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Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Fine. Still in shrinkwrap.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: New. &Uumlber den AutorLois B. Defleur is president emerita, SUNY BInghampton. She served as president at Binghampton from 1990 to 2010. She was dean of Washington State University s College of Humanities and Social Sciences from 1981 to .

Hardcover. Condizione: Fine. 144p.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: New. This text examines boundaries of artistic tolerance, and the societal and legal responses to rock and rap music. Inhibitions and censoring, it is argued, stem from concerns for a healthy functional society and the impact of sexual explicitness and uncontrolled behavioural expression on adolescents. Series: Contributions to the Study of Popular Culture. Num Pages: 142 pages, black & white illustrations. BIC Classification: 1KBB; JFMD; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 9. Weight in Grams: 382. . 1999. Hardback. . . . .

Condizione: New. This text examines boundaries of artistic tolerance, and the societal and legal responses to rock and rap music. Inhibitions and censoring, it is argued, stem from concerns for a healthy functional society and the impact of sexual explicitness and uncontrolled behavioural expression on adolescents. Series: Contributions to the Study of Popular Culture. Num Pages: 142 pages, black & white illustrations. BIC Classification: 1KBB; JFMD; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 9. Weight in Grams: 382. . 1999. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 142 pages. 9.75x7.00x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Good. 1st Edition. Four issues of this uncommon periodical edited / published by C.L. Morrison. Issues from Summer 1982, Winter 1981, Spring 1982, and Vol. 5, No. 3 (1983). Mix of art writing, fiction, poetry, full contributor list in the author field. Some expected age toning to the issues, occasional chipping to edges, particularly to rear cover of Winter 1981 and front of Summer 1982. Staples have been removed from three issues - accompanying break to spine. Altogether intact and attractive.

Hardcover. Condizione: new. Hardcover. Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condizione: new. Hardcover. Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music.&Uumlber den AutorBETTY HOUCHIN WINFIELD is a professor of journalism and an adjunct professor .

Buch. Condizione: Neu. Bleep! Censoring Rock and Rap Music | Andre Lauchli | Buch | Gebunden | Englisch | 1999 | Praeger | EAN 9780313307058 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music.Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections.