zeke berman (22 risultati)

Softcover, unpaginated; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Good. bumped/creased, some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

Softcover. First Edition; First Printing. Soft Cover. Square 4to. Book Condition: Near Fine. Minor age-toning to wraps, otherwise fine. No inscriptions. No marks. Not Ex-library. F. Collectible.

Paperback. Condizione: Very Good. Unnumbered pages. 10 x 9 5/8. Glossy white wraps. No damage or markings noted.

Unpaginated, 21 plates with text on adjacent pages. Untitled 53.

Hardcover. Condizione: Like New. Condizione sovraccoperta: Like New. Stark Design (Jacket Design); Zeke Berman (Jacket Photo); Victoria Hartman (Design) (illustratore). 1st Edition. 224 pp. Clean, fresh copy and dj with very light shelf wear, crisp pages and clean text.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran December 11, 1991 through March 8, 1992. Features an essay by Heimerdinger and with an afterword by Andy Grundberg. Includes 21 full page black and white illustrations along with several smaller reference images, biographical information, list of previous exhibitions, and a bibliography. A very near fine copy in wrappers.

Paperback. Condizione: New. First Edition. 54 pages.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Fine. First Edition. Pictorial softcover. First edition. Book is in fine condition, crisp and clean, with tight binding and sharp corners. Fine black-and-white plates along with an engaging essay by Debra Heimerdinger. 4to. 56 pp. 933286597.

Paperback. Condizione: Very Good-. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Staplebound in card wraps. Very good minus, with moderate overall wear and no marks to text; some light sunning to top edge of front cover, light crease and small closed tear to same area of cover. Photo/16; 4to 11" - 13" tall; 12 pages.

Soft cover. Condizione: Near Fine. 1st Edition. First edition, first printing. Soft cover. Printed wrappers; no dust jacket as issued. Photographs by Zeke Berman. Essay by Deborah Heimerdinger. Afterword by Andy Grundberg. 56 pp., with 21 black-and-white plates. 9-5/8 x 10 inches. Near Fine (sunning to the extremities, slight crease to front cover, else Fine).

Softcover, staple-bound, 20 pages; very good condition; light rubbing to covers; no internal marks.

First Edition. First edition. Softcover. A terrific issue of this short lived photography magazine. Features writings by Douglas Coupland and Jonathan Franzen. Includes images by John Baldessari, Zeke Berman, Robert Flick, Masahisa Fukase, Per Manning, Edward Ruscha, William Wegman. A very near fine copy in wrappers.

Berman, Zeke (illustratore). First edition. Oblong 8vo., unpaginated with 21 leaves of plates from b&w photographs. A near fine copy in stiff wrappers. Text by Debra Heimerdinger; Afterword by Andy Grunberg. Issued as Untitled 53 and in conjunction with the exhibition held at Ansel Adams Center, San Francisco.

Paperback. Condizione: Very Good. Very light wear to wraps, very clean, no markings -- odd size too large for priority flat mail; 9.80 X 9.50 X 0.10 inches.

114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.

Condizione: Good. 4to. 16 pp. Very Good. Soft Covers. Stiff paper wraps. Minor spots on front cover. Staple binding. Pages fine. Includes 11 black and white plates. Rubber stamped on inside: Property of SF Camerawork. Scarce.

Condizione: New.

First Edition. First edition. Softcover. This issue features the images of among others Lee Friedlander, John Baldessari, Christian Boltanski, David Levinthal, Sally Mann, Zeke Berman, and Duane Michals. Also includes a conversation between Baldessari and Christian Boltanski. A clean very near fine copy in photo illustrated wrappers. Early issues of this important photography magazine are uncommon.

Condizione: Good. 4to. 32 pp. Stiff stapled pictorial wraps. Very good with marginal staining. Includes black and white plates.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.