wexler milton (11 risultati)

Hardcover. Condizione: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

DVD. Condizione: Good.

Hardcover. Condizione: Fine. 1st. Pictorial boards, 224 pages, illustrations (some colour); 27 x 36 cm. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "A beautifully produced monograph devoted to the paintings and drawings of John Altoon, a central figure in the Los Angeles art scene of the 1950s and 1960s. Haunting and erotic, Altoon's colorful paintings and intimate drawings capture a magical moment in postwar California, between the Beat Generation and the sexual and psychedelic revolution of the late sixties. His larger-than-life personality and enthusiasm energized the circle of artists associated with the Ferus Gallery, a nexus of L.A. avant-gardism that included such still influential figures as Ed Keinholtz, Robert Irwin, Ed Moses, Larry Bell, and Ed Ruscha. A boisterous, hard-living man, in love with the ladies, Altoon was plagued by bouts of depression alternating with episodes of mania that sometimes turned destructive. He died young, at the age of 43, from a massive heart attack, and his funeral is said to have included the largest number of Los Angeles artists ever to gather in one spot. This unique, oversized presentation includes reproduced sketchbooks; moving personal essays by major figures including poet Robert Creeley and pioneering West Coast curator Walter Hopps; photographs of Altoon in his Venice studio; a booklet of letters to Altoon; and over 50 works of art." - Publisher. Size: Oblong. Collectible.

Hardcover. Condizione: New. A beautifully produced monograph devoted to the paintings and drawings of John Altoon, a central figure in the Los Angeles art scene of the 1950s and 1960s. Haunting and erotic, Altoon's colorful paintings and intimate drawings capture a magical moment in postwar California, between the Beat Generation and the sexual and psychedelic revolution of the late sixties. His larger-than-life personality and enthusiasm energized the circle of artists associated with the Ferus Gallery, a nexus of L.A. avant-gardism that included such still influential figures as Ed Keinholtz, Robert Irwin, Ed Moses, Larry Bell, and Ed Ruscha. A boisterous, hard-living man, in love with the ladies, Altoon was plagued by bouts of depression alternating with episodes of mania that sometimes turned destructive. He died young, at the age of 43, from a massive heart attack, and his funeral is said to have included the largest number of Los Angeles artists ever to gather in one spot. This unique, oversized presentation includes reproduced sketchbooks; moving personal essays by major figures including poet Robert Creeley and pioneering West Coast curator Walter Hopps; photographs of Altoon in his Venice studio; a booklet of letters to Altoon; and over 50 works of art.

Trade Paperback. Condizione: Good. On half-title page is written in ink: "To Albert / Milton" Paper cover is somewhat curled with some creasing. First few pages have some light bends near outside long edge of pages. Otherwise a tight, clean, good copy with a flat spine that has no creasing. Inscribed by Author(s).

Two vintage studio still photographs, one color, one black and white, from the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about a sculptor whose obsessive love of women leads to his eventual death, told from the perspective of his analyst and eventual lover. 8 x 10 inches. Near Fine.

Hardcover. Condizione: Very good. No jacket. Covers edgeworn.

Condizione: Good. Folio. Oblong. [224] pp. Hard Cover. No dust jacket as issued. Color and black and white plates throughout. Very Good, some edge wear.*Heavy book, shipping may cost extra.

Couverture rigide. Condizione: Comme neuf. Octavo; DJ, binding and book as new; inscribed by the author on title page; 343 pages and photos at the end. Dédicacé par l'auteur.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Final Draft script for the 1983 film. Blake Edwards remake of Francois Truffaut's 1977 film about sculptor David Fowler (Burt Reynolds) whose obsessive love of women leads to his eventual death, told from the perspective of his analyst and eventual lover Marianna (Julie Andrews). Shot on location in Texas, New York, and California. Front wrapper integral with title page, dated October, 1982, noted as FINAL DRAFT, with credits for screenwriters Blake Edwards, Geoffrey Edwards, Milton Wexler. 122 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with blue and pink revision pages throughout, dated 11/2/82 and 2/23/83. Pages Near Fine, bound with two gold brads.