wouwerman after philips (13 risultati)

Bild-Maße: ca. 18 x 20,5 cm. Blatt-Maße: ca. 27 x 40 cm. -- Original Kupferstich. -- leicht fleckig, sonst gut erhalten. || Original copper engraving. -- slightly stained, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Bild-Maße: ca. 18 x 19 cm. Blatt-Maße: ca. 26 x 40 cm. -- Original Kupferstich. -- gut erhalten. || Original copper engraving. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 1550.

Condizione: Good. Original etching. 22 x 27 cc. Two short terars inside the image, stablilized. Group of huntsmen watering their horses at a fountain. c.1733Brtkish Museum: . Plate 12 from 'Oeuvres de Philippe Wouwermens Hollandois', Bibliographic referencesLe Blanc 1854-89 / Manuel de l'Amateur d'Estampes 1550-1820 (44-132).

Condizione: Good. Engraving on 18th Century laid paper, 38.5 x 48 cm. Rare. Two stains in lower margin.

Engraving, coloured by hand, by J. Moyreau. A fine composition, showing life on the road in the Flemish low countries: two travellers wait outside a farrier's shop. One of their horses had thrown a shoe and the farrier prepares the hoof whilst his assistant runs out from the shop with a new shoe clasped in a pair of iron tongs. Meanwhile life continues round about. The title notes that the original painting was 23 inches high by 19 wide. 'Dutch painter and draughtsman. [Philips Wouwerman]. was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d 28 Sept 1642), whose two other sons, Pieter Wouwerman and Johannes Wouwerman, also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d. 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or finder). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods. During his lifetime he must have attained a certain degree of prosperity, as demonstrated by the relatively large sums inherited by each of his seven children after his wife's death in 1670.

Engraving, coloured by hand, by J. Moyreau. A fine composition, showing rural life in the Flemish low countries: a thatched cottage is seen to the right, in the foreground two men prepare a couple of pack-horses. One man talks to a women seated, who spines wool using a hand spindle. A traveller passes on a laden ass. In the doorway of the house a women plays with a young child. The title notes that the original painting was the same size as the engraving. 'Dutch painter and draughtsman. [Philips Wouwerman]. was the eldest son of the painter Paulus [Pauwels] Joostens Wouwerman of Alkmaar (d. 28 Sept 1642), whose two other sons, Pieter Wouwerman and Johannes Wouwerman, also became painters. Philips probably received his first painting lessons from his father, none of whose work has been identified. According to Cornelis de Bie, Wouwerman was next apprenticed to Frans Hals, although no trace of Hals's influence is discernible in Wouwerman's work. Wouwerman is also reputed to have spent several weeks in 1638 or 1639 working in Hamburg in the studio of the German history painter Evert Decker (d. 1647). While in Hamburg, he married Annetje Pietersz. van Broeckhof. On 4 September 1640 Wouwerman joined the Guild of St Luke in Haarlem, in which in 1646 he held the office of vinder (agent or finder). Given the many southern elements in his landscapes, it has repeatedly been suggested that Wouwerman must have travelled to France or Italy, but there is no documentary evidence that he left his native Haarlem for more than short periods. During his lifetime he must have attained a certain degree of prosperity, as demonstrated by the relatively large sums inherited by each of his seven children after his wife's death in 1670.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling, minor foxing, and a bit of mild rippling. A fine composition showing a group of cavalrymen congregating oustide of a duck merchant's cottage. This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. In addition to his hunting scenes, Wouwerman's varied and substantial repertoire of subjects included military and battle scenes, landscapes, travellers, animals and genre subjects. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling and minor foxing, mild rippling, and a small stain in the top right corner of the sheet. A few small brown and black spots in the left margin. A fine composition showing a soldier or cavalryman returning home to his family. This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. In addition to his hunting scenes, Wouwerman's varied and substantial repertoire of subjects included military and battle scenes, landscapes, travellers, animals and genre subjects. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling, minor foxing, and a bit of mild rippling. A fine composition showing a crowd awaiting the arrival of a ship at a Dutch harbour. This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. In addition to his hunting scenes, Wouwerman's varied and substantial repertoire of subjects included military and battle scenes, landscapes, travellers, animals and genre subjects. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling, minor foxing, and mild rippling. A fine composition showing the hunting party returning from the hunt to refresh themselves and organize their spoils.This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. Among his varied and substantial repertoire of subjects, which included military and battle scenes, landscapes, travellers, animals and genre subjects, Wouwerman favored his hunting scenes. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling, minor foxing, and mild rippling. A fine composition showing the hunting party embarking on the hunt. This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. Among his varied and substantial repertoire of subjects, which included military and battle scenes, landscapes, travellers, animals and genre subjects, Wouwerman favored his hunting scenes. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Hand-coloured engraving on laid paper by Moyreau. Very good condition apart from some overall light soiling and minor foxing, mild rippling, and slight discolouration of the paper due to age. A fine composition showing the hunting party refreshing themselves before embarking on the hunt. This beautifully coloured print is one of many engravings Jean Moyreau (1690-1762) made of Wouwerman's paintings. 'Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. His elegantly rendered, distinctive works, which are characterized by their luminous colour and detailed, animated treatment of figures and landscape alike, were extremely popular in the seventeenth century as well as the nineteenth century, during which they were zealously collected. Among his varied and substantial repertoire of subjects, which included military and battle scenes, landscapes, travellers, animals and genre subjects, Wouwerman favored his hunting scenes. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol 14, p. 723.

Cargo from ship is unloaded at coast.Lettered below left: Philips Wouwerman Pinxit, and at right: Justus Danckerts fecit et excudit.[NL] Lading van schip wordt gelost aan de kust. Antieke prent gemaakt door Johannes Visscher. Etching and engraving on paper, cut close to plate mark; total: 368 x 414 mm; some light staining and traces of handling, some traces of folding and small tears on the margins; restorations on the verso, overall in fair condition. Hollstein 20.