william eggleston iii (29 risultati)

Hardcover. Condizione: new. Hardcover. This momentous publication catalogues the last major group of William Eggleston's photographs to ever be produced using the dye-transfer method, the format in which he originally presented his work. Eggleston's vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium's history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process-first developed by Kodak in the 1940s-allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for the major group of work presented at David Zwirner in Los Angeles, The Last Dyes marks the final presentation of new works completed in this medium. The publication includes a new essay by Jeffrey Kastner, offering critical insights into Eggleston's enduring influence at this turning point in the history of photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Softcover. Condizione: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Paperback. Condizione: new. Paperback. The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist's lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston's breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images - a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist's grandmother in the moody interior of their family's Sumner, Mississippi home - The Outlands is emblematic of Eggleston's dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston's oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: new. Hardcover. In 1977 William Eggleston released Election Eve, his first and most elaborate artist's book, containing 100 original prints in two leather-bound volumes housed in a linen box. It was published by Caldecot Chubb in New York in an edition of only five, and has since become Eggleston's rarest collectible book. This new Steidl edition recreates the full original sequence of photos in a single volume, making it available to the wider public for the first time. Election Eve contains images made in October 1976 during Eggleston's pilgrimage from Memphis to the small town of Plains, Georgia, the home of Jimmy Carter who in November 1976 was elected 39th President of the United States. Eggleston began photographing even before he left Memphis and depicted the surrounding countryside and villages of Sumter Country, before he reached Plains. His photos of lonesome roads, train tracks, cars, gas stations and houses are mostly empty of people and form an intuitive, unsettling portrait of Plains, starkly different to the idealized image of it subsequently promoted by the media. The photographs have a quietude and unsentimental romanticism, as well as an edge of poignance, which belie the expectations of hopefulness or portentousness suggested by a knowledge of the time and place in which they were made. On the eve of the election, when nothing had yet been decided, when everything-whatever that everything was-hung in the balance, Eggleston made an elegy . a statement of perfect calm. Lloyd Fonvielle Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: Very Good. The appreciation of Eggleston's work has come a long way since his pioneering 1976 exhibition, William Eggleston's Guide, at New York's Museum of Modern Art. He has been called the 'father of colour photography' and since the 1990s he is widely regarded as the leading and most influential colour photographer of the twentieth century. Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England. The photographs depict subjects and objects from everyday life and it is Eggleston's unique ability to find beauty, and striking displays of colour, in ordinary scenes. Mark Holborn, in his illuminating introduction, writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens- ' Eggleston's subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi - friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger.'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. oversized, stiff brown & red pictorial wraps; whie spine printing. 224 pgs w/ color plates, illustrations. oversized orange jacket w/ mounted color illustration, black printing. The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist's lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston's breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable imagesa wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist's grandmother in the moody interior of their family's Sumner, Mississippi homeThe Outlands is emblematic of Eggleston's dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition. Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston's oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.--Amazon. VG/VG (edge-wear to wraps. rubbing to corner. ink-like abrasion to upper textblock w/ instances of fine rubs/chips to upper pg edges; color matches wraps, appears to be publishing error. jacket has edge-wear; rubbing to lower front corner/area; corners rubbed; rubbing to to lower front edge).

Hardcover. Condizione: New.

Hardcover. Condizione: new. Hardcover. This momentous publication catalogues the last major group of William Eggleston's photographs to ever be produced using the dye-transfer method, the format in which he originally presented his work. Eggleston's vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium's history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process-first developed by Kodak in the 1940s-allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for the major group of work presented at David Zwirner in Los Angeles, The Last Dyes marks the final presentation of new works completed in this medium. The publication includes a new essay by Jeffrey Kastner, offering critical insights into Eggleston's enduring influence at this turning point in the history of photography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. 2022. 1st Edition. Paperback. . . . . .

