Condizione: As New. Unread book in perfect condition.
Hardcover. Condizione: Near Fine. 4to bound in glossy-paper covered boards. Near Fine. In color and black and white. Please inquire about overseas shipping prior to purchase. 168 pp. [CL].
Condizione: New.
EUR 43,67
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Lingua: Inglese
Editore: Royal Tropical Institute Press (KIT (Koninklijk Instituut voor de Tropen), 2015
ISBN 10: 946022119X ISBN 13: 9789460221194
Da: Majestic Books, Hounslow, Regno Unito
EUR 41,41
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 168 Illus.
EUR 38,26
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: New.
EUR 38,01
Quantità: 6 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Royal Tropical Institute Press (KIT (Koninklijk Instituut voor de Tropen) KIT, 2015
ISBN 10: 946022119X ISBN 13: 9789460221194
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 168 Index.
Lingua: Inglese
Editore: Amsterdam: KIT Publishers,, 2011
ISBN 10: 946022119X ISBN 13: 9789460221194
Da: Antiquariaat Digitalis, Amsterdam, Paesi Bassi
EUR 30,00
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Fine. Illustrated glazed boards (hardcover), 168 pages : color illustrations ; 27 cm. As new.
EUR 34,71
Quantità: 6 disponibili
Aggiungi al carrelloPaperback. Condizione: New. New Book, Direct from Publisher.
EUR 39,39
Quantità: 3 disponibili
Aggiungi al carrelloHardback. Condizione: New.
Editore: , Lannoo, 2017, 2017
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
EUR 24,95
Quantità: 1 disponibili
Aggiungi al carrelloHardcover, 240 pag. Illustrated. 28x24cm. English text. FINE! ISBN 9789401442954. To this very day masks capture the imagination: where does one's identity stop and a transformation start to take place when someone puts on a mask, how do we deal with old symbolic and mythical meanings, when do we create new ways of defining ourselves, what is accepted and where does controversy start? Again and again, POWERMASK calls into question the border between tradition and renewal, between uncovering and covering up, thereby connecting past and present across different cultures. Ever since his first collections from the 1980s, Belgian fashion designer Walter Van Beirendonck has been intrigued by masks. In this exhibition and its accompanying catalogue POWERMASK, his personal fascination for masks and their impact on a person's identify translates into a particular and varied view of the phenomenon of masks. He also examines the role of the mask in the work of visual artists, photographers, and fashion designers. With contributions by Kaat Debo, Chris Dercon, Alexandra van Dongen, Cl mence Mathieu, Valentine Plisnier, Jan Willem Sieburgh, Fanny Wonu Veys, and Sonja Wijs.With works by Diane Arbus, Jean-Michel Basquiat, Hans Bollongier, Louise Bourgeois, Olaf Breuning, Thom Browne, Pieter Bruegel de Oude, Dietmar Busse, Richard Butler, Claude Cahun, Giorgio de Chirico, Christophe Coppens, Gustave Courbet, James Ensor, Charles Fr ger, Coco Fronsac, Phyllis Galembo, Jean Paul Gaultier, Craig Green, Erik Halley, Keith Haring, Hannah H ch, Axel Hoedt, Stephen Jones, Folkert de Jong, Lajos Kass k, Brian Kenny, Christoph Klauke, Manon K ndig, Inez van Lamsweerde, James Merry, Robert Mapplethorpe, Martin Margiela, Paul McCarthy, Emil Nolde, Niels Peeraer, Pablo Picasso, Bertjan Pot, Richard Quinn, Augustin Rebetez, Tony Saulnier, Hans Sch rer, Cindy Sherman, Saul Steinberg, John Stezaker, Sophie Taeuber-Arp, Maiko Takeda, Walter Van Beirendonck, Dirk Van Saene, Viktor & Rolf, Sally Wassink 1380 g.