Lingua: Inglese
Editore: Danubiana Meulensteen Art Museum, Bratislava, 2006
ISBN 10: 808902517X ISBN 13: 9788089025176
Hardcover. Museum catalog, hardcover, unstated printing, the binding is slightly shaken and sits at a lean, but remains firm throughout. The book also has light bumps to the spine ends and cover corners, subtle rubbing with some mild edge wear to the covers, and very faint age toning to the page edges. Overall, this is a solid, clean, Very Good copy with additional images available by request.
Lingua: Inglese
Editore: Artimo/Meulensteen Art Museum, 2006
ISBN 10: 808902517X ISBN 13: 9788089025176
Da: Alchemy Books, San Diego, CA, U.S.A.
hardcover. Condizione: Used: Very Good. Clean and unmarked. Some minor cosmetic shelf wear. From a private collection. Very good condition. Comes from non smoking home.
Lingua: Inglese
Editore: Artimo/Meulensteen Art Museum., 2006
ISBN 10: 808902517X ISBN 13: 9788089025176
Da: Okmhistoire, St Rémy-des-Monts, SARTH, Francia
Prima edizione
EUR 700,00
Quantità: 1 disponibili
Aggiungi al carrelloCouverture rigide. Condizione: Neuf. Edition originale. Bratislava 2005. 1 Volume/1. -- As new // Comme Neuf -- Hardback quarto size ( 30,6 x 25,2 cm )( 1250 gr ). ------- 143 pages. ************************** "" Appel was a protagonist of the avant-garde movement Cobra. His work explored classical themes: the figure, the animal, landscape and their combinations. However, his creative idiom differed from the classical approach. Experimentation with colour enabled him to control it. By means of colour I can now do what I want. Yet, it is always a struggle , as he put it. Gradually, he departed from figuration, executing his paintings in thick impasto and violent colours, creating eruptive forms. His artistic expression showed affinity with Art Brut and involved a spontaneous expressive and emotional process characteristic of immediacy and an unrestrained treatment of the medium. He pressed paint from the tube directly on to the canvas, shaping thick layers with a spatula. This was logically linked to the abstraction of the motif. Appel s painting oscillated quite naturally between figuration and abstraction and their mutual penetration. The series of female nudes, transformations of landscape or cosmological compositions on the theme of the Almighty were created at about the same time. Appel used calligraphic, linear and drip painting, screens and spirals, blending the vocabulary of Art Informel and Postmodernism. Rejecting the classical and the traditional, he intensified inspirations drawn from 20th century avant-gardes to create an original artistic expression. "" ********************************* ref U-28.