Paperback. Condizione: new. Paperback. The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist's lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston's breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images - a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist's grandmother in the moody interior of their family's Sumner, Mississippi home - The Outlands is emblematic of Eggleston's dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston's oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. This momentous publication catalogues the last major group of William Eggleston's photographs to ever be produced using the dye-transfer method, the format in which he originally presented his work. Eggleston's vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium's history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process-first developed by Kodak in the 1940s-allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for the major group of work presented at David Zwirner in Los Angeles, The Last Dyes marks the final presentation of new works completed in this medium. The publication includes a new essay by Jeffrey Kastner, offering critical insights into Eggleston's enduring influence at this turning point in the history of photography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist's lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston's breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images - a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist's grandmother in the moody interior of their family's Sumner, Mississippi home - The Outlands is emblematic of Eggleston's dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston's oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condizione: new. Hardcover. In 1977 William Eggleston released Election Eve, his first and most elaborate artist's book, containing 100 original prints in two leather-bound volumes housed in a linen box. It was published by Caldecot Chubb in New York in an edition of only five, and has since become Eggleston's rarest collectible book. This new Steidl edition recreates the full original sequence of photos in a single volume, making it available to the wider public for the first time. Election Eve contains images made in October 1976 during Eggleston's pilgrimage from Memphis to the small town of Plains, Georgia, the home of Jimmy Carter who in November 1976 was elected 39th President of the United States. Eggleston began photographing even before he left Memphis and depicted the surrounding countryside and villages of Sumter Country, before he reached Plains. His photos of lonesome roads, train tracks, cars, gas stations and houses are mostly empty of people and form an intuitive, unsettling portrait of Plains, starkly different to the idealized image of it subsequently promoted by the media. The photographs have a quietude and unsentimental romanticism, as well as an edge of poignance, which belie the expectations of hopefulness or portentousness suggested by a knowledge of the time and place in which they were made. On the eve of the election, when nothing had yet been decided, when everything-whatever that everything was-hung in the balance, Eggleston made an elegy . a statement of perfect calm. Lloyd Fonvielle Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: Very good. First edition. 4to. Unpaginated (119 pp). Illustrated with 68 full-page colour photographic plates. Tipped in colour photographic plate on the upper board. Silver foil lettering to spine and upper board. Black endpapers. Published on the occasion of the exhibition entitled "William Eggleston: Selected Works From the Democratic Forest" which took place at David Zwirner (NYC) from October 27 -- December 17, 2016. Pages bright, crisp, and clean. Binding strong and square. Spine and boards slightly rubbed/worn with a small frayed patch near the top of the fore edge of the upper board. . Hardcover full black cloth over boards.

Hardcover. Condizione: Nr Fine. No Jacket. 1st Edition. A new, unused book, one or two near invisible marks to the black cloth binding, otherwise fine.

Hardcover. Condizione: new. Hardcover. The publication of William Eggleston's Chromes by Steidl in 2011 marked the beginning of the examination of the entire prolific output of this extraordinary artist in a range of books including Los Alamos Revisited (2012) and the ten-volume The Democratic Forest (2015). The three volumes of The Outlands are drawn from the same source, the photographs Eggleston made on color transparency film from 1969 to 1974 that formed the basis for the Chromes volumes and for John Szarkowski's seminal exhibition of Eggleston's work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston's Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands has been published previously. The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston famously photographed the tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final instalment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition. Eggleston does not make judgments. He neither praises nor condemns the bright American promise. But to say that he merely observes it is not right either. An element of deep feeling-a kind of permanent expression painted on his face-emerges unseen in his sidewalks and night tables and billboard stanchions. - Alexander Nemerov Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condizione: New. 2021. 01st Edition. Hardcover. . . . . .

Hardcover. Condizione: new. Hardcover. The publication of William Eggleston's Chromes by Steidl in 2011 marked the beginning of the examination of the entire prolific output of this extraordinary artist in a range of books including Los Alamos Revisited (2012) and the ten-volume The Democratic Forest (2015). The three volumes of The Outlands are drawn from the same source, the photographs Eggleston made on color transparency film from 1969 to 1974 that formed the basis for the Chromes volumes and for John Szarkowski's seminal exhibition of Eggleston's work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston's Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands has been published previously. The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston famously photographed the tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final instalment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition. Eggleston does not make judgments. He neither praises nor condemns the bright American promise. But to say that he merely observes it is not right either. An element of deep feeling-a kind of permanent expression painted on his face-emerges unseen in his sidewalks and night tables and billboard stanchions. - Alexander Nemerov Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2021. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. The publication of William Eggleston's Chromes by Steidl in 2011 marked the beginning of the examination of the entire prolific output of this extraordinary artist in a range of books including Los Alamos Revisited (2012) and the ten-volume The Democratic Forest (2015). The three volumes of The Outlands are drawn from the same source, the photographs Eggleston made on color transparency film from 1969 to 1974 that formed the basis for the Chromes volumes and for John Szarkowski's seminal exhibition of Eggleston's work at the Museum of Modern Art in New York in 1976 with the accompanying book William Eggleston's Guide. However, with the exception of a couple of alternate versions, none of the photographs in The Outlands has been published previously. The result is revelatory. Starting at almost the exact point on the same street in suburban Memphis where Eggleston famously photographed the tricycle, the work follows a route through the back roads to old Mississippi where he was raised. What is disclosed is a sublime use of pure color hovering in semi-detachment from the forms he records. At the time, Eggleston was photographing a world that was already vanishing. Today, this final instalment of his color work offers a view of a great American artist discovering the range of his visual language and an unforgettable document of the Deep South in transition. Eggleston does not make judgments. He neither praises nor condemns the bright American promise. But to say that he merely observes it is not right either. An element of deep feeling-a kind of permanent expression painted on his face-emerges unseen in his sidewalks and night tables and billboard stanchions. - Alexander Nemerov Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Cloth over boards. Condizione: Fine. First edition. Set of three volumes. Hardcover cloth (yellow, red, blue) over boards with card slipcase covered in grey cloth. 4to. 728 pp (over three volumes). Illustrated with 364 full colour full-page plate reproductions of Eggleston's work. Title, volume number, and publisher stamped in black on the spines. Volume number stamped in black on the front of each volume. Inset colour plate on the front of each volume. Never read; still crisp. Pages clean and bright. Binding strong and square. Spine, boards, and slipcase unblemished. Fine condition.

