical Retro Forms and Styles 1. Then and Now: Forms and Functions of 'Retroization' in German Literature and Music of the 1830s - Frieder von Ammon 2. Kurt Schwitters's Ursonate: Does Sonata Form Make It Old? - Peter Dayan 3. Rubbra, Brahms, Handel: How Retro Can It Get? - David Francis Urrows 4. 'Per metamorfosi': Ezra Pound and Early Music - Adrian Paterson SECTION 2 Retro in Contemporary Opera 5. 'Es klang so alt, und war doch so neu': Retro Forms in The Aspern Papers, Great Scott and The Ghosts of Versailles - Michael Halliwell 6. Back to the Baroque Age: Salvatore Sciarrino's Ti vedo, ti sento, mi perdo (In attesa di Stradella) (2017) - Bernhard Kuhn SECTION 3 Retro in Contemporary Popular Music 7. Original Fado Revisited: Resurgence and Reinterpretation of Nineteenth-Century Poetics in Ana Moura's Song 'A Fadista' - Pénélope Patrix 8. 'Back in the days / When I'd wait to see the old bands play': Retro Styles and the Quest for Authenticity in Punk - Gerfried Ambrosch 9. Old Style in Post-Communist Hip Hop: the Russian Band Vasya Oblomov and the Bosnian-Herzegovinian Band Dubioza Kolektiv - Ingeborg Jandl PART 2 Word and Music Studies: Surveying the Field 10. Remix Aesthetics and the Musicalization of Sound in Matthew Herbert's The Music (2018) - Thomas Gurke.…

Hardcover. Condizione: Very Good. 2015 Brill hardcover edition. Light reading wear else very good condition. From the cover: This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universitat Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e.g. the ways of setting poetry to music, musico-literary 'comparative poetics', the concept of 'genre' in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular. Contents: Theorie und Praxis der Vertonung in den elisabethanischen Airs The Iconic Quality of Poetic Rhythm Examples of Byron's Impact on 19th-Century German and Austrian Music Setting a Poem: The Composer's Choice For or Against Interpretation Zweimal 'Johnny': Der treulose Herzensbrecher bei Brecht/Weill und Auden/Britten Prekare angewandte Opernasthetik: Auden's 'sekundare Welt' und Hans Werner Henzes Elegie fur junge Liebende An Exegetic Composer: Benjamin Britten's Journey of the Magi 'Kalogenetic' Functions of Prosody: An Exercise in Comparative Poetics How Final Can a Theory of Verse Be? Toward a Pragmatics of Metrics 'Proportion' in Elizabethan Poetry and Music Cardillac, the Criminal Artist: A Challenge to Opera as a Musico-Literary Form Iconicity and Beyond in 'Lullaby for Jumbo': Semiotic Functions of Poetic Rhythm Some Reflections on Literary Genres and Music Die Ambivalenz der Unschuld: Benjamin Britten auf der Suche nach dem kindlichen Sein A Profile in Retrospect: Calvin S. Brown as a Musico-Literary Scholar Typologische Uberlegungen zum Melodrama Three Types of Song Cycles: The Variety of Britten's 'Charms' Parsifal for Our Times: Young Artists Show the Way from Interpretation to Cyberstaging The Turn of the Screw: Ein Glanzstuck der Literaturoper The 'Destructiveness of Music': Functional Intermedia Disharmony in Popular Songs Peter Grimes: Auf George Crabbes Spuren zwischen Realismus und Romantik Masterminding Word and Music Studies: A Tribute to Steven P. Scher The Rake's Progress: Klassizistische Oper zwischen Moralitat, Marchen, Mythos und Groteske Der 'postmoderne' Rosenkavalier 'Die lustigen Weiber' proben den Aufstand: Transzendiertes Biedermeier in Otto Nicolais Oper Narrative Framing in Schumann's Piano Pieces 'Musikalische Verse': 'Ich weiss nicht, was soll es bedeuten' Myth-making Opera: David Malouf's and Michael Berkeley's Jane Eyre Words and Music as Partners in Song: 'Perfect Marriage' - 'Uneasy Flirtation' - 'Coercive Tension' - 'Shared Indifference' - 'Total Destruction' 'Liebling der ganzen Welt': Sir Walter Scott als Inspiration fur die romantische Oper und Donizettis Lucia di Lammermoor From Novel to Song via Myth: Wuthering Heights as a Case of Popular Intermedial Adaptation What Can Music Do to a Poem? New Intermedial Perspectives of Literary Studies '… pour out forgiveness like a wine': Can Music 'say an existence is wrong'? Christophorus, oder 'Die Vision einer Oper': Franz Schreker's Opera as a Metareferential Work Metareference in Operatic Performance: The Case of Katharina Wagner's Die Meistersinger von Nurnberg Rhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse Aesthetic Illusion in Instrumental Music.…

Paperback. Condizione: New. KlappentextThis volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in J.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This volume contains a selection of nine essays with an interdisciplinary perspective. They were originally presented at the Sixth International Conference on Word and Music Studies, which was held at Edinburgh University in June 2007 and was organized by the International Association for Word and Music Studies (WMA).The contributions to this volume focus on self-reference in various systematic, historical and intermedial ways. Self-reference - including, as a special case, metareference (the self-conscious reflection on music, literature and other medial concerns) - is explored, among others, in instrumental music by Mozart, Mahler and Satie, in the structure and performance of (meta-)operas, in operatic adaptations of drama and filmic adaptations of opera, as well as in intermedial novelistic references to music. The essays cover a historical range from the 18th century to the present and are of interest to literary and opera scholars and students, musicologists as well as all readers generally interested in medial self-reference and intermediality studies.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. This volume focusses on a rarely discussed method of meaning production, namely via the absence, rather than presence, of signifiers. It does so from an interdisciplinary, transmedial perspective, which covers systematic, media-comparative and historical aspects, and reveals various forms and functions of missing signifiers across arts and media. The meaningful silences, blanks, lacunae, pauses, etc., treated by the ten contributors are taken from language and literature, film, comics, opera and instrumental music, architecture, and the visual arts. Contributors are: Nassim Balestrini, Walter Bernhart, Olga Fischer, Saskia Jaszoltowski, Henry Keazor, Peter Revers, Klaus Rieser, Daniel Stein, Anselm Wagner, Werner Wolf.…

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.