Williams william carlos signed (8 risultati)
Altre immaginiPRAIRIE SCHOONER: AMERICAN CLASSICS ISSUE: VXXXVII (37), number 4, Winter 1964/65
Slote, Bernice, editor; Jane Etsy signed; Willa Cather and William Carlos Williams portfolios.
Editore: University of Nebraska Press, Lincoln, Nebraska, 1964
- Brossura
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- Firmato
Da: Bookfever, IOBA (Volk & Iiams), Ione, CA, U.S.A.Bookfever, IOBA (Volk & Iiams)
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Condizione: VERY GOOD. First printing, a journal in wrappers. An uncommon issue of this quarterly journal of literature published in cooperation with the University of Nebraska Press and the Department of English at the University of Nebraska. This issue features two portfolios with works by and about Willa Cather and William Ca…rlos Williams. INSCRIBED by Jane Etsy at her poem 'On Making a Visit in Mid-Afternon' to fellow poet X. J. Kennedy (In addition Etsy has written X. J. Kennedy on the front cover with a line pointing to her circled name). Also includes poems by Larry Rubin, Richard Kelly, and more, a short story by Harry Wilson and book reviews. Index. 66 pp. 283-376. Very good in printed cream wrappers (some wear to covers, contents clean, a tight straight copy).
AMERICAN WRITING 1944 The Anthology and Yearbook of the American Non-Commercial Magazine, Stories and Poems By William Carlos Williams, August Derleth, Mari Sandoz, John Berryman, John Ciardi, E. E. Cummings, Irwin Shaw, and Many Others. Includes At Aunt
Edited By Helen Ferguson CAUKIN, and Alan Swallow, SIGNED & Inscribed By Caukin to Fellow Author Sivan Caukin, Who Was Her Nephew. Stories and Poems By William Carlos Williams, Mari Sandoz, John Berryman, John Ciardi, E. E. Cummings, Irwin Shaw, ETC
Editore: Bruce Humphries , Boston, 1945
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Da: Bluff Park Rare Books, LONG BEACH, CA, U.S.A.Bluff Park Rare Books
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Condizione: Usato
EUR 62,86
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Hard Cover. No Jacket. First Edition. HARDBACK NODustJacket, 1945, 1st Edition, NF-/VG-, AS-IS, NOJACKET, Beige cloth with rub, wear Scuff cvr, Titled in Red on Spine cvr with slight creases wear, Interior nice tight cleanlight wear fox. 232 pgs with List of magazines in back .Includes At Aunt Kathies, Aerial Killer, The Solitar…y, Noah's ark, Paterson, the Falls, ETC. Signed by Author.
Editore: NEW DIRECTIONS, NORFOLK, CONNECTICUT, 1940
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Da: Princeton Antiques Bookshop / Ruffolo Enterprises, Atlantic City, NJ, U.S.A.Princeton Antiques Bookshop / Ruffolo Enterprises
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HARD BACK BLUE. Condizione: FAIR. JACKET: WORN DJ. signed by author on the front end paper, gilt on spine, foxing, pages yellowing, text block clean, princeton antiques bookplate on inside of front cover, dj torn at edges WILLIAM CARLOS WILLIAMS A PHYSICIAN AND POET AND THE DE HELLEBRANTH FAMILY WERE VERY CLOSE. OUR COLLECTION O…F WILLIAM CARLOS WILLIAMS WAS PURCHASED FROM THE HOME IN VENTNOR THE CITY NEXT TO OUR GREAT ATLANTIC CITY. Roland De Hellebranth A Doctor who performed surgeries at home and sisters Bertha de Hellebranth and Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower. Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions. While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts. From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at 109 S Frankfort ave, Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képzomuvészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in numerous museums. The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics and religious subjects. Bertha's religious sculptures include not only the Patrona Hungariae which was given to St. Emery Church by the Transylvanian Franciscans in 1957, but also several now in the Museum of the American Hungarian Foundation in New Brunswick, NJ, as for example a statue of St. Francis and another of Christ. Elena contributed several folk style panels to the Hungarian Pavilion's display at the 1939 New York World's Fair, while Bertha exhibited a couple of sculptures, one entitled "Sleeping Shepherd". Bertha and Elena became American citizens in the 1940's, but as Elena remarked, "While we are Americans, the Hungarian blood still boils through us." And Patricia Fazekas relates, DATE PUBLISHED: 1940 EDITION: 382.