Hard cover. Condizione: New in new slipcase. Sewn binding. Cloth over boards. 728 p. Audience: General/trade.

Hardcover. Condizione: As New. 1st Edition, Limited Edition. A Guggenheim Fellow (1974) and member of the Royal Photographic Society, William Eggleston is credited with transforming colour photography into an accepted art form. Like the great photographer and contemporary Paul Strand, his artistic journey began with a gift ? a Leica camera from a friend ? which sparked a lifelong fascination with photographing everyday life. Influenced early on by Robert Frank and Henri Cartier-Bresson, Eggleston developed a style uniquely his own: quiet, vivid, and profoundly American. His skill lay in finding magic in the mundane; Eudora Welty, who penned the introduction to The Democratic Forest, wrote that a typical Eggleston composition could comprise of anything from: ".Old tires, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters, and palm trees crowding the same curb." (quote taken from The Democratic Forest). Eggleston was also known for his independence and protection of his privacy. Though he dated Andy Warhol's muse Viva (Janet Susan Mary Hoffmann), he was never quite part of Warhol's inner circle and avoided the fame that others sought. Further information can be found at the Eggleston Art Foundation Website. This First Edition was printed in 2011 by Steidl. Now out of print, this scarce edition is a collector's treasure, celebrating one of the best photographers of the 20th century. Three volumes, clothbound in red, yellow, and blue, presented in the original slipcase and publisher's cardboard shipping box. As new.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Los Alamos Revisited contains the definitive edit of William Eggleston's celebrated Los Alamos series, and closes a fascinating photographic story that began in the mid-1960s. Between 1965 and 1974 William Eggleston and Walter Hopps drove together through the USA, Eggleston taking photographs, Hopps at the wheel. During these travels the title Los Alamos was born. More than thirty years later Eggleston, Hopps, Caldecot Chubb and the photographer's son Winston Eggleston edited the photographs into a set of five portfolio boxes of dye-transfer prints. Hopps's original vision was to create a vast Los Alamos exhibition, but the negatives became separated, with Hopps retaining only about half. He later returned what was thought to be the remaining negatives to the Eggleston Artistic Trust in Memphis where they were catalogued as Box #17. Yet after Hopps's death in 2005 another long-lost box of negatives was discovered. These were catalogued as Box #83 and documented in a hand-made reference book called Lost and Found Los Alamos. In 2011, the photographer's son William Eggleston III and Mark Holborn reviewed the now complete set of negatives, finalizing the sequence with Winston Eggleston at Steidl in 2012. Los Alamos Revisited presents this sequence in its entirety, and updates the 2003 Scalo book Los Alamos., Los Alamos Revisited contains the definitive edit of William Eggleston's celebrated Los Alamos series, and closes a fascinating photographic story that began in the mid-1960s. Between 1965 and 1974, William Eggleston and Walter Hopps drove together through the USA, Eggleston taking photographs, Hopps at the wheel. During these travels the title Los Alamos was born. More than 30 years later Eggleston, Hopps, Caldecot Chubb and the photographer's son Winston Eggleston edited the photographs into a set of five portfolio boxes of dye-transfer prints. Hopps' original vision was to create a vast Los Alamos exhibition, but the negatives became separated, with Hopps retaining only about half. He later returned what was thought to be the remaining negatives to the Eggleston Artistic Trust in Memphis where they were catalogued as Box #17. After Hopps' death in 2005, another long-lost box of negatives was discovered. These were catalogued as Box #83 and documented in a handmade reference book called Lost and Found Los Alamos . In 2011, the photographer's son William Eggleston III and Mark Holborn reviewed the now complete set of negatives, finalizing the sequence with Winston Eggleston at Steidl in 2012. Los Alamos Revisited presents this sequence in its entirety, and updates the 2003 Scalo book Los.

Hardback. Condizione: New. This is the long-awaited reprint of William Eggleston's Chromes, the first in the ongoing series of boxed sets published by Steidl examining the entirety of Eggleston's seminal uvre. Eggleston's standing as one of the masters of color photography is widely acknowledged. But the gradual steps by which he transformed from an unknown into a leading artist are less well known. Chromes is an edit of more than 5,000 Kodachromes and Ektachromes taken from ten chronologically ordered binders found in a safe at the Eggleston Artistic Trust. This archive had once been used by John Szarkowski who selected the 48 images printed in Eggleston's seminal book William Eggleston's Guide, while the rest of the archive has remained almost entirely unpublished. This book presents Eggleston's early Memphis imagery, his testing of color and compositional strategies, and the development towards the "poetic snapshot." In short, Chromes shows a master in the making.\n\nEdited by Thomas Weski, Winston Eggleston and William Eggleston III\n\n432 pages, 344 images\n\nClothbound in slipcase\n31.5 x 32 cm\nNumber of items: 3\n\nEnglish\n\nISBN 978-3-96999-088-9\n1. Edition 07/2022.

Hard Cover/Fine Slip Case. Condizione: Fine. First Edition. CLEAN Fine 2011 FIRST EDITION hardcovers in Fine slipcase. ENGISH text. 978-3869303116; 3869303115.