william c agee essay (17 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: No Jacket as issued. 1st Edition. New York: Spanierman Gallery, 2002. 34 works illustrated in color, most full-page; 13-page essay with notes by William Agee. Price List, loosely inserted, includes all 65 works in the exhibition. Clean throughout. Glossy Pictorial Boards. Fine/No Jacket as Issued. Gallery exhibition catalogue. Language: ENG.

Softcover. First. 4to, stiff pictorial wrappers. [38] pp, 26 color illustrations + 8 b/w text figures. Exhibition November 4 - December 26, 1987. Very good except for creasing to the tip of the bottom front corner.

Hardcover. Condizione: Fine. Exhibition catalog. Color illustrations throughout. First edition. Fine in glossy illustrated boards. No dust jacket, as issued.

1977. Art, Houston: Museum of Fine Arts, 24 p., 14 black and white plates, good ex-library paperback with library stamd on cover, no, catalog number, no pocket.,

1977, Art, Houston: Museum of Fine Arts, 24 p., 14 black and white plates, good ex-library paperback with library stamd on cover, no, catalog number, no pocket.,

Soft cover. Condizione: Very Good. 1984, Art exhibit catalog, Meredith Long & Company, 40 p., 5 black and white plates and pectoria color cover, very good museum ex-library, museum stamp on inside of cover, no pocket, no catalog number. 9/24.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Softcover. Condizione: Very Good. First Edition. Slight wear to covers. Solid binding and clean text. No ownership marks, ex-lib marks, stamps or stickers. Slight soiling in margins of last page. ; 4to 11" - 13" tall; 63 pages.

Soft cover. Condizione: Very Good. Slim, oblong quarto, 31pp, color and black and white photographic illustrations, publisher s pictorial wrappers, yellow endpapers (minor fading to cover near fore-edge, very good or better).

Hardcover. Condizione: Fine. No Jacket. ExCay, June 6- July 6, 2002. Hardcover, 55 pp., 1 p acknowledgments, 13 pp essay with 4 fig. color illus. + 34 color plates, 3 pp chron, 1 p collections.

First 4to, stiff pictorial wrappers. 96 pp, 46 color illustrations + 49 text figures and photographs, color frontispiece, bibliography. Exhibition May 24 - June 30, 2006. Friedman (1874?-1946) was forced by family circumstances to take a steady but low-paying job with the post office in 1893, where he worked for 40 years. While it was not until his retirement that he was able to become a full-time painter, after about 1905 he took his art seriously, studying with Robert Henri, spending six months in Paris while on leave from the post office, and showing with the Society of Indendent Artists, an influential group whose membership included Bellows, Marin, Duchamp, Prendergast, Man Ray and Joseph Stella. Exhibiting regularly from about 1915, and in solo exhibitions from 1925, he attracted important critical notice. This exhibition was the first full-scale retrospecive of his work in 20 years. 0975995448 Very good except for minor rubbing, a scuff at the top corner of the backstrip and creases long the bottom edge of the front cover.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Limited Edition. Hardbound edition limited to 250 numbered copies, this being copy #129. Fine in a fine dust wrapper.

SOFTCOVER. Condizione: NEW. 1st Edition. Large 4to. in colour printed stiff glossy card covers, 73pp on thick art paper, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Condizione: Near FINE. 1st Edition. Large square 4to in blind embossed textured stiff card covers, with pasted colour photo to front cover (as issued), unpaginated, approx. 64pp on thick art paper, colour plates, etc. Private view invitation card loosely inserted. From the collection of David Anfam (art historian, author and curator) with his ink signature on the half title leaf (no other marks or inscriptions) . [CONDITION: A well preserved VERY GOOD+ clean and tight copy (spine sunned, tiny chip to top corner tip of rear cover) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Comme neuf. Edition originale. U.S.A. , University of California Press 2011. 1 Volume/1. -- Very Good+ - Hardcover - Light wear to the covers -- Hardback & Dust Kacket . Quarto size ( 39 x 30,3 cm ). ------ 320 pages. ******************* "" - Color images and documentation for all 1,850-plus paintings on canvas and panel by Francis (hundreds reproduced for the first time) on two DVDs - A lavish book with an extended essay by Francis scholar William C. Agee and a biographical timeline by catalogue raisonne editor Debra Burchett-Lere - Rare footage of Francis at work, writings by the artist, and descriptions of his studios and techniques - Access to electronic updates as they become available - Easily searchable information in a groundbreaking, twentieth-first-century format This innovative and long-awaited catalogue raisonne brings together, for the first time, all the known paintings on canvas and panel of California-born abstract expressionist Sam Francis (1923-1994) and offers a comprehensive chronicle of his artistic journey. One of the twentieth century's leading interpreters of light and color, Francis maintained studios not only in New York and Los Angeles, but also in Paris, Bern, and Tokyo, making his reach truly international. Elegantly boxed, the Sam Francis catalogue raisonne includes a richly illustrated book with informative texts and two DVDs with authoritative entries for the canvas and panel paintings in an easily browsable, groundbreaking format. It offers the ultimate reference on this artist and a vital research tool. "" ********************* ya00329.

Condizione: Good. 4to. [42] pp. Soft Cover. Color and black and white plates. Very Good. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Soft cover. Condizione: Fine. Excellent condition. Looks new!