william s heckscher (51 risultati)

Soft cover. Trade paperback booklet; Art Treasures of the World Series; 22 pages. Good plus due to water damage/staining to lower front and back covers., 0.0 0.0 0.0.

Soft cover. Condizione: Good. Soft Cover. Good/No Jacket.

Heckscher, William S., 1904-1999, (contributor). Article: "Sturm und Drang. Conjectures on the origin of a phrase". In : Simolius. Kunsthistorisch Tijdschrift, Jaargang 1, Nummer 2, 1966-1967. Amsterdam: Nederlandse Universiteitspers N.V., 1967, 65-120pp., sewn PAPERBACK, good lightly used copy, covers scuffed. Complete issue of the journal, including Heckscher's essay on pages 94-105, as well as Gary Schwartz, Saenredam, Huygens and the Utrecht Bull (pp. 69-93) and essays in Dutch by J.H.A. Engelbregt and Evert van Uitert.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. Hardcover. 10 1/4" X 7 1/4". ix, 245pp. Book presents nicely with unclipped dust jacket wrapped in protective archival sleeve. Very mild shelf wear to covers, corners, and edges of jacket. Bound in black cloth over boards with spine lettered in silver. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures, and The Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their signficance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigre, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.(Publisher).

Paperback. 8vo. Pictorial wrappers. 23pp. Numerous illustrations. Near fine.

Stapled Wraps. Condizione: Very Good. First Edition. Previous owner's inked name on title page, else textblock is clean and tight. Sunned spine and edges. 42pp., plain wrappers, side-stapled. Iconology, Emblem Books, Iconography Size: 4to - over 9¾" - 12" tall. Paperback.

55, (1)pp. Illus. 4to. Wraps. Presentation copy, inscribed by the author.

Paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condizione: New. pp. 299.

Paperback. Condizione: Very Good. First Edition. Original Large Trade Paperback Clean 528 pp. NOT a library copy Very Good with a little shelf handling. No writing and no underlines. Printed in Germany. See our Three Geese in Flight Scans of Cover and Table of Contents for fascinating assortment of scholarly essays. Our image is the actual book you get.

Soft cover. Condizione: Very Good. Softcover, 10 by 7 1/2 inches, 54 pages. The covers have slight wear and the pages are clean.

Condizione: New. pp. 299.

Hardcover. Condizione: Good+. Condizione sovraccoperta: Good. used hardcover in dust jacket. jacket is somewhat worn about the edges, with a number of small chips and tears at the extremeties, though still largely intact. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Condizione: New. pp. 299.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Repaired hinges. Some cover wear and cover stains. Painted rear cover. The original edition (with better images) , not the reprint. ; 283 pages.

Paperback. Condizione: Very Good. Signed with dedication by author.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. This is NOT the 1982 Paradox book by Schupbach, William. Oversized shipping will be required. Book has light shelving wear to the edges and corners, along with the dust jacket being affixed to the front cover via two-sided tape as it appears. A former owner's book plate rests on the inside cover. Other than the items detailed here, this is a good, sharp copy that remains well-bound with bright pages that are crisp and unmarked. The dust jacket has yellowed some with time, covers spine and flaps. It has mild shelving wear to the edges and corners, with the expected number of small closed tears and light scuffing. The spine carries very light toning along with a touch of sin fading and a few creases. Mild wear can be seen on the hinges as well. Aside from the items listed this is a good, sharp copy that remains partially crisp with the cover image and text clear, vibrant and now enclosed in an archival cover.

Paperback. From the library of Prof. Richard Shoeck. 528pp. Very good plus condition with text clean & binding tight.

stiff paper wrappers. small 4to. stiff paper wrappers. vii, 105 pages. With a foreword by Richard M. Ludwig. First edition. A fine copy. Contains nearly 800 entries and five indexes for printers, booksellers, publishers, places of publication and dates.

4to, vii, 105pp., orig. printed wrappers.

Paperback. Condizione: Very Good. Paperback. An excerpt from a larger work about Art in the Netherlands. This article is inscribed by the author on the cover. Bound in grey paper wrappers with black title to front cover. Includes black and white illustrations. Text is in English with many footnotes. Only the German title is on the front wrapper. 44 pages, numbered 239 - 262 (plus plates). ART/121713.

Condizione: Good. Good condition. Good dust jacket. In protective mylar cover. (Dutch Artists, Anatomy in Art) NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Soft cover. Condizione: Good. 1st Edition. Signed inscription from the author on the title page illustrated 36 pages some light creasing to bottom corner of front wrapper some light browning to wrappers. Signed by Author(s).

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. x, 283 pages (48 plates) illustrations, 31 cm. T he cloth a bit toned at the top of the front cover and along the spine.

Condizione: Good. Original decorated cloth, some illustrations in b/w, 8vo. Signed with dedication to Paul [Hefting] & Corrie by William S. Heckscher.

hardcover. Condizione: Used-Very Good. First Edition. Cloth, dj. Some edge wear to jacket. Front panel creased and frayed along top edge; edges of rear panel similarly, albeit more lightly, worn. Else fine. A sound copy with bright, clean internals.

unpaged (16pp). oblong 8vo 14 black & white photographs by Hendrik van Dijk. Saddle stapled pictorial wrappers. Introduction by William S. Heckscher. Exhibition catalogue held at Duke University, DUrham, North Carolina, October 18 - December 14, 1967. Limited Edition. Number 12 of 220. SIGNED by RIchard A. Miller & presented to Hendrik van Dijk. Light cover wear/soil: about VG+.

Hardcover. Cloth, VG; inscr to Nicholas Mann. ALCIATI.

Soft cover. Condizione: Fine. Second Edition, Revised and Enlarged. 651 pages. Former owner's signature.