yau chang foo (4 risultati)

First Edition. Illustrated with 56 collotype plates, 48 concerning paintings and represented by 36 full-page monochrome plates, 3 full-page color plates, 7 manifold monochrome plates, and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy, and 3 full-page plates of seals. The multi-folding plates, provide the opportunity to view an entire painted scroll or long painting. Title-page printed in red and black. 72 paintings from pre-T'ang times into the Ch'ing dynasty are discussed. Each painting is described and the translation of its seals and inscriptions provided. Large Folio (15.25" x 11.5"), publisher's original green polished buckram cloth, the spine lettered in gilt, the upper cover with gilt decoration of a Chinese seal. xvi, 279 + plates pp. A fine copy, especially clean and bright, the binding very strong and showing virtually no wear, though with the mark of a cup which at some time was placed on the upper cover. The Supplement is in fine condition as well. FIRST EDITION, SCARCE. The Moore collection contains extraordinary illustrations from some of them most important painters and calligraphers in the long history of Chinese art. The subject matter of the book is traversed by the authors of the volume with scholarship and taste, their text being accompanied by the fine illustrations, most of them in monochrome and some in colour. The authors are full and illuminating in their descriptions, their biographical and bibliographical contributions along with their treatment of the inscriptions and seals. The reason for bringing the inscriptions and seals into the foreground is because "calligraphy has long been considered a major art by the Chinese who frequently valued the inscription on a painting as highly, or even more highly, than the painting itself. A number of the scrolls depicted have inscriptions which certify their authenticity and are also the calligraphy of famous scholars. These contain many valuable comments on the technique of painting and statements of historical and biographical importance. The seals on the scrolls are not only works of art in themselves, but are important as a record of the painting or as an expression of appreciation of it." The painters represented come from various dynasties in their noblest estate, painters eloquent of the great virtues of the school--a peculiar magic in the interpretation of nature, felicity in composition and linear aspect. The plates provide well the Chinese ideas of beauty and style. R. Cortissoz.

Hardcover. Green cloth boards with gilt stamped lettering. 279 pp. Illustrations. "The personal seal [in Chinese] of Mrs. Moore reproduced on the title-page."--Introduction. Includes index of Chinese names, words, terms, and seals. Includes bibliographical references. Bibliography in English and Chinese. VG only light wear to extremities and minor soiling to boards.

Hardcover. Condizione: g+ to vg. First edition. Folio (15 1/4 x 12"). XVI, 279, [1]pp (Text), [56] leaves (Plates); 10pp (Supplement). Original gilt-stamped olive cloth, with gold lettering to spine. Title page with printed Chinese seal in red. A printed 10-page supplement published in 1941 laid in at rear. "The volume begins with an Introduction and a general description of the collection. These are followed by a description of each painting and the translation of its seals and inscriptions. At the end of the book is a chapter on seals, their carving and use, together with the photographic reproduction of 115 seals and a key with their translation and the identification of their owners, and Biographical Notes on the painters, commentators, poets, and seal-owners connected with the paintings. There are also an Index of Chinese names, words, terms and seals, with their Chinese characters, and English Indexes of proper names, seals (in translation), and miscellanea, covering such subjects as calligraphy, its styles and use as an art form; discussion of paper and silk, and of signatures; duties of officials, legends and stories connected with the paintings; paintings, ancestral, animals, birds, flowers and plants, religious subjects, and their use on special occasions and for special purposes, symbols and symbolism; technique, brush strokes, materials used and preparation of, and methods used for Buddhist paintings, buildings, flowers, etc, and by individual painters" (from the publishers). Of the 56 collotype plates featured in this work, 48 deal with paintings and are composed of 36 full-page monochrome plates, 3 full-page color plates, 7 manifold monochrome plates, and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy, and 3 full-page plates of seals. The paintings in the collection date from pre-T'ang times to the Ch'ing Dynasty, some of them among the greatest Chinese paintings known. Among them are the great landscape by Hsia Küei, and such recorded paintings as "An Assembly of Birds on a Willow Bank," attributed to Huang Ch'üan; "Snow, River, and Returning Boat," by Emperor Hui Tsung; "An Orchid in Autumn," by Chêng Ssu-hsiao; "Mountains and Water," by Mi Fei; "A White Prunus in Blossom," by Wang Mien, etc. Minor to moderate shelf wear. Binding in overall good+, interior in very good condition.

London etc., Oxford University Press, 1940, XVI,279; 10 (Supplement) pag., 56 (3 col.) collotype plates (of which 9 manifolding (2 col.), original gilt green cloth, folio (39x30,7 cm.). - Endpapers w. traces of long-gone insects; owner's entry. Very good copy. = Very rare. Including the 10-page supplement, which was published in 1941. "The volume begins with an Introduction and a general description of the collection. These are followed by a description of each painting and the translation of its seals and inscriptions. At the end of the book is a chapter on seals, their carving and use, together with the photographic reproduction of 115 seals and a key with their translation and the identification of their owners, and Biographical Notes on the Painters, commentators, poets, and seal-owners connected with the paintings. There are also an Index of Chinese names, words, terms and seals, with their Chinese characters, and English Indexes of proper names, seals (in translation), and miscellanea, covering such subjects as calligraphy, its styles and use as an art form; discussion of paper and silk, and of signatures; duties of officials, legends and stories connected with the paintings; paintings, ancestral, animals, birds, flowers and plants, religious subjects, and their use on special occasions and for special purposes, symbols and symbolism; technique, brush strokes, materials used and preparation of, and methods used for Buddhist paintings, buildings, flowers, etc, and by individual painters" (from the publishers).The paintings in the collection date from pre-T'ang times to the Ch'ing Dynasty, some of them among the greatest Chinese paintings known. Among them are the great landscape by Hsia Küei, and such recorded paintings as "An Assembly of Birds on a Willow Bank," attributed to Huang Ch'üan; "Snow, River, and Returning Boat," by Emperor Hui Tsung; "An Orchid in Autumn," by Chêng Ssu-hsiao; "Mountains and Water," by Mi Fei; "A White Prunus in Blossom," by Wang Mien, etc.