yokomizo hiroko (6 risultati)

Softcover. Condizione: VG+. A softcover exhibition catalogue. Pages: (2), 3-47, (1). Profusely illustrated with both color and black-and-white images. Hard to find exhibition catalogue.

Hardcover. Condizione: Very Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 25 x 34.5 cm.; 2.1 kg.; 240 pages with 220 illustrations in colour and black and white.; Includes several loose reviews of the book.; Used with signs of wear on the exterior and interior. The dust jacket shows minor wear marks, edge wear, scuffs and scratches. Interior with minor signs of wear.; From the 1860s through to the 1890s the rise of Japonisme and the Art Nouveau movement meant few could resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects - lacquer, metalwork, ceramics, enamels and other decorative items rich in new and exotic subject matter - stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868-1912) were displayed at international exhibitions, in the galleries of influential dealers and at fashionable stores in London, Paris and Vienna. Artists from Van Gogh, Whistler, Monet and Manet to Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been greatly influenced by that of Japan. Here, six renowned scholars and specialists examine the wider influence of Japanese art and design in Europe with superlative examples from the Khalili Collection, the world's finest collection of works from the Meiji period. They demonstrate that the Japanese influence on modern Western art has been far more penetrating than has been widely recognized.

Condizione: Fine. Number of books: 1.

Condizione: Gut. 1. 240 S. Sprache: Deutsch Gewicht in Gramm: 2000 Gebundene Ausgabe, Maße: 24.7 cm x 2.6 cm x 32.8 cm.

Gebundene Ausgabe. Condizione: Neu.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Japanese and English text.; Hardcover (cloth in slipcase).; 25 x 33.5 cm.; 2.6 kg.; 355 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The slipcase shows edge wear, namely a few scuffs and scratches throughout and a small bump at the middle of the spine. The hardcover cloth show minor edge wear. The interior show some wear marks, namely on the last page, which shows a wear mark and includes an ex-libris sticked to the top of the page. Remaining interior in very good condition.; "A large collection of sketches by SHIBATA Zeshin was transferred to The University Art Museum, Tokyo National University of Fine Arts and Music in 1975, by the daughter of Zeshin's third son UMEZAWA Ryushin. SHIBATA Zeshin was born in Ryogoku in 1807, and was active as a painter of the Maruyama Shijo school and as a makie lacquer artist during the end of the Edo period to the early Meiji period. He was one of the first Imperial Court Artists, and is one of the most talented among the Japanese artists of 19th century. However, because a great amount of his works were burnt or have left Japan, he was not known very well generally. The main sketches by SHIBATA Zeshin in our museum collection are the 112 draft sketches of the Chigusa-no-ma ceiling in the Meiji Palace, 10 sketches of the Sugito-e (paintings on the cedar doors) in the Meiji Palace, and his 95 sketchbooks. It is collection of high quality and a condensation of Zeshin's art. His expressions of plants depicted by flowing and accurate brushwork, supported by his keen observant eye, are first class art works worthy of appreciation equally to great paintings. Furthermore, they have a charm as reference material for various contemporary designs. It is a great pleasure for me as the director of The University Art Museum, Tokyo National University of Fine Arts and Music, to be able to publish this collection of SHIBATA Zeshin's designs and sketches, based on the results of recent research by our staff." foreword, March, 2005, TAKEUCHI Junichi, Director, The University Art Museum, Tokyo National University of Fine Arts and Music.