words eugene field (27 risultati)

Soft cover. Condizione: Good. 9 X 12 inches. Edge wear, small amount of splitting at the spine ends starting. Some light pencil notation. Four-page score, starting with page 2 inside the front cover and ending with page 5 inside the rear cover. Publisher ads on the rea cover.

Soft cover. Condizione: Very Good. 1st Edition. 45 Pp. Orange Soft Covers Printed In Black. First Printing. Light Wear, Very Good. Ownership Signature Of Opera Singer Henrietta Schwill.

Softcover. Condizione: Good. Sheet music. Folio. Two nested bifolia making eight pages. Outer bifolium separated along the fold but both leaves are present, edgewear including chips and tears, owner name on the front cover, and the exterior with some soiling, a complete but fair to good only copy. For voice and piano. Plate number, 8287. duplicates.

Softcover. Condizione: Very Good. Sheet music. Quarto. Two nested bifolia making eight pages. Faint music shop stamp on the front cover, minor edgewear, and the exterior with some toning and soiling, still a complete and very good copy. For voice and piano. Plate number, 28561. The back cover features short samples of four other songs.

Softcover. Condizione: Good. Sheet music. Quarto. Single bifolium with a single sheet insert making six pages. Bifolium torn at the middle of the fold, the single-sheet-insert with a corresponding tear, toning, and rubbing, complete but just a good or better copy. For voice and piano. Plate number, 30867 - 3. The back cover features short samples of four other songs, "The Bird with a Broken Wing," "Bless Yo' Heart," "A Little Dutch Garden," and "Sunset." A song told from the point of view of a mother who has lost her son. *OCLC* locates only two holdings and it appears to be equally uncommon in the trade.

Softcover. Condizione: Very Good. Unknown edition. Folio. Two nested bifolia making eight pages. Two dampstains to the fore edge of the front cover affecting throughout, soiling to the exterior, and bumping to the corners, a complete and good or better copy. For voice and piano. Plate number, 7549.

Softcover. Condizione: Good. Later printing. Folio. Single bifolium with a single-sheet-insert making six pages. Insert taped and stapled into the bifolium, large tears to the for edges throughout, and an owner name and music shop stamp on the front cover, a complete but good only copy. For voice and piano. Plate number, 17,315-3. *OCLC* locates two holdings.

Softcover. Condizione: Good. Folio. Single bifolium with a single-sheet-insert making six pages. Bifolium separating along the both ends of the fold, music shop stamp on the front cover, and edgewear including a few tears, a complete but good only copy. For high voice and piano. Plate imprint, "B.M.Co. 149." This piece by Ethelbert Nevin is just one of many compositions set to this poem that were published around the turn of the century.

Softcover. Condizione: Near Fine. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Toning to the exterior, else near fine. For voice and piano (with pedal marks). Plate imprint, "G.M.C. 1871 - 3." The back cover features a sample of "Tell Me Why (Porque Me Dises)" by Estelle Liebling. *OCLC* locates only two holdings and it appears to be equally scarce in the trade.

Softcover. Condizione: Good. Later printing. Folio. Three nested bifolia making 12 pages. Outermost bifolium separated along the bottom half of the fold, music shop stamp on the front cover, a large dampstain on the front cover lightly affecting throughout, minor edgewear, and soiling to the exterior, a complete but good only copy. For voice and piano. Plate number, 21703. Contains short samples of eight other songs. *OCLC* locates only two holdings and it appears to be equally scarce in the trade.

Condizione: Fine. Boston. copyright 1935 appears to be first edition (printed price is 50 cents.) Bruce Humphries. 4to wraps. 5p. Fine. Music score for voice and piano.

Softcover. Condizione: Very Good. Sheet music. Folio. Two nested bifolia making eight pages. Minor edgewear, music shop stamp on the front cover, and toning, very good. For voice and piano. Plate number, 11418. *OCLC* locates only two holdings and it appears to be equally scarce in the trade.

Softcover. Condizione: Very Good. Sheet music. Quarto. Two nested bifolia making eight pages. Possibly trimmed along the sides (not affecting the music) as it was uncommon for sheet music of this era to be this size, outer bifolium separated along the bottom half of the fold, owner name on front cover, and some toning and soiling to the exterior, still a very good and complete copy. For voice and piano in the key of G. Plate imprint, "B.F.W. 1096 - 6." The back cover features short samples of six other songs including, "Romance of the Roses" and "A Southern Hush Song." *OCLC* locates seven holdings and it appears to be equally uncommon in the trade.

