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Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659816 ISBN 13: 9781469659817
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Aggiungi al carrellopaperback. Condizione: Very Good. Lyrical Strains: Liberalism and Women's Poetry in Nineteenth-Century America This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Lingua: Inglese
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Aggiungi al carrelloHardcover. Condizione: Brand New. 256 pages. 9.50x6.50x1.00 inches. In Stock.
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ISBN 10: 1469659816 ISBN 13: 9781469659817
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Aggiungi al carrelloPaperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Lingua: Inglese
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Analyses both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In its consideration of politics and poetics, this book offers a new approach to gen.
Lingua: Inglese
Editore: The University of North Carolina Press, 2020
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Lyrical Strains | Liberalism and Women's Poetry in Nineteenth-Century America | Elissa Zellinger | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2020 | The University of North Carolina Press | EAN 9781469659817 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: The University Of North Carolina Press, 2020
ISBN 10: 1469659816 ISBN 13: 9781469659817
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EUR 54,65
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poetsFrances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnsonwhose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.
Lingua: Inglese
Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
Da: Books Puddle, New York, NY, U.S.A.
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Lingua: Inglese
Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
Da: Majestic Books, Hounslow, Regno Unito
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Lingua: Inglese
Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
Da: moluna, Greven, Germania
EUR 112,20
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Aggiungi al carrelloCondizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorElissa Zellinger is assistant professor of English at Texas Tech University.KlappentextrnrnIn this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle t.
Lingua: Inglese
Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
Da: Biblios, Frankfurt am main, HESSE, Germania
EUR 157,47
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Lingua: Inglese
Editore: The University of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
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Aggiungi al carrelloBuch. Condizione: Neu. Lyrical Strains | Liberalism and Women's Poetry in Nineteenth-Century America | Elissa Zellinger | Buch | Einband - fest (Hardcover) | Englisch | 2020 | The University of North Carolina Press | EAN 9781469659800 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Lingua: Inglese
Editore: The University Of North Carolina Press, 2020
ISBN 10: 1469659808 ISBN 13: 9781469659800
Da: AHA-BUCH GmbH, Einbeck, Germania
EUR 133,89
Quantità: 2 disponibili
Aggiungi al carrelloBuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.