William d grampp (34 risultati)

Condizione: Very Good. First Edition (US) First Printing. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. First Edition (US) First Printing. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. First Edition (US) First Printing. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardback. Condizione: Good.

Condizione: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardback. Condizione: Good.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. xi, 290 pages; 25 cm. Near fine. Tight, clean text. Faint dust spotting/top edge. Fine DJ. A near-fine copy of the first printing. Another copy available. *** "Why, as a general rule, is art an inferior investment to common stock (and a less diverting gamble than roulette)? Why has most of the art ever produced become worthless and been discarded? How have painters past and present - from Giotto to Jasper Johns - acted as entrepreneurs without sacrificing their art? How do art auctions work? Why do museums seek to grow even though they keep most of their collections in storage? Why do most governments subsidize art and do such subsidies make economic sense? Most important of all, for serious collectors and art lovers, why is art for art's sake sound economics? Here, a noted neo-classical economist and lifelong student of art draws on art histories, biographies and memoirs, trade reports, and economic analyses to answer questions such as these. Elegantly written and filled with often amusing and always relevant examples, this witty and scholarly book - the first attempt ever to explain in layman's language the workings of the art market - will prove indispensable to anyone involved in art, whether as producer or consumer , professional or amateur." - Publisher. *** CONTENTS: Preface; Introduction: A view of the horizon; Art and economics reconciled; The acquisition of art; The art of painters and the craft; The art market; Art museums; Why does government assist the arts?; Should government assist the arts?; Notes. Size: 8vo.…

Hardcover. Condizione: Fair. Condizione sovraccoperta: Good. First Edition. Marks on many pages.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. DJ: as new in mylar, BOOK: as new.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Near fine jacket.

Condizione: Good. : Este libro, 'Arte, Inversión y Mecenazgo: Un Análisis Económico del Mercado del Arte' de William D. Grampp, publicado por Ariel en 1991, ofrece una visión económica del mercado del arte. El libro está en español y cuenta con 256 páginas. Es una primera edición en formato de tapa blanda. EAN: 9788434414020 Tipo: Libros Categoría: Negocios y Economía Título: Arte, inversión y mecenazgo Autor: William D. Grampp Editorial: ARIEL Idioma: es-ES Páginas: 256 Formato: tapa blanda.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. xi, 290 pages; 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. A fine copy of the first printing. *** "Why, as a general rule, is art an inferior investment to common stock (and a less diverting gamble than roulette)? Why has most of the art ever produced become worthless and been discarded? How have painters past and present - from Giotto to Jasper Johns - acted as entrepreneurs without sacrificing their art? How do art auctions work? Why do museums seek to grow even though they keep most of their collections in storage? Why do most governments subsidize art and do such subsidies make economic sense? Most important of all, for serious collectors and art lovers, why is art for art's sake sound economics? Here, a noted neo-classical economist and lifelong student of art draws on art histories, biographies and memoirs, trade reports, and economic analyses to answer questions such as these. Elegantly written and filled with often amusing and always relevant examples, this witty and scholarly book - the first attempt ever to explain in layman's language the workings of the art market - will prove indispensable to anyone involved in art, whether as producer or consumer , professional or amateur." - Publisher. *** CONTENTS: Preface; Introduction: A view of the horizon; Art and economics reconciled; The acquisition of art; The art of painters and the craft; The art market; Art museums; Why does government assist the arts?; Should government assist the arts?; Notes. Size: 8vo. Collectible.…

Hard Cover. Condizione: Good. No Jacket. First Printing. 393 pp. Green cloth boards have light edgewear. Prior owner name on fep. Pages are clean, text has no markings, binding is sound. Size: 8vo - over 7¾" - 9¾" tall. Textbook.

Encuadernación de tapa blanda. Condizione: Bueno. ARTE, INVERSIÓN Y MECENAZGO - WILLIAM D.GRAMPP - EDITORIAL ARIEL SA, 1991. Encuadernación en papel de tapa blanda con solapas. Tiene 255 páginas. Medidas: 22 cm x 15,5 cm.

Hardcover. Condizione: New. Condizione sovraccoperta: New.

gebundene Ausgabe. Condizione: Gut. 155 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 405.…

22x15. 255 pags. Rústica con solapas.

Hardcover. First Edition; First Printing. Fine in a Near Fine dust jacket.; 9.4 X 6.0 X 1.1 inches; 290 pages.

Broschiert. Condizione: Gut. 18,5 cm XXI, 186 S. ; XXI, 153 S. ; Broschiert. Sprache: Englisch, Zustand: Gut leicht gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Zustand: Gut leicht gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Vorderdeckel hat ein Preisschildchen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt. …

cartulina ilustrada bien conservada subrayados. .

255 p 23 cm Encuadernación editorial en rústica con solapas. Estado de conservación: Bien.

Hardcover with dusjacket, 290 pages, 24.5 x 16.5 cm, good condition. ISBN 0465063217. Explains how artists act as entrepreneurs, why art is a poor investment, how art auctions work, why governments subsidize art, and why art museums seek to grow. 0 g.

Encuadernación de tapa blanda. Condizione: Bien. 1� Edición. Editorial Ariel. Barcelona 1991. Ensayo. 255 pp. 22 x 15. Tapa blanda de editorial ilustrada con solapas. Sin subrayados. Buen estado de conservación. ISBN: 9788434414020.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Condizione: leido. 1ª ed. edición. rúst. 256.

Paginas: 255,00 Idioma: ESPAÑOL.

Condizione: Good. Ariel. Encuadernación en tapa blanda. Grampp, William D; Ribera de Madariaga, Blanca Arte, inversión y mecenazgo un análisis económico del mercado del arte Tapa deslucida. Tapa ilustrada. Pags.255. Volúmenes.1.

Rústica. Condizione: Bien.

tapa blanda. Condizione: 2ª Mano - bueno. 2ª Mano. Editorial Ariel, S.A. 1991. Ariel Sociedad Economica. Libro.