Softcover. Condizione: Near Fine. Later printing. Quarto. Two nested bifoliums making eight pages. Printed price canceled with a sticker and a stamp on the front cover with the addition of a later American price sticker, light toning, near fine. For low voice and piano. Plate number 13492. The original copyright date is 1918, but the back cover advertises a song called "Spring Tapped at My Window," which is from 1929. *OCLC* locates only three holdings of this edition, and none of the original published by Messrs Edward Arnold.

Hardcover. Condizione: Good. ANDERSON, Anne (illustratore). Good condition, quarto, blue cloth, title and illustration pasted to front, corners bumped and some rubbing, wear to spine extremities, top edges gilt, illustrated end papers, Christmas gift inscription dated 1916 on verso front free end paper, full colour frontis piece and title page then 12 songs, each with full colour illustration and music. 83 pages. [QP].

Softcover. Condizione: Good. Later printing. Encore Verse by E.P. Jewell. Folio. Originally a single bifolium with a single-sheet-insert making six pages. Notched and worn along the spine from once being bound within an album as a result the bifolium and insert remain bound together though separating along the bottom third of the fold, edgewear including several small tape repairs, and soiling to the exterior, a complete but good only copy. For voice and piano. Plate impression "Listen to my tale of woe. 3." There's an advertisement stamped at the bottom of page three, "'Bill Kelly's New Spring Pants,' Hubbard T. Smith's Latest Comic Song. Price 40 Cents." The lyrics are derived from Field's poem, "The Little Peach Tree" with a few additions. Late 19th century children's stories and poems can be surprisingly grim and this one is no exception.

Softcover. Condizione: Good. First edition. Quarto. Two nested bifoliums making eight pages. Name stamp, publisher's stamp, and publisher's blind stamp on the front cover, dampstaining to the front cover affecting throughout, and soiling to the exterior, a complete but good only copy. For voice and piano. Plate number, 2861 - 6. Includes short samples of "A Thrush's Love Song," "The Second Minuet," and "A Caution." The name stamp is that of prolific American composer and pianist, Fay Foster, who took first place in the American Composers Competition of 1913. The lyrics to this song are from Eugene Field's children's poem, "Wynken, Blynken, and Nod," who set sail in a wooden shoe to go fishing. This song, composed by Margaret Dixon, is unrecorded by *OCLC* and appears to be equally scarce in the trade.

Hardcover. Condizione: Very Good. No Jacket. 12 coloured plates, title-page and endpapers by Anne Anderson (illustratore). 1st. black c w/moderate wear at extremities; pictorial inset on front, scrates and with lite evidence of pensil markings (see image); lovely illustrated end papers; owner's insc; 83 clean, unmarked pages.

Softcover. Condizione: Very Good. Unknown edition. Folio. Two nested bifolia making eight pages. Bumping to the corners and light age toning, very good or better. For voice and piano. Plate number, 28030.3. Features short samples of seven other songs. This piece by Helen French is just one of many compositions set to this poem that were published around the turn of the century. *OCLC* locates only a single holding of this edition by French and it appears to be equally uncommon in the trade.

Softcover. Condizione: Very Good. First edition thus. Folio. Single bifolium with single-sheet-insert making six pages. Rubbing to the exterior, some light creasing, and light edgewear including some small chips and tears, still very good. For voice and piano. "Dedicated to Mr. Frederic E. Beldin." Derived from an 1892 composition by Mary French Field with an arrangement including trumpet and drum. This piece by George Albert Hanna is just one of many compositions set to this poem that were published around the turn of the century. In addition to publishing sheet music, Blasius & Sons is best remembered as a manufacturer of high-end pianos from 1855 to 1929, with a factory in Woodbury, NJ and multiple showrooms on Chestnut St. in Philadelphia, PA. *OCLC* locates no holdings of this edition.

Softcover. Condizione: Good. Sheet music. Encore Verse by E.P. Jewell. Folio. Single sheet bifolium with a single sheet insert making six pages. Separated at the fold and repaired externally with tape, soiling to the exterior, offsetting from another piece of sheet music to the unprinted back cover, and light edgewear, still a good and complete copy. For voice and piano. Plate impression "Listen to my tale of woe. 3." The lyrics are derived from Field's poem, "The Little Peach Tree" with a few additions. Late 19th century children's stories and poems can be surprisingly grim and this one is no exception. *OCLC* locates only five holdings of the first edition.