Editore: NEW DIRECTIONS, NEW YORK, 1958
- Rilegato
Da: Princeton Antiques Bookshop / Ruffolo Enterprises, Atlantic City, NJ, U.S.A.Princeton Antiques Bookshop / Ruffolo Enterprises
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HARD BACK WHITE. Condizione: GOOD. JACKET: WORN DJ. signed by author, pages clean, foxing, princeton antiques bookplate on inside of front cover, previous owners signature on inside of front cover, gilt on cover and spine, some color transfer on dj. ONE OF 3,000 COPIES PRINTED We have other signed williams titles. WILLIAM CARLOS… WILLIAMS A PHYSICIAN AND POET AND THE DE HELLEBRANTH FAMILY WERE VERY CLOSE. OUR COLLECTION OF WILLIAM CARLOS WILLIAMS WAS PURCHASED FROM THE HOME IN VENTNOR THE CITY NEXT TO OUR GREAT ATLANTIC CITY. Roland De Hellebranth A Doctor who performed surgeries at home and sisters Bertha de Hellebranth and Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower. Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions. While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts. From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at 109 S Frankfort ave, Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képzomuvészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in numerous museums. The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics and religious subjects. Bertha's religious sculptures include not only the Patrona Hungariae which was given to St. Emery Church by the Transylvanian Franciscans in 1957, but also several now in the Museum of the American Hungarian Foundation in New Brunswick, NJ, as for example a statue of St. Francis and another of Christ. Elena contributed several folk style panels to the Hungarian Pavilion's display at the 1939 New York World's Fair, while Bertha exhibited a couple of sculptures, one entitled "Sleeping Shepherd". Bertha and Elena became American citizens in the 1940's, but as Elena remarked, "While we are Americans, the Hungarian blood still boils through us." And Patricia Fazekas relates, DATE PUBLISHED: 1958 EDITION: UNPAGINATED.
Altre immaginiEditore: The Spiral Press / Random House, New York, 1954
- Rilegato
- Prima edizione
- Firmato
Da: Vintage Books and Fine Art, Oxford, MD, U.S.A.Vintage Books and Fine Art
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EUR 642,08
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Condizione: Near Fine. 1st Limited Edition. 8vo. A scarce 1st edition, limited to just 100 copies signed by the poet, this being number 54. The 'Desert Music' collection features poems by Williams written during 1949-1954, years during which Williams suffered a series of strokes, the first being in 1949 and the effects of which…are much noticeable in his signature. This is widely regarded as one of his major collections and one of the last before his death in 1963. Quarter tan cloth over sage-green paper-covered boards. 90pp. Williams' signature on a special limitations page. Paper title label to spine. Mild edge wear, with two small marks to front board. Lacking slipcase and original glassine dust jacket. Overall an exceptional example of this major poetical collection.
Editore: ST JOHN EVANGELIST SOCIETY, 1947
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- Firmato
Da: Princeton Antiques Bookshop / Ruffolo Enterprises, Atlantic City, NJ, U.S.A.Princeton Antiques Bookshop / Ruffolo Enterprises
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HARDBACK RED. Condizione: VG. SIGNED by Author AND William Carlos Williams with a small inscription. General wear, faded spine, small bookplate on inner front board, age toned pages, slight foxing, else, clean and unmarked. DATE PUBLISHED: 1947 EDITION: 70.
Editore: NEW DIRECTIONS, NEW YORK, 1948
- Rilegato
- Firmato
Da: Princeton Antiques Bookshop / Ruffolo Enterprises, Atlantic City, NJ, U.S.A.Princeton Antiques Bookshop / Ruffolo Enterprises
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HARD BACK BEIGE. Condizione: FAIR. JACKET: WORN DJ. signed and inscribed to Elena M. Hellebranth by author. ALSO, includes a handwritten letter to Miss Hellebranth from Auralie Fleming. Pages clean, foxing to covers, princeton antiques bookplate on inside of front cover, gilt on cover and spine, foxing on cover, hinge cracking,…Elena Hellabranth's bookplate on inside of front cover. Dust jacket has general wear, age toned spine, rubbed extremities, NOT price clipped. We have other signed williams titles. WILLIAM CARLOS WILLIAMS A PHYSICIAN AND POET AND THE DE HELLEBRANTH FAMILY WERE VERY CLOSE. OUR COLLECTION OF WILLIAM CARLOS WILLIAMS WAS PURCHASED FROM THE HOME IN VENTNOR THE CITY NEXT TO OUR GREAT ATLANTIC CITY. Roland De Hellebranth A Doctor who performed surgeries at home and sisters Bertha de Hellebranth and Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower. Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions. While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts. From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at 109 S Frankfort ave, Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képzomuvészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in numerous museums. The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics and religious subjects. Bertha's religious sculptures include not only the Patrona Hungariae which was given to St. Emery Church by the Transylvanian Franciscans in 1957, but also several now in the Museum of the American Hungarian Foundation in New Brunswick, NJ, as for example a statue of St. Francis and another of Christ. Elena contributed several folk style panels to the Hungarian Pavilion's display at the 1939 New York World's Fair, while Bertha exhibited a couple of sculptures, one entitled "Sleeping Shepherd". Bertha and Elena became American citizens in the 1940's, but as Elena remarked, "While we are Americans, the Hungarian blood still boils through us." And Patricia Fazekas relates, DATE PUBLISHED: 1.
I WANTED TO WRITE A POEM (THE AUTOBIOGRAPHY OF THE WORKS OF A POET)
WILLIAMS, WILLIAM CARLOS (SIGNED) & REPORTED AND EDITED BY HEAL, EDITH {SIGNED/INSCRIBED)
Editore: BEACON HILL, BOSTON, MA: BEACON PRESS, 1958, 1958
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Da: BRIER ROSE BOOKS, TEANECK, NJ, U.S.A.BRIER ROSE BOOKS
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. 1st Edition. THE BOOK IS SIGNED BY WILLIAM CARLOS WILLIAMS. BELOW THE WILLIAMS CARLOS WILLIAMS SIGNATURE IS AN INSCRIPTION BY THE EDITOR "FOR ARTHUR A. KRON BEST WISHES EDITH HEAL". MS. HEAL WAS AFFILIATED WITH FAIRLEIGH DICKINSON UNIVERSITY, THE MAIN CAMPUS WAS B…ASED AT THAT TIME IN RUTHERFORD NJ, HOME OF WILLIAM CARLOS WILLIAMS. THE CAMPUS IS NOW OWNED BY FELICIAN COLLEGE. ARTHUR KRON (DECEASED CA: 1980) WAS A TRUSTEE ON THE BOARD OF FAIRLEIGH DICKINSON UNIVERSITY. TEANECK, NJ IS NOW THE MAIN CAMPUS FOR FAIRLEIGH DICKINSON UNIVERSITY. THE ADMINISTRATION BUILDING IS "KRON HALL". MR. KRON'S WIDOW WAS MY NEXT DOOR NEIGHBOR FOR 20 YEARS. THE DUST JACKET IS IN A PROTECTIVE PLASTIC COVER. NICE STRONG CLEAN TIGHT COPY. Signed by Author(s).
