Wood christopher s (205 risultati)

Pamphlet. Condizione: Very Good. Vol 19, No 1, pp. 25-44, Extracted from orig vol, begins with title page, trimmed & stapled, thus is llike a pamphlet, VG.

Softcover. Condizione: Very Good. Pages clean and bright, with no owners' marks; the soft cover has a small brown spot at the upper rear and mild sunning along the spine, otherwise excellent. Articles include "Toleration and Dissent in Sixteenth-Century Spain" by Henry Kamen; "The Emergence of a Feminine Spirituality in The Book of Martyrs" by Ellen Macek; additional articles by Christopher S. Wood, David Ginsberg, Mary J. Baker, William Franklin Panici, and John Nothnagle.…

Wraps. Condizione: Very Good-. Vol. 5, No. 3. Edited by Boucher & McComas. Cover art by Jack Coggins ("Space ship over base on Ariel, Uranus in background"). Includes "Three Hearts and Three Lions" (pt. 1 of 2) by Poul Anderson; "One Man's Meat" by L. Sprague de Camp & Fletcher Pratt; "Silenzia" by Alan Nelson; "The Worp Reaction" by Lion Miller; "Mrs. Darymple's Cat" by Christopher Wood; "The Old Oaken Eight-Ball" by Richard Sale; "Gallie's House" by Thema D. Hamm; "Time Is the Traitor" by Alfred Bester; "The Warning" by Peter Phillips. Creasing; edge and corner wear; tanning; store date stamp on rear. Book.…

Wraps. Condizione: Very Good-. Vol. 5, No. 3. Edited by Boucher & McComas. Cover art by Jack Coggins ("Space ship over base on Ariel, Uranus in background"). Includes "Three Hearts and Three Lions" (pt. 1 of 2) by Poul Anderson; "One Man's Meat" by L. Sprague de Camp & Fletcher Pratt; "Silenzia" by Alan Nelson; "The Worp Reaction" by Lion Miller; "Mrs. Darymple's Cat" by Christopher Wood; "The Old Oaken Eight-Ball" by Richard Sale; "Gallie's House" by Thema D. Hamm; "Time Is the Traitor" by Alfred Bester; "The Warning" by Peter Phillips. Creasing; mild tanning. Book.…

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Near Fine. Trade paperback, 2002, 3rd printing.

Condizione: As New. Unread copy in mint condition.

Condizione: New. Brand New.

paperback. Condizione: As New. Paperback--no flaws.

Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Condizione: Very Good. Well kept copy, with jacket, tight and unmarked, little wear. Fast Shipping - Safe and Secure Bubble Mailer.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. 1st. 485 pages, illustrations; 24 cm. Firm binding, clean inside copy. Previous owner's blind stamp/front free endpaper, otherwise unmarked. Remainder mark/tail edge. Dust jacket protected in a mylar cover. *** "This volume introduces to an English-language audience the writings of the so-called 'new Vienna School' of art history. In the 1930s Hans Sedlmayr and Otto Pacht undertook an ambitious extension of the art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time, they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of 'structure,' a kind of deep formal property that the work of art shared with the world. The idea of this volume is to bring the drama of this methodological and political encounter to the attention of Anglo-American art historians." - Publisher. *** CONTENTS: The main characteristics of the late Roman Kunstwollen (1901), by Alois Riegl; The place of the Vapheio cups in the history of art (1900), by Alois Riegl; Toward a rigorous study of art (1931), by Hans Sedlmayr; The end of the image theory (1930/1931), by Otto Pacht; Remarks on the structure of Egyptian sculpture (1933), by Guido Kaschnitz von Weinberg; Design principles of Fifteenth-century Northern painting (1933), by Otto Pacht; Bruegel's Macchia (1934), by Hans Sedlmayr; Passages from Cezanne and the end of scientific.perspective (1938), by Fritz Novotny; Rigorous study of art: on the first volume of Kunstwissenschaftliche Forschungen (1931/1933), by Walter Benjamin; The new Viennese School (1936), by Meyer Schapiro. Size: 8vo.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Unmarked, Clean, Bright, And Tight Copy With No Signs Of Wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Dust Jacket. Copyright Date: 1988 Quarto, 1993, PP.223. Color Illustrations, Tyndale s The Cottage Garden On Jacket Cover (illustratore).

Condizione: New.

Paperback. Condizione: new. Paperback. This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pacht (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pacht began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure", a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pacht's project immediately caught the attention of thinkers like Walter Benjamin who were similary impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pacht, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of "Strukturanalyse" were sharply repudiated by Meyer Schapiro and later Ernst Gombrich.After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pacht and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses to Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies betwen the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography. An English-language introduction to the writings of the so-called New Vienna School of art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New.

Hardcover. Condizione: Fine. Leichte Verschmutzung / Farbtonveränderung. Tissot is best known for his pictures of English and French society in the 1860s and 1870s, depicting in minute detail the ravishing costumes, decorative interiors and riverside scenes of the period. This book surveys Tissot's entire career and reveals the tensions and contradictions in his work.…

Paperback. Condizione: Very Good. The first independent or pure landscapes in Western art were produced in southern Germany in the first decades of the sixteenth century. They were painted, drawn and etched by Albrecht Altdorfer of Regensburg and his only slightly less flamboyant contemporary Wolf Huber of Passau. These radical experiments in landscape appeared without advance notice and disappeared from view almost as suddenly. Altdorfer converted outdoor settings into a theatre for stylish draughtsmanship and extravagant colour effects. At the same time, his landscapes offered a densely textured interpretation of that quintessentially German locus, the forest interior. In this revealing study, now available in a revised and expanded second edition, Christopher S. Wood shows how Altdorfer prised landscape out of its subsidiary role as setting and background for narrative history painting and devotional works, and gave it a new, independent life of its own. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Condizione: As New. Unread book in perfect condition.

Trade Paperback. Condizione: As New. Condition: 'As New'.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. 4to, Card Covers. 323 Pages. Numerous Illustrations. Some Light Marks to Margins to Pages 53 & 57. (See Images). Few Light Marks to Title Page. Overall A Very Good Plus Copy. Heavy Book. Extra postage costs may apply to overseas orders. All books posted in sturdy book box.…

Softcover. Condizione: Fine. Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung. WOOD, TOWN PLANNING AND POLLUTION CONTROL [PAPERBACK]. MANCHESTER, 1976, ix 239 p. figuras.Encuadernacion original. Nuevo.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Good. An authoritative history of art history from its medieval origins to its modern predicaments.

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: New.