Softcover. Condizione: Very Good. Stated as "Superior National Edition" (which we believe to also be the first edition). Folio. Single bifolium with a single-sheet-insert making six pages. Insert taped into the bifolium, toning, and edgewear including some chips and tears, still a complete and very good copy. For voice and piano. Plate number, 4175. The back cover features short samples of six "easy transcriptions of standard sacred songs for the organ or piano" including "Rock of Ages" by Thomas Hastings and "Flee As A Bird" by M.S.B. Dana. "Respectfully dedicated to Mrs. Eugene Fields, Chicago." The woman in the photo is not identified. This piece is unrecorded by *OCLC* and appears to be equally scarce in the trade.

Softcover. Condizione: Very Good. First edition. Folio. Two nested bifolia making eight pages. Outer bifolium with some separation at the ends of the fold, publisher's stamp on the front cover, light edgewear, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate number, 245 - 6. The back cover features short samples of three other songs. The front cover states, "Sung by Miss Louise Dale." The composer of this piece, Alicia Adélaïde Needham, was the first woman to ever conduct at the Royal Albert Hall. *OCLC* locates three holdings.

Softcover. Condizione: Good. First edition. Folio. Two nested bifolia making eight pages. Notched and worn along the folds with numbers penned on each page from once being bound within an album, outer bifoium separating along the bottom of the fold, offsetting to the back cover, and some soiling to the exterior, still a complete and good or better copy. For voice and piano. Plate imprint, "6240 - 5 - T." Dedicated to the singer and actress Jessie Bartlett Davis. The lyrics to this piece are actually taken from Field's poem, "A Lullaby"; though Field did write a poem titled "A Hushaby Song" (and those familiar with that poem might understand why it's not quite appropriate for singing). This piece is unrecorded by *OCLC* and appears to be equally scarce in the trade.

Softcover. Condizione: Near Fine. First edition. Quarto. Two nested bifolia making eight pages. Some very light offsetting to the front cover, and some light bumping to the corners, else near fine. For voice and piano. Plate imprint, "Child and Mother - 5." Eugene Field was a late 19th century American writer known for his children's verse and essays. Martha Bailey Moore, on the other hand, appears to be a complete unknown, we cannot find any information about her nor any other compositions. This piece is unrecorded by *OCLC* and it appears to be equally uncommon in the field.

Softcover. Condizione: Very Good. First edition. Folio. Single bifolium with a single-sheet-insert making six pages. Edgewear including small tears, foxing to the exterior, and bumping to the corners, still a complete and very good copy. For voice and piano. Plate imprint, "C.F.T. No. 285." The front cover states, "Dedicated to The Hatfield House" though it is unclear if it is referring to the historical house in Fairmount Park in Philadelphia, Pennsylvania. This piece is unrecorded by *OCLC* and appears to be equally scarce in the trade; furthermore, we could not find any solid biographical information on the composer, Morris Ellsworth. There's a chance he's the original composer, and subject, of a song called "Morzie Ellsworth" about a Mane-ite moving to Pennsylvania to work as a lumberjack, which Brian Miller of the website, *EverGreenTrad* states "likely descended from the New Brunswick (Canada) song 'Morris Ellsworth.'" But this was all the info we could glean on Ellsworth and while it's a remote chance, we find the concept of a lumberjack-composer mentally conjuring melodies while chopping wood deep in the forest quite Romantic. Either way it remains a rare and intriguing piece.

Softcover. Condizione: Very Good. Later printing. Folio. Single bifolium with a single sheet insert making six pages. A dampstain to the front cover affecting throughout, a small tear to the bottom of the fold, and light toning, still a very good and complete copy. For voice and piano. Plate imprint, "Papa fot would you &c." An odd song about a child asking her father how much money he would take for her (a rather grim premise for a tune), the father answers "a dollar" but then goes on to say that really there is no amount high enough. *OCLC* locates a single digital holding of an 1885 edition published for *The Toronto News Company* with words credited to S. B. McManus, however this edition is unrecorded and appears to be equally scarce in the trade. An interesting novelty of a song with a delightfully creepy cover illustration.