york kathy (14 risultati)

Soft cover. Condizione: Near Fine. 1st Edition. Square format pictorial card covers 10.5 x 10.5 inches with only very light edge rubs Near Fine; Exhibition December 1, 2011 - May 31, 2012.

Soft cover. Condizione: As New. Kathy Ryan (illustratore). A catalogue that accompanied an exhibit at the Museum of the City of New York from June 10 to September 13, 2009. This was one in a series of special exhibitions "surrounding NY400, the 400th anniversary of Henry Hudson's third voyage during which his ship, the Halve Maen (Half Moon) landed in New York, establishing a beachhead for Dutch trade and the settlement that would later become New York". This exhibit was conceived as a "collective portrait of the city sketched by the very best contemporary Dutch photographers." One of the sponsors of this exhibit was FOAM - Fotografiemuseum Amsterdam, which also published this catalogue. A brief introduction by Russell Shorto is followed by an essay by Kathy Ryan, the curator of the exhibit. This catalogue is profusely illustrated with color pictures by different Dutch photographers, including Rineke Dijkstr and Hendrk Kerstens, among others. Measures 9" x 11.75" with 96+ pages. Due to the size and weight of this book, additional shipping charges will be required for all deliveries outside the United States.

Trade Paperback. Condizione: Like New. Joel Avirom (Cover Design); New York Public Library (Cover Photos); Kathy Kikkert (Design) (illustratore). 312 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text.

paperback. Condizione: Fine. First Edition. Magazine. Assorted non-fiction articles, etc, including an interview [part 1 of 2] with Stanley Schmidt. Perfect bound [about 5.25" x 8.25"] pictorial wrappers, 64 pages, illustrated. Fine copy. whb9E.

Paperback. Condizione: Brand New. 112 pages. 10.39x7.48x0.31 inches. In Stock.

Hardcover. Condizione: New. Condizione sovraccoperta: New. In shrinkwrap. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Minor shelf wear; small bump at bottom of tail board. Else a bright, clean copy. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

Softcover. 1a. ed. 140x220 mm. Panorama de Narrativas 1.012. 200 p. Softcover. Rústica con solapas. Sprache: Spanisch, Ilustraciones b/n. Con prólogo de Eloy Fernández Porta. Cuando apareció en los setenta, se dijo de Kathy Acker que era la sucesora de Henry Miller, la primera pornógrafa feminista y la Patti Smith de la literatura pospunk. Sus libros fueron considerados «obscenos», «perturbadores» e «iconoclastas». Aborto en la escuela (1984) es su obra definitiva, la novela que acabó de encumbrarla. Janey, su protagonista, se va de casa porque su padre que también es su amante se ha liado con otra mujer, y emprende un largo viaje hacia el fin de la noche narrado mediante todo tipo de recursos: «cut-ups» a o Burroughs, reescrituras y parodias de otros escritores (Hawthorne y Sade, Shakespeare y Emily Brontë), dibujos (¿obscenos?, ¿pornográficos?) y poemas, así como las más vitriólicas diatribas contra la religión, el gobierno y el lenguaje de los biempensantes, tejen la trama de este libro caleidoscópico, especie de mil y una noches de pesadilla, soñadas en los bajos fondos de Tánger y Nueva York. Libro pionero y de culto, clásico moderno del feminismo rock que anticipó múltiples preocupaciones rabiosamente actuales. [Literatura norteamericana]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 20,70 (original price 23,00) **.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Spiral-bound. Condizione: Brand New. 72 pages. 11.61x8.39x0.35 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

17 (partly multiple) folded singleside printed original-graphic sheets in various techniques: Silkscreen, Woodcut, Etching, Lithograph etc. on all-different, precisely listed fine papers and cardboards, some of them with key-sentences by other Artists (John Cage, Bob Dylan, etc.). - Loose in publisher's typographically titled wing-folder with half-transparent paper-cover; 4to.(ca. 31 x 23 cm). *** FIRST EDITION, LARGESIZE ORIGINAL ARTISTBOOK, COMPLETE WITH ALL PARTLY NAIVE PARTLY ARTISTICALLY ELABORATE WORKS OF EXPERIMENTAL POP-ART, the large front wing whíth the Editors 'Meditation' on the key-subject; 300 copies printed according to the colophone. - A BEAUTIFUL SET.