william l barcham (57 risultati)

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Original Pictorial Wrappers. Condizione: Fine. Volume Forty-Six, 2012; 8vo; 140 pages; Pictorial wrappers with color image of painting Miracle of Milk at St. Catherine of Alexandria's Martyrdom. Annual periodical with the Director's Report, list of acquisitions, exhibitions, museum activities, etc. Scholarly articles include: "Medallions, Protocontorniates, and Contorniates in the Museum of Art and Archaeoloey" by Nathan T. Elkins; "Domenico Morone's Man of Sorrows and Madonna of Humility, Columbia's Cloth of Humility" by William L. Barcham; and "Preserved for Eternity on Obsidian: A Baroque Painting Showing the Miracle of Milk at St. Catherine of Alexandria's Martyrdom" by Mary L. Pixley.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 128pp, fully illustrated. Grey cloth-covered boards; gilt publisher's logo on front, gilt titles on spine. Folio.Volume is neat, clean, bright and tight throughout. Dust jacket has very light shelf wear.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Giambattista Tiepolo(Cover Artist) Giambattista Tiepolo(Interior Artist) (illustratore). Giambattista Tiepolo (Masters of Art) by William L. Barcham (bio) Oversize, HC w/DJ. 128pp. Giambattista Tiepolo (1696-1770). 81 illustrations, including 40 plates in color. BOOK.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Tan cloth with brown & color pictorial dj. 128 pp. 40 color, 41 bw plates. This informative biographical study of Italy's most important painter of the eighteenth century is accompanied by luminous full-page color illustrations, with commentaries and bw illustrations that further explain the pictures' context and meaning. VG (May have bookplate & few marks from previous art-library owner.).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The dust jacket has a little wear, the . The page edges are lightly foxed. 128 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

hardcover. Condizione: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Condizione: New. Presents works from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London. The rich array of artworks includes illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects. Num Pages: 176 pages, 93 col, 6 b&w. BIC Classification: 1DST; ACND; AFC. Category: (G) General (US: Trade). Dimension: 289 x 249 x 19. Weight in Grams: 1304. . 2010. Illustrated. Hardcover. . . . .

hardcover. Condizione: New. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pristine. 81 illustrations, 40 in colour.

Hardback. Condizione: New. 'Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art' features works by some of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for the artistic scene in Venice, examining the rich visual tradition of Christ as the Man of Sorrows which flourished over three centuries across all artistic media, outstripping other western European schools in terms of output and the number of artists committed to the subject. Authors Catherine Puglisi and William Barcham explore the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. Xavier Seubert focuses on the appeal of the Man of Sorrows as an image expressing pity and anguish, but also offering hope for deliverance and redemption.

Condizione: New. Presents works from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London. The rich array of artworks includes illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects. Num Pages: 176 pages, 93 col, 6 b&w. BIC Classification: 1DST; ACND; AFC. Category: (G) General (US: Trade). Dimension: 289 x 249 x 19. Weight in Grams: 1304. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland.

Condizione: new.

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Condizione: new. Hardcover. 'Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art' features works by some of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for the artistic scene in Venice, examining the rich visual tradition of Christ as the Man of Sorrows which flourished over three centuries across all artistic media, outstripping other western European schools in terms of output and the number of artists committed to the subject. Authors Catherine Puglisi and William Barcham explore the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. Xavier Seubert focuses on the appeal of the Man of Sorrows as an image expressing pity and anguish, but also offering hope for deliverance and redemption. Presents works from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London. The rich array of artworks includes illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condizione: New.

Hardcover. Condizione: Good. No Jacket. ***1977 hardcover published without jacket/wear & bumping on the cover/clean & unmarked. 345 p.

Hardcover. Condizione: Good. No Jacket. 1977 hardcover published without jacket/ex-library with usual markings & wear on the cover/clean & unmarked text. 345 p.

New York: Harry N. Abrams, 1992. OLn. m. OU. 128 Seiten m. farb. Abb. - 31 x 23. * St. a. V. - Gut erhaltene Werkbeschreibung in englischer Sprache.

Brossura. Condizione: new. Firenze, 2002; br., cm 22x30.(Saggi e memorie di storia dell'arte. Rivista a cura del Centro di Cultura e Civiltà della Fondazione Giorgio Cini, Venezia. 25). ANNE MARKHAM SCHULZ, Paolo Campsa e la manifattura di ancone lignee nella Venezia del RinascimentoWILLIAM L. BARCHAM - CATHERINE R. PUGLISI, Paolo Veronese e la Roma dei BarberiniANNE E UDOLPHO VAN DE SANDT, Alla ricerca di "Pietro Bellotti, un Veneziano di Tolosa"LUCA CABURLOTTO, Private passioni e pubblico bene . Studio, collezionismo, tutela e promozione delle Arti in Giovanni de Lazara (1744 - 1833)LUCIA IEVOLELLA, Pompeo Marino Molmenti, dall' accademia al realismo. Libro.

hardcover. Condizione: New. 1st.

Hardcover. Condizione: new. Hardcover. 'Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art' features works by some of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for the artistic scene in Venice, examining the rich visual tradition of Christ as the Man of Sorrows which flourished over three centuries across all artistic media, outstripping other western European schools in terms of output and the number of artists committed to the subject. Authors Catherine Puglisi and William Barcham explore the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. Xavier Seubert focuses on the appeal of the Man of Sorrows as an image expressing pity and anguish, but also offering hope for deliverance and redemption. Presents works from major American and European collections, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, the J Paul Getty Center and the National Gallery, London. The rich array of artworks includes illuminated manuscripts, paintings, sculptures, prints, drawings and liturgical objects. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hard cover. Cloth over boards. 356 p. Contains: Illustrations. Studies in Iconography: Themes and Variations, 1. Audience: General/trade. Good. No dust jacket. Missing dust jacket. Light wear & soiling to cover. Pages appear clean and unmarked.

Hardback. Condizione: New. 'Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art' features works by some of the greatest names in Venetian painting including Veronese, Tintoretto, Crivelli, Giambono and the Bassano family. It creates a new and illuminating context for the artistic scene in Venice, examining the rich visual tradition of Christ as the Man of Sorrows which flourished over three centuries across all artistic media, outstripping other western European schools in terms of output and the number of artists committed to the subject. Authors Catherine Puglisi and William Barcham explore the origins of the image of Christ as Man of Sorrows and its emergence as a distinct and central devotional image in the religious life of Venice from about 1300. Xavier Seubert focuses on the appeal of the Man of Sorrows as an image expressing pity and anguish, but also offering hope for deliverance and redemption.

Softcover/Paperback. Condizione: Very Good. In zeer goede staat. Hardover met stofomslag. Rijkelijk geà llustreerd. Groot boek.

Hardcover. Condizione: Brand New. new edition edition. 360 pages. 10.00x7.25x1.25 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: new. Hardcover. New Perspectives on the Man of Sorrows is a collection derived from the symposium on the Man of Sorrows the editors organized and held at the Institute of Fine Arts, New York University, Winter 2011, which itself emerged from the exhibition "Passion in Venice: Crivelli to Tintoretto and Veronese; The Man of Sorrows in Venetian Art", co-curated by Puglisi and Barcham at the Museum of Biblical Art, New York. The essays included here investigate an assortment of issues and problems raised by the Man of Sorrows, a figure charged with profound spiritual, metaphorical, and symbolic meaning that traveled across Europe, populated all the arts, and permeated numerous religious contexts as it soared in popularity in the West from the late Middle Ages into the Renaissance and beyond. Five essays cover a wide group of subjects and five focus in particular on Venice. The authors of these studies represent different approaches, methods, and interests and explain several artistic schools, traditions, and periods, proposing new perspectives on this remarkable image.The Man of Sorrows was able to adapt to external circumstances, to the constraints of different media, exigencies of changing milieus, the requirements of patrons, and the needs of the devout, and is therefore of interest to just as wide an audience today as ever. Features essays that investigate an assortment of issues and problems raised by the Man of Sorrows, a figure charged with profound spiritual, metaphorical, and symbolic meaning that traveled across Europe, populated all the arts, and permeated numerous religious contexts as it soared in popularity in the West from the late Middle Age onwards. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.