yarza alejandro (59 risultati)

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9788479544973.

21x14. 226p. Rústica ed. Con solapas. Col. Estudios Literarios Universidad. Núm. 24. Muy buen estado. LIBRO EN ESPAÑOL.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. In fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: new. Paperback. In fascist Spain, Francoism like German and Italian fascism produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, cliched image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches. This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: new.

Condizione: New. pp. 320.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9788479544973.

Paperback. Condizione: New. In fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New.

Condizione: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condizione: New. pp. 320 Reprint edition NO-PA16APR2015-KAP.

Condizione: New. 2019. Reprint. Paperback. . . . . .

Condizione: New. pp. 320.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Rústica. Condizione: New.

Condizione: Nuevo. Alejandro Yarza nos embarca en una travesía deslumbrante, desde la grandiosa construcción de la ideología kitsch franquista soñada en la pantalla cinematográfica hasta su perforación, desmantelamiento y exorcismo en ciertos filmes claves. Apoyado en lecturas profundas, brillantes e intuitivas, el libro también ofrece la oportunidad de reflexiones más amplias sobre los fantasmas y residuos que asedian todavía la construcción de las imágenes del cine español.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. reprint edition. 322 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condizione: new. Paperback. In fascist Spain, Francoism like German and Italian fascism produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, cliched image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches. This book examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative cliches. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. &Uumlber den AutorrnrnAlejandro Yarza is Associate Professor in the Spanish and Portuguese Department and Core Faculty of the Film and Media Studies program at Georgetown University.InhaltsverzeichnisPreface.

Paperback. Condizione: New. In fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.

Dos carré collé. In-8 (14,5 x 21 cm), dos carré collé, 226 pages, texte en espagnol ; marques de frottement sur les plats, intérieur un peu bruni, par ailleurs assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande. Signo e imagen.

Paperback. Condizione: New. In fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.This book engages with the making and unmaking of Francoist kitsch aesthetics through the analysis of Spanish cinema. It examines five highly influential Francoist films produced from 1938 until 1964 and three later films by critically acclaimed directors Luis Buñuel, Guillermo del Toro, and Alex de la Iglesia that attempt to undermine Francoist aesthetics by re-imagining its visual and narrative clichés.

Taschenbuch. Condizione: Neu. Neuware - In fascist Spain, Francoism - like German and Italian fascism - produced its own particular brand of kitsch. Deploying religious and historical iconography drawn from Spain's centuries-long struggle against Islam, Francoist ideologues created a kitsch interpretation of Spain's historical past designed to replace more complex and nuanced accounts, where religious and historical iconography combined with kitsch aesthetics to project a picturesque, clichéd image of Spain. The ultimate goal of this vast production of Francoist kitsch was to produce a submissive subject who, by identifying with Francoist aesthetics, would identify with state ideology.