Winkworth eveline (11 risultati)

Hardcover. Condizione: Good. No Jacket. 1st Edition, Illustrated Edition. Holbein Publishing Company, Basle, 1946. Hardcover. First edition, first impression. Beige boards. Black lettering to spine and to upper board. Inset reproduction of a colour watercolour painting "Nuremberg from the West" by Albrecht Dürer pasted onto the upper board. With 49 black and white illustrations. No dustjacket. Head of spine lightly bumped. 0.5 cm and 1 cm closed tears to foot of spine. Top corner of fore edge of upper and of lower board lightly bumped. Boards partially tanned and lightly foxed. Page lightly tanned and lightly foxed. Rear pastedown and rear free endpaper foxed. Overall, the book is in just about a good condition.…

Hard Cover. Condizione: Near Fine. No Jacket. Near fine +, slightly bowed front cover, bookplate on first pastedown, no dustjacket. Plates (illustratore).

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Presumed American first edition (no direct statement but with matching dates upon title and copyright pages). 116, [2] pages. Hardcover: H 27.5cm x L 20.75cm. No dust jacket (i.e. lacking). Blue cloth with some light staining and toning; 5cm surface tear to cloth at rear board's slightly warbled lower left; spine's gilt lettering dulled; front board's gilt title lettering remains fairly bright. A few small spots of soiling and foxing to edges and leaves but overall pages remain clean. Binding is firm. With tipped-in color and b/w plates.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First UK Edition. Jacket not price clipped with a small tear at the base of the spine. With 59 illustrations (illustratore).

First Edition. Good copy in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains well-preserved overall; tight, bright, clean and strong. Provenance; from the library of Ina Boyle and Jean Tsushume with their respective bookplate and inscription. Physical description; xxii, [2] p., 56 p. of plates : ill., ports. ; 26 cm. Subjects; Holbein, Ambrosius, (1494?-1518?). Holbein, Hans (ii), (1497-1543). Drawing, German-16th century. 1 Kg.…

First Edition. Good copy in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains well-preserved overall; tight, bright, clean and strong. Provenance; from the library of Ina Boyle and Jean Tsushume with their respective bookplate and inscription. Physical description; xxii, [2] p., 56 p. of plates : ill., ports. ; 26 cm. Subjects; Holbein, Ambrosius, (1494?-1518?). Holbein, Hans (ii), (1497-1543). Drawing, German-16th century. 1 Kg.…

First Edition, Second printing. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 97 p. : plates ; 31 cm. Notes; Contains bibliographical references. Translated by Eveline Winkworth. Subjects; Rubens, Peter Paul Sir (1577-1640). Rubens, Peter Paul (Flemish painter and draftsman, 1577-1640) ; Exhibitions. Rubens, Peter Paul Sir (1577-1640) ; Catalogs. Painters, Flemish 16th century. Painters, Flemish 17th century. Draughtsmen, Flemish 16th century. Draughtsmen, Flemish 17th century. Drawing History and criticism. Painting, Flemish 16th century. Painting, Flemish 17th century. Drawing, Flemish 16th century. Drawing, Flemish 17th century. Painters Flanders. Artists' preparatory studies. Drawing, Flemish. Art, Flemish. Drawing. Genres; Biography. Criticism, interpretation, etc. Illustrated. 1 Kg.…

First Edition, Second printing. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 97 p. : plates ; 31 cm. Notes; Contains bibliographical references. Translated by Eveline Winkworth. Subjects; Rubens, Peter Paul Sir (1577-1640). Rubens, Peter Paul (Flemish painter and draftsman, 1577-1640) ; Exhibitions. Rubens, Peter Paul Sir (1577-1640) ; Catalogs. Painters, Flemish 16th century. Painters, Flemish 17th century. Draughtsmen, Flemish 16th century. Draughtsmen, Flemish 17th century. Drawing History and criticism. Painting, Flemish 16th century. Painting, Flemish 17th century. Drawing, Flemish 16th century. Drawing, Flemish 17th century. Painters Flanders. Artists' preparatory studies. Drawing, Flemish. Art, Flemish. Drawing. Genres; Biography. Criticism, interpretation, etc. Illustrated. 1 Kg.…

Hard Back. Condizione: Very Good. Condizione sovraccoperta: Very Good. First English Edition. 56 Pages. Cream boards with maroon spine and front lettering. Dust jacket has $2.95 flap price and the top back has some light wrinkling that can also be lightly felt on the last few pages. Today (1954) nobody doubts that Daumier is one of the great masters of French art. In these fifty-eight drawings of charcoal, pen, and chalk, we recognize the artistic genius of the man who was revered by Rousseau and Daubigny, whose work was bought by Corot, and whose drawings were analyzed with the most passionate interest by Baudelaire. Ingres used to hide himself every Thursday from his pupils so he could take time to admire Daumier's newest caricature at the nearest bookseller. He is known to the public as a fierce satirist who, with a few strokes of his pen, demolishes jury, hypocritical advocate, and conceited judge alike; but in this book we find him also in his leisure time when he creates those little-known drawings which contain the most essential factors of his art. Today we are beginning to understand this -- that he has created Realism ten years earlier than Corot and Impressionism twenty years before Monet. Here, in his charcoal drawings, his rich imagination changes from velvet-blacks to silver-greys, and he underlines the contrast of the tones so that the charcoal becomes as varied as crayon. The pen in Daumier's inspired hands shows a similar agility. Everything moves before our eyes. Here are the people in their everyday lives and motions -- the mother indolently suckling a child while she is blowing on her soup spoon, a housewife looking for bargains in the market place, beer drinkers arguing politics under a shady tree, tight-rope walkers moving their belongings -- their gay costumes in tragic contrast to their abject poverty. He has tenderness and pity for the common people, but he also shows them up for their stupidity and maliciousness in such drawings as Third-Class Carriage. But he reserves most of his venom for members of the propertied classes -- The Amateur smiling knowingly at the Venus of Milo; the three judges listening avidly to the tale of a small innocent in the picture In Cam era; Moliere's Malade Imaginaire in a grimace of hypochondriac suffering. For anyone who understands superb craftsmanship and does not mind laughing at the foibles of his fellow-men, and perhaps his own, here is a book of inexhaustible enjoyment. Contents: Foreword ( Preface) by Clark Roger-Marx, Introduction by Jean Adhemar, Biography (Single-page timeline), Bibliography, Notes on the Plates, and Plates (58). …

Hardcover. Condizione: As New. T-WESCHER.