Williams chet (5 risultati)
- Rilegato
Da: Better World Books Ltd, Dunfermline, Regno UnitoBetter World Books Ltd
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 5,57
EUR 5,82 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Altre immagini- Brossura
- Prima edizione
Da: Scene of the Crime, ABAC, IOBA, St. Catharines, ON, CanadaScene of the Crime, ABAC, IOBA
Contatta il venditoreVenditore con 4 stelleCondizione: Usato - Quasi ottimo
EUR 17,65
Spedizione gratuitaSpedito da Canada a U.S.A.Quantità: 1 disponibili
Soft cover. Condizione: Near Fine. 1st Edition. First Pocket Books paperback edition, first printing of this collection of 17 short stories from The Horror Writers of America about vampires. Featured are The Miracle Mile by Robert R. McCammon, Dancing Nitely by Nancy A. Collins, Stoker's Mistress by Clint Collins, Does the Blood… Line Run on Time? by Sidney Williams and Robert Petitt, Red Eve by Al Sarrantonio, We Are Dead Together by Charles de Lint, Calm Sea and Prosperous Voyage by Chet Williamson, Advocates by Suzy McKee Charnas, Chelsea Quinn Yarbro, Special by Richard Laymond, Herrenrasse by J.N. Williamson, Duty by Ed Gorman, Midnight Sun by Brian Hodge, A Bloodsucker by David N Meyer III, Prodigal Sun by Thomas F. Monteleone, There Are No Nightclubs in East Palo Alto by Clifford V Brooks, Juice by Lisa W. Cantrell and Behind Enemy Lines by Dan Perez. Light edgewear. Age toning to the pages. In Near Fine Condition.
Editore: Business Book Concern, New York, NY, 1919
- Brossura
Da: Bittersweet Books, North Stonington, CT, U.S.A.Bittersweet Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 13,23
EUR 4,17 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. Buff staple-bound 48-page booklet. A great little early customer service guide. 6 inches by 4 inches.
Editore: Historical Program Staff
- Brossura
Da: Pacific Rim Used Books LLC, Anacortes, WA, U.S.A.Pacific Rim Used Books LLC
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 22,06
EUR 4,93 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very good. 1964. 8.5 x 11 inches, Churchill County, Nevada, Centennial Historical Souvenir Program. There are many b&w photos. 40.
Altre immaginiDa: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 22.057,65
EUR 4,71 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloUnbound. Condizione: Very Good. Large mural on plywood. Approximately 72" x 36". Luminous or florescent paint, probably acrylic-based (similar to DayGlo paint) in many colors on large 1/2" Weyerhaeuser plywood. Signed in the lower right quadrant: "Chet Williams, 12-11-78." Corners a little rounded, some rubbing to a few sections…, grain of the plywood shows through a bit, overall very good. A spectacularly colorful and accomplished representation of the band, staged in front of the giant Mothership, and with a cerise ray gun blast bisecting the painting horizontally. Parliament and The Funkadelics were two separate bands that played concurrently, both under the direction of George Clinton, and both with roughly the same complement of musicians. By the late 1970s, the term Parliament-Funkadelic became the catchall phrase for the creative and increasingly uncatagorizable music project. The wildly creative members of Parliament-Funkadelic, who played a mixture of funk, soul, psychedelic rock, and jazz improvisations, were an important influence on post-disco and post-punk music, as well as a seminal influence on hip hop music, and in some sense have become a genre unto themselves. In the years following their commercial decline, brought about by a number of reasons, hip hop DJs began to extensively sample P-Funk beats, which helped to reinvigorate the band, with the subsequent re-issue of their catalog and the reconstitution of the band. They were inducted into the Rock and Roll Hall of Fame in 1997. This spectacular vernacular mural pretty perfectly captures the P-Funk lineup at their most creative, as well as during their most commercially successful iteration, when they evolved the entire P-Funk mythos, complete with references to science-fiction, and featuring their prop "Mothership" that was central to their touring show. A unique artifactual evocation of the P-Funk phenomenon. We can find out nothing conclusive about the artist, but apparently this was found in southern Connecticut.
