winer helene (17 risultati)

351 pp.; 27.9 x 21.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph published in conjunction with Artists Spaces' 25 Year anniversary. Edited by Claudia Gould and Valerie Smith. Introduction by Claudia Gould. Texts by J. Abbott Miller, Trudie Grace, Irving Sandler, Joan Rosenblum, Helene Winer, Cindy Sherman, Linda Shearer, Carlos Gutierrez-Solana, Amy Wanggaard, Denise Fasanello, and Ronald Jones. Includes dozens of artists interviews. Artists include Gregg Bordowitz, Judith Barry, Connie Butler, Edit deAk, Walter Robinson, Jane Dickson, Mark Dion, Andrea Fraser, Ellen Gallagher, Ann Hamilton, Mike Kelley, Jeff Koons, Louise Lawler, Zoe Leonard, Lucy Lippard, Robert Longo, Allan McCollum, Annette Messager, Lee Mullican, Tony Oursler, Adrian Piper, Carolee Schneemann, Kiki Smith, Fred Wilson, Martha Wilson, Vito Acconci, Laurie Anderson, Janine Antoni, Joan Jonas, Elizabeth Murray, Shirin Neshat, Howardena Pindell, Richard Prince, Nan Goldin, Rita McBride, Felix Gonzalez-Torres, Barbara Kruger and many others. Endnote by Jenny Holzer. Includes director interviews, chronology of activities at artists space and artist interviews, key to the chronology, artists space services and staff, publications, and multiples histories, funders histories, and index. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Encuadernación de tapa dura. Condizione: Muy Bien. 22X29 CM. 176 PÁGINAS. FOTOGRAFÍAS EN COLOR. ENCUADERNACIÓN EDITORIAL CARTONÉ ILUSTRADO. CATÁLOGO OFICIAL EXPOSICIÓN LA CASA ENCENDIDA MADRID 2017.

Paperback. Condizione: Near fine. Edward Moses :some early work, some recent work, some work in progress with text by Helene Winer. Small catalog for his 1971 show at the Pomona College Gallery. Unpaginated, Black and white reproductioms. Paper with stiff, black cover. 6 3/4" x 6 3/4". Near fine.

Softcover staple-bound exhibition catalog, 24 pages, in English; very good condition; except moderate rubbing wear to white covers; no internal marks.

Softcover, oblong stitch-bound, 14 pages; in English and Chinese; very good condition; light rubbing to covers; no internal marks.

13 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Essay text [no images] published in conjunction with the simultaneously held exhibitions "Sixth Anniversary Exhibition" held at Artists Space, New York, and "Ten Artists: Artists Space 1973-75," held at Neuberger Museum, Purchase, NY, both of which were on view September [22] - October [27], 1979. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Essay by Helene Winer. Features Helene Winer's thirteen-page text staple bound in corner. Very Good. Light edge wear including bumping and handling wear and light yellowing of page edges. Contents clean and unmarked.

30 pp.; 30.4 x 22.8 cm.; staple bound; black-and-white; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "10 Artists / Artists Space," held at Neuberger Museum, Purchase, NY, September 22 - October 27, 1979. Held in conjunction with the exhibition "Sixth Anniversary Exhibition" at Artists Space, New York, [same dates]. Essays by Helene Winer and Irving Sandler. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Includes brief biography, exhibition histories, and lists of work included in the exhibition for each artist. Fine / Very Good. Light rubbing of edges with 2 cm. and 5 mm. areas of loss to edge of verso. Light bumping of top and bottom right corners of publication. Contents clean and unmarked.

Hardcover. Condizione: New. Qto., 160 pages, colour illustrated. A New copy.

160 pp.; 28.7 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; offset-printed Exhibition catalogue published in conjunction with show held at BALTIC Centre for Contemporary Art, Gateshead, United Kingdom, November 20, 2015 - February 28, 2016. Traveled to La Casa Encendida, Madrid, Spain, October 13, 2016 - January 8, 2017. Curated by Laurence Sillars. Texts by Helene Winer and Bruce Hainley with an interview between B. Wurtz and Laurence Sillars. Includes a list of selected works with thumbnails, a biography, and a bibliography. Very Good / Fine. Light rubbing of cover edges, otherwise Fine. Contents clean and unmarked. THIS COPY SIGNED BY B. WURTZ ON TITLE PAGE IN BLACK INK. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Soft cover. Condizione: Very Good. Albright-Knox Art Gallery (illustratore). 1st Edition. Out of print and uncommon catalogue published on the occasion of the exhibition at Albright-Knox Art Gallery in 2012. Signed by organizer and contributor Heather Pesanti. Beautifully produced 200+ pg catalogue full of color imagery chronicling a rich and fertile period of avant garde creativity centered in Buffalo, NY, which spanned mediums and genres to produce some of the most formative artists of the last century. This copy in excellent overall condition. Binding is solid, sturdy, square. Lightly bumped at the upper corner of the front cover and the ensuing 20 or so pages. Slightly rubbed and scuffed at the foot and head of the spine but hardly so. Otherwise covers are very lightly rubbed in parts but generally quite clean and attractive. Interior is bright, clean, crisp. Besides the signature (and a slight bleed onto the facing page) there are no marks at all. Now in mylar. Signed by Author(s).

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

116 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J.G. Ballard and Frank Whitford; "Clement Greenberg and the idea of the avant garde," by Andrew Higgens; "Belgian commentary," by K.J. Geirlandt; "The Belgian contribution to Surrealism," Roland Penrose and Gisele Ollinger-Zinque; "Ben Nicholson's new reliefs," by David Piper; "Melbourne commentary," by Ross Lansell; "Inn70" "APG." Very Good. Light rubbing and bumping of cover edges and corners. 4.8 cm. of pencil writing on verso edge. Contents clean and unmarked.

240 pp.; 30.6 x 24 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth "Martin Bloch Re-Assessed," by Ronald Alley. "London Commentary," by Peter Fuller, Ian Dunlop and statements by Fernand Léger, introduced by John Golding. Includes, "On Exhibition: A Selection from Current and Forthcoming Exhibitions." Cover: Alexander Liberman. Includes letter to the editor by Donald Judd. Fair / Good. Rubbing, bumping, and light soiling of covers with curve to spine edge and bumping of corners. Pages are yellowed, contents clean and unmarked.

[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Good. Moderate wear, creasing and light discoloration to covers and mild staining to verso cover. Contents clean and unmarked.

[16] pp.; 17 x 17 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with three-man show held January 18 - February 20, 1972. Includes text by Helene Weiner, then Gallery Director at Pomona College Gallery and exhibition checklist. Each artist additionally provided with two pages each, incorporating three images of works by Bas Jan Ader, one image and text by William Leavitt, and two images by Ger van Elk. Very Good. Mild wear and light discoloration to covers. Contents clean and unmarked.

brossura. Condizione: ottimo. prima edizione. Text: Winer Helene. cm 17x17; pp. 12; BW ills.; staple binding.

[unpaginated]; 19 x 13.5 cm.; slipcase; edition size unknown; unsigned and unnumbered DVD documentary about the work of Cindy Sherman and exhibitions of her work held at Metro Pictures in 1981 and 2000. Directed by Paul Tschinkel, featuring interviews with Helene Winer and Peter Schjeldahl and a rare interview with Sherman from 1981. Very Good / Fine. "Institutional Copy" stamped in black ink on verso of slipcase, otherwise Fine.