wilner martin (13 risultati)

Softcover, 64 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery.

Paperback. Condizione: Very Good. First Edition. 1st Printing. Paperback. Book Condition: Very Good. Henry Boxer Gallery, 1995. First Edition. 1st Printing. 24 pages. Nice Firm Clean copy ! Size: 4to 9.75 - 12'' tall. Art::Painting by Artist 5976L.

2 vol. : [unpaginated] ; 51 pp. (reader); 2 vol. : 24.2 x 17 cm. ( S M T W T F S) ; 20.2 x 12.7 cm. (reader) ; 25.1 x 17.2 cm. (slipcase); slipcase; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / monograph on the camera-less photography of Marco Breuer. Includes a spiral-bound book of images with a paperback "Reader" with essays on Breuer housed in a pocket in the inside of the verso. Books are housed in a slipcase with the title printed on the spine. Reader includes texts by Evan Hause, Richard Howard, Adam Klein, Lynne Tillman and Martin Wilner M.D. Very Good / Fine. Sunning of slipcase, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.

hardcover. Condizione: Good. Paperback. Spiral bound in sleeve. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

First Edition. Softcover. First Edition. Includes texts by Evan Hause, Richard Howard, Adam Klein, Lynne Tillman, and Martin Wilner. Fine in spiral-bound wrappers, in a lightly toned, else Near Fine example of the publisher's slipcase.

Trade Paperback. Condizione: Used - Very Good. Marco Breuer makes photographs without using a camera. In a process similar to that used to make photograms, one of the oldest photographic forms, Breuer directly exposes photo-sensitive paper to light and heat and materials like spit, blood, nail clippings, Windex, jello, beer, mold, kitchen matches, bomb fuses and hot coals. The result produces nearly pure abstractions that hover somewhere on photography's outer limits. This two-volume set presents Breuer's cameraless photographs together with a wide range of responses written by fiction writers, a psychiatrist, a poet, a composer and a chemical laboratory. Volume I contains images, volume II contains text, and both are spiral bound, providing an intimate, mysterious and coolly elegant notebook-sized package. Photographs by Marco Breuer. Contributions by Lynne Tillman, Adam Klein, Richard Howard, Martin Wilner, M.D., Evan Hause and New York Product Testing & Services, Inc. clean copy comes with the box slipcover.

Spiral Bound. Condizione: Very Good. Limited. Limited to 1000 copies. Spiral bound the photos, in B&W and color, were taken without a camera using photosensitive paper. A small digest inserted in pocket on inside back cover. Enclosed in cardboard slipcase. Spiral has light wear at edges. Cardboard slipcase has wear at edges, some soiling. Size: 6 3/4" x 9 1/2". TRADE PAPERBACK.

Softcover. Condizione: Good. Limited edition of 1000 copies. Spiral bound book housed in cardboard slipcase. Small digest inserted in pocket on inside back cover. Light toning/soiling to slipcase.

Condizione: Good. 8vo. [64] pp. In original cardboard slipcase, spiral bound. Color plates throughout. Very Good. Minor rubs to the covers.

Hardcover. Condizione: As New. Signed first ed.; in original slipcase; spiral bound volume; w/ original 'Reader' in back sleeve. Signed by Author.

Leporello of 31 panels, continuously printed with a frieze of drawings with text; verso blank. Colophon mounted under back cover. Printed wrapper. Edition limited to 100 copies on Rives paper, signed and numbered in pencil by the artist. This letterpress edition of the "Journal of Evidence Weekly" Volume 138 was published on the occasion of Martin Wilner's exhibition, 'More Drawings about History and Evidence' at Pierogi in Brooklyn, New York, January-February 2008.Wilner's project, "The Journal of Evidence Weekly," is a series of sketchbooks filled with meticulously drawn surrealistic portraits of the people he enounters every time he rides the subway in New York, to and from his practice as a psychiatrist. Following his strict format, each drawing is dated and inscribed with the name of the stations at which the trip began and ended. Gnarled and precise, free in its recourse to fantasy, and unhesitating in its distortion, it presents a cavalcade of strange, vivid personalities, isolated in their own journeys, and on their own pages. Volume 138 was executed between June and September 2007."The Journal of Evidence Weekly" runs concurrent with another project of Wilner's, "Making History," in which he records one event for each day in each date box of a series of calendars.

Leporello Moleskine notebook (143 x 95 mm.) with highly detailed ink drawings throughout, ink logo on upper cover. New York: 2019-20. The artist's Journal of Evidence Weekly (J.E.W.) series began in late 1998. Since then, Wilner (b. 1959) has documented his daily travels on the subway by filling almost two hundred Moleskine notebooks with his impressions and caricatures of fellow commuters. The present volume captures the artist's subway trips in the early months of the COVID-19 pandemic. "Wilner's ongoing 'Journal of Evidence Weekly' offers an illustrated compendium of the artist's travels around New York City. Contained within a dense network of interconnected lines (a style that echoes the structure of the city's public transit system) are fragments of text documenting details of the starting point, destination and specific mode of transport taken, snippets of overheard conversations, conductors' announcements, excerpts of music played by buskers or leaked from headphones, and the onomatopoeic sounds of the machinery. These are joined by figural representations of fellow passengers, executed in a manner that ranges from the hyper-realist to the grotesque (odd body parts fused together) and the fetishistic (isolated images of women's chests, legs and feet). For Wilner, who works as a practicing psychiatrist, the accumulation of details taken from daily life allows him to search for the 'hidden themes' and 'whispered melodies' that exist in the unconscious. Taken as a whole, the Journals read as a fractured map of reality that incorporates the psychologically fraught operations of looking with the mundane sights and sounds of intercity travel."from the Morgan Library & Museum online catalogue. Examples of the Journal of Evidence Weekly are part of the following collections: The Morgan Library and Museum, Los Angeles County Museum of Art, The Sackner Archive of Concrete and Visual Poetry (now at the University of Iowa), Whitney Museum of American Art, The Jewish Museum, Museu de Arte Contemporânea da Fundação de Serralves (Porto), Vassar Art Library, Pennsylvania Academy of Fine Arts, The Cartin Collection, The West Collection, and Warner Brothers. In excellent condition.