Xiaoning lu (40 risultati)

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Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This two volume set (CCIS 727 and 728) constitutes the refereed proceedings of the Third International Conference of Pioneering Computer Scientists, Engineers and Educators, ICPCSEE 2017 (originally ICYCSEE) held in Changsha, China, in September 2017. The 112 revised full papers presented in these two volumes were carefully reviewed and selected from 987 submissions. The papers cover a wide range of topics related to Basic Theory and Techniques for Data Science including Mathematical Issues in Data Science, Computational Theory for Data Science, Big Data Management and Applications, Data Quality and Data Preparation, Evaluation and Measurement in Data Science, Data Visualization, Big Data Mining and Knowledge Management, Infrastructure for Data Science, Machine Learning for Data Science, Data Security and Privacy, Applications of Data Science, Case Study of Data Science, Multimedia Data Management and Analysis, Data-driven Scientific Research, Data-driven Bioinformatics, Data-driven Healthcare, Data-driven Management, Data-driven eGovernment, Data-driven Smart City/Planet, Data Marketing and Economics, Social Media and Recommendation Systems, Data-driven Security, Data-driven Business Model Innovation, Social and/or organizational impacts of Data Science.…

Taschenbuch. Condizione: Neu. Data Science | Third International Conference of Pioneering Computer Scientists, Engineers and Educators, ICPCSEE 2017, Changsha, China, September 22-24, 2017, Proceedings, Part II | Beiji Zou (u. a.) | Taschenbuch | xxvi | Englisch | 2017 | Springer | EAN 9789811063879 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

Paperback. Condizione: Brand New. 616 pages. 9.25x6.10x1.39 inches. In Stock.

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Hardback. Condizione: New. What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.…

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.…

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Condizione: New. &Uumlber den AutorXiaoning Lu is Lecturer in Modern Chinese Culture and Language at SOAS, University of London and co-editor of The Oxford Handbook of Communist Visual Cultures (Oxford University Press, 2020).Klappent.

Hardcover. Condizione: Brand New. 788 pages. 9.25x6.25x1.50 inches. In Stock.

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Hardcover. Condizione: new. Hardcover. Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildingsand monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization ofcommunism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of CommunistVisual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future. Looking at monuments, murals, computer games, recycling campaigns, children's books, and other visual artifacts, The Oxford Handbook of Communist Visual Cultures reassesses communism's historical and cultural legacy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Buch. Condizione: Neu. Neuware - What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.…

Hardback. Condizione: New. What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.…

Condizione